Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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I must have been pressing too hard. My fingers were so stiff and sore that I had to stop writing and flex my wrists for a while.

When I looked over what I had written, I found that not a word of it made any sense to me.

After writing for a while, I began to feel tired. At the edge of my field of vision, a glass sitting on my desk caught my eye. From it, the fragrance of fresh red wild strawberries was slowly spreading. I felt an immense thirst, so I got up and made a cup of tea. When I came back and sat down on the sofa again, I felt like there was someone sitting across from me, staring at me.

Just as I was about to sip my tea, I heard a voice whisper in my ear, "Drink, go ahead, drink."

How strange.

It started to rain, and when I jumped up from the sofa to close the window, I saw a thick silver-gray mist gathering everywhere, crushed down by the countless feet of the thickly falling rain, the entire city like a deserted ruin. Gradually, my thinking was steeped with the darkening color of the evening sky. It lurked behind every raindrop. Staring at those thoughts colliding with the approaching shade was like staring into my past. I jerked the curtains shut, refusing to face memories.

I hurried into the bathroom to go to the toilet. When I pulled the chain, there was a strange voice mingled with the rush of water: "thuss-pakezarathustra! thusspakezarathustra!"

Frightened stiff, I ran out of the bathroom.

But again, I heard a voice mingled with the thump of my feet, crying, "Endure, endure!" Chasing my feet, it beat them into the living room, where it circled and burst with a sound like a brick being dropped on the floor, leaving me totally helpless.

I couldn't take it anymore. Frightened out of my wits, I collapsed on the sofa.

In the ensuing days of confusion, to evade those overpowering fears, I started frantically putting down on paper any and everything that came into my head. I didn't eat, I didn't drink, I just kept madly scribbling – more and more and more:

Stray Lambs

The Bible says that God is a "shepherd" and that human beings are "lambs that have gone astray" and can't find their way home. This is seen as the essence of the human tragedy. I think that it is ridiculously naive for people to yearn to sit and talk as equals at God's table. Because they are not his equals, exchanges between them are impossible. If this is not so, then why don't we human beings have exchanges with extraterrestials? And why don't we have exchanges with ants? Because we exist on different levels. In relationships involving superiors and subordinates, exchanges are two-way in form, but the messages of the two sides are in essence totally different. The "shepherd's" concern for his "lambs" and the "lambs'" expectations of the "shepherd" are totally different. The main questions of concern for the "shepherd" are the quality of his mutton and wool, the fertility of his flock, how long it takes to fatten them for market, and the natural environment; while the "lambs" hope they will be well fed, that their keep will protect them from the cold, and that they will not feel the sting of the whip. If the "lambs" raised by the "shepherd" do not stay obediently in their fold or shed, but take it upon themselves to go into the "shepherd's" sumptuous home to exchange ideas, then of course they will have violated the ordinances of heaven and will be dealt with accordingly…

Concerning Miss Nothing

Put simply, there is no me. I should clarify what I mean by "there is no me." A cold wind blew into my brain through my forehead, dividing my hair into three crystalline, glittering brocade segments falling straight over my shoulders. These three segments represent the three sections of my mind. The part on the left is my unwillingness, which goes against my wishes; in the middle sits my equivocation – yes but no; and on the right, my desire. I stood in front of the mirror and looked at the black wings moving on top of my head. Those black wings, the color of June, suddenly snapped, but the bird on my head flew away, leaving only a thick heap of feathers. Each day was darker and more cheerless than the day before, as if the world were rotting away.

I wake up to discover that my skull is empty. An uneasy silence on the edge of words pervades my body. I am afraid, terribly afraid. I want to go home, back to that old familiar place. The door to the glass-enclosed, abandoned garden is tightly closed. She is not to be seen. She has been put into an oval wooden box. Her legs grow unsteadily out of the box. She is the expressionless face of death. This coffin walks toward me. I don't know what to do. A secret is hidden in its wreath of fake flowers.

Strangers keep coming over to shake my hand and flash some kind of secret and important hint to me about the existence of a "germ factory." I hear the sizzling of an atomic pile. Something keeps circling around me for some reason. Looking everywhere, I discover that this city is not my home; the square has disappeared. Even the rusty frames around the windows are gone. The sloping, narrow alley that used to kiss my feet is overgrown with weeds and moss. It is silent.

All the people that I knew masquerade in make-up, they are not real…

I no longer exist… I have disappeared…

I am Miss Nothing.

The New Emperor's New Clothes in Cartoon Captions

Q: "Hello. How come this cartoon is just a blank sheet of paper?"

A: "You mean to tell me you can't see it?"

Q: "Where are the new clothes?"

A: "The emperor is wearing them."

Q: "Then where is the emperor?"

A: "He left after he put on the new clothes."

Q: "Oh. So that's it. How stupid of me."

A: "So, you see, I'm a fantastic cartoonist."

One Way of Being a Master Teacher

You're a girl, stunning double-X chromosomes, so young and sexy you make a man's head spin. You see on the desk that XY-chromosome male chop, carved in relief, and the man sitting stiff and buttoned up behind it – the strategist, the maker of plans, the masturbator (sorry, master teacher – an inadvertent error), his big red fists the symbol of authority. You ring the rusty doorbell, but there is no response. He purposely busies himself with boring trivialities, his hands filled with countless numbers. Every number that falls on the paper has XY chromosomes. To him double-X chromosomes are germs, evil spirits. His clandestine yearning for double-X chromosomes cannot be openly, honestly put to paper. He shuns them for fear they can't be shunned. You step into the room and move toward him. He quickly backs away and huddles up in the corner, fearfully gripping his hat, hat in a hat… My hat, he shouts. As if your approach must make his hat fly away.

The Origin of Money

He constantly has to go for a piss – off to the washroom once every minute, back and forth, taking a drink and getting rid of it. Every visit is a solemn moment of hope and struggle. If the piss won't come, he strains with all his might, even for just one drop, while the thin liquid in his veins flows unconcernedly. He imagines his sperm are swimming freely in his bladder, frolicking like little minnows. If he keeps going to piss, he'll fill the bowl with flashing crystals of sperm. His sperm are his gold… so he can't stop pissing.

Artificial "Interpersonal Relationships" in the Garden of Mankind

I'll be "nice to you" if you'll be "nice to me." – This is not at all what "I" want in an "interpersonal relationship." Admittedly, one person's circumstances in life are very frequently influenced by the circumstances of someone else. "I" am not in complete charge of my own life. "My" happiness is very often a gift that "you" have given me. "I" exist only through "you." Nonetheless, I insist that it is only when "you" and "I" strip away our private agendas that we can have a genuine relationship. Our multifaceted world has obliterated the pure "you" and "me." "You" and "I" have already lost control of our destinies. Let me tell you a secret: "I" am not I, and "you" are not you. We don't know who we are. "You" are in make-up and "I" am a pretense. The masquerade ball in the garden of mankind is in full swing…

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