Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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Mother said that when summer came I grew as fast as the nettles in our courtyard.

Thus, with the passage of several summers, I was almost as tall as my mother.

The Wanjiao Primary School I attended had become an integrated ten-year primary and middle school, called the Wanjiao Key School. Entering this middle school, I remained one of Mr. Ti's students.

After the incident with the nude pictures, Mr. Ti remained hostile toward me, finding fault with me and rebuking me at every turn. As I grew taller, Mr. Ti was getting shorter, in my eyes, but his arrogance toward me was becoming more and more pronounced.

I could see that a number of my female classmates who had formed a circle around Mr. Ti were completely infatuated with him. Their eyes glued to him, they sat straight as pencils through his language and literature classes. After class they crowded around him with invented questions. They even imitated the way he tossed his hair, and would use pieces of chalk to mimic the way he flicked his cigarette butts out the window. Because I knew he didn't like me, naturally I kept as far away from him as possible.

It can happen in any class that someone will become the center around whom others gather, usually one of the teachers or one of the student leaders. Students will follow and attempt to ingratiate themselves with such a person for their own security and convenience, so they will not be ignored or rejected. But I don't like this kind of behavior. If I can't say what I want to say, then at the very least, I would rather be isolated and alone.

Once during class break, when a number of the girls were chattering as usual around Mr. Ti, in order to avoid the awkwardness of being marked a stranger or outsider, I bent over my desk, working on an assignment.

I chanced to raise my head to look directly into Mr. Ti's eyes as he stared out over the circle of little chatterboxes who were pinning him in on all sides. His gaze shot through me like an icy, burning jolt of electricity. I immediately looked down, to stare at the misshapen characters in my calligraphy exercise book. With their humped shoulders and drooping heads in their little square frames, they were a mess.

His voice rang out, "Ni Niuniu, you know it's against the rules to do your assignments during class break. Go to my office!"

Out of the corner of my eye I could see his huge, shadowlike frame suddenly towering over my desk.

I didn't dare raise my head to look at him. I knew that my face would flush crimson again if I did, because it already felt like it was on fire. I swallowed hard, trying to suppress the urge to hiccup brought on by the sudden tension.

I had no idea why he always had to shout at me, why he couldn't talk to me calmly and quietly. With my head still down, I looked at my pale, tightly clenched fingers as they methodically smoothed the creases out of a balled-up scrap of paper, then violently tore it to shreds as if it were Ti's hateful skin.

I eventually stayed my busy hands, then followed him reluctantly to his office.

Of course, I missed the next class, as I spent the entire time listening to his scolding. I refused to look at him, defiantly keeping my face turned away from him, while he repeatedly took me by either the shoulder or the arm to make me look at his stern face. When he ran out of things to say for a moment, he would stare at my face or my breasts, his eyes transfixed and blazing with fury, as if I were some sort of monster. I don't know what was different about me that so unsettled him.

He stared at me and also forced me to stare at him. He sat rigidly in a chair in front of the office desk and I stood on his right, near the latticed window. When I cast my eyes down I found that I was looking at the top of his head. I saw that his hair was naturally curly, dark chestnut in color, and pushed into a disheveled mess on the top of his head. Perhaps as a result of his sweating in the hot weather, it was very damp, as if he had just washed it, with a slightly salty smell, and it exuded an irrepressible vitality. A shaft of sunlight slanting in through the window fell upon his head in such a way that this curly mass of hair looked very much like a luxuriant bird's nest in a tropical rain forest.

When he eventually noticed that I was staring at his hair, he got up uneasily. Involuntarily he started running his hands through his hair and nervously shrugging his shoulders, as if the clothes he was wearing were uncomfortable.

From the expression in his eyes, I could tell that my staring at him like this left him bewildered, but, in fact, it was my intention to make him feel that way, in just the same way that his stare bewildered me.

Ti was definitely an unusual man.

Of course, at that time I had no way of knowing that the hostility in an overly proud man often stems from an arrogance of which he himself is unaware. The extent of his vilification of and indignation toward a person can in fact be in direct proportion to his attraction to and love for that person. In the same way, a man's ardor or importuning in the chase frequently stems from a deep-seated hostility, not from love.

There are a great many such contradictory and violent men, who cannot be gotten through to.

Through primary and middle school there was always a deep rift between me and those around me. At that time, our primary school grades and classes had graduated "all in one pot" into middle school. I should have been familiar with every face, but all through school I was like a newcomer. Never able to become part of the group, I had to learn to bear the feelings of rejection by strangers. But the other girls, with their hair done in braids or cut short, joined in the fun without any problems. For them, the school was their playground and their heaven, but not for me.

The pleasure of becoming part of a group is something that seems forever beyond me.

I remember very clearly the wood-grain patterns of the pale brown desks and chairs in the school, the rasping scratch of inferior chalk scraping on the blackboard, and my seat on the left side of the third row of desks from the window; and more than anything else, I remember every single humiliating incident that I endured. But I have very few memories of what went on among the students as a whole or among the little groups they formed.

Only many years later, when I read Maria Kuncewiczowa's The Stranger, did I begin to understand that you do not necessarily have to come from a strange place to be a stranger. It is only when you yourself feel like a stranger that you become one. Similarly, when you yourself feel that you are no longer a stranger, you cease to be one. This, of course, is only one way of looking at it. Another way that I look at it is that when you reach the point where you clearly understand everything going on around you, then nothing will be strange to you, and you will no longer feel like a stranger.

Thus, when I was a student, my classmates and I were strangers to one another despite our familiarity.

In fact, this phenomenon of estrangement in familiarity was to accompany me for many years to come.

In the house, in the scorching heat of summer, I usually wore just a long and very loose cotton top that reached past my bottom like a dress, so that much of my body was bare. As a result, I had plenty of opportunity to observe the physical changes I was going through. Stirred by the way Mr. Ti glared at my face and chest, I spent long periods examining myself in the mirror. To my surprise, I discovered that there really were some changes. The first thing I noticed was my breasts, which I felt were suddenly becoming round and full. After watching them for a number of days, I thought it seemed like there were lumps of dough rising in them, making them swell more every day. I also felt a faint pain there that I had never felt before.

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