Douglas Coupland - Miss Wyoming

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Miss Wyoming: краткое содержание, описание и аннотация

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The eponymous heroine of Miss Wyoming is one Susan Colgate, a teen beauty queen and low-rent soap actress. Dragooned into show business by her demonically pushy, hillbilly mother, Susan has hit rock bottom by the time Douglas Coupland's seventh book begins. But when she finds herself the sole survivor of an airplane crash, this "low-grade onboard celebrity" takes the opportunity to start all over again:
She felt like a ghost. She tried to find her bodily remains there in the wreckage and was unable to do so.... Then she was lost in a crowd of local onlookers and trucks, parping sirens and ambulances. She picked her way out of the melee and found a newly paved suburban road that she followed away from the wreck into the folds of a housing development. She had survived, and now she needed sanctuary and silence.
She's not, of course, the only Hollywood burnout who'd like to vanish into thin air. Her opposite number, a producer of big-budget, no-brainer action flicks named John Johnson, stages a similar disappearing act. After a near-death experience, in the course of which he is treated to a vision of Susan's face, he roams the western badlands. And even after his return to L.A., Johnson is determined to unravel the mystery of this woman's fate.
Throughout, Coupland displays his usual gift for capturing the absurdities of modern existence. The distinctive minutiae of our age--junk mail and fast food, sitcoms and Singapore slings, and the "shop fronts bigger and brighter and more powerful than they needed to be"--come to vivid, funny life in this author's hands. And while Susan and John occupy center stage, Coupland is just as generous with his peripheral characters. A scriptwriter and his supernaturally intelligent girlfriend, a recluse who spends his evening generating Internet rumours--all manage to be blessed and cursed, numbed by their pointless existences but full of humanity when put to the test. Picture Joseph Heller and Kurt Vonnegut collaborating on a Tinseltown version of Zen and the Art of Motorcycle Maintenance and you come halfway to grasping Coupland's brand of thoughtful, supremely funny storytelling.

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Storms of applause.

Title clinched.

Marilyn found that Susan had been difficult of late, alternately insolent, silent, crabby and apathetic. The Miss Wyoming title, rather than making Susan buoyant, merely threw her into some sort of moody teenage dungeon, and afterward each time Marilyn and Susan needed to talk about pageant business, Susan would merely roll her eyes, moo, and return to one of what was an ever growing pile of books with disturbingly uncheerful titles like Our Bodies, Our Selves and Mastering Your Life. The drive to Denver had been particularly taxing, owing to both Susan's sulkiness and to an Interstate pileup outside of Colorado Springs that left one trucker dead, six cars munched and a confetti of broiler chickens and Nike sneakers strewn across the median. The remainder of the drive was somber, and nearing the hotel, Susan seemed to have reached a decision of some sort, and cheered up once more, the way she'd been back before — back before when ?

Marilyn watched Susan flow through that evening's pageant with a previously unseen ease. She walked like a Milanese model and held her head up high like a true Wyoming cowgirl. She was good, and Marilyn knew it and, like most show moms, kept one eye glued to her offspring, the other on the evening's quintet of semi-loser judges: the local modeling school doyenne, a drive-time FM radio jock, a disco-era Olympic gymnast, a walking hard-on from the local baseball team, his leg in a cast, and «Steffan,» a humorless local designer with a midlife-crisis ponytail. Marilyn looked at the faces of the judges, the speed and confidence with which they jotted their numerical ratings onto the score sheets, and knew Susan was a shoo-in as a finalist. Backstage during the final costume change, Marilyn couldn't help but preen: «Sweetie, you're just killing them out there.»

Susan removed her key from where she and many other contestants stored theirs — duct-taped to her belly just above the pubic hair so as to preclude vandalizing of gowns and accessories in the locker areas. She and Marilyn prepared the final gown. «You'll never guess why I'm doing so well tonight,» Susan said.

«Whatever it is, just keep on doing it.»

«You sure about that?»

«Win, sweetie, win. It's all there is.» Marilyn zipped Susan up and checked her hair. «Turn around — lint check.»

Susan turned and the overhead lights blinked: time to get back onstage. «What's tonight's secret then, sweetie?» Marilyn asked. «Let me in.»

Susan stood in the wings with the four other finalists, Miss Arizona, Miss Maine, Miss Georgia and Miss West Virginia. The stage lights glowed like the sun through a grove of leafy trees. «The reason is, » she said, just before the emcee called out «Miss Wyoming,» «that I no longer give a rat's ass.»

Marilyn's heart chilled. Susan went onstage. With dread, Marilyn returned to her table, where a broad assortment of now drunk show moms and show dads were clapping with near Communist precision and zest. Trish, living in Denver that summer, was along for the evening's ride. She occupied a $45 seat to Marilyn's right. She asked Marilyn if she was okay.

«Just fine, hon. Just fine.»

The emcee introduced the skill-testing-question portion of the evening's events, and asked the five finalists to enter the «Booths of Silence,» which were actually a series of plywood stalls painted robin's-egg blue, fronted with a sheet of clear Plexiglas. Inside, Whitney Houston music blared to the exclusion of all other noises — just the sort of yesteryear propping that Marilyn thought kept this particular pageant entirely B-list.

Susan was fourth out of her stall, having watched Miss Maine, Miss Georgia, and Miss Arizona come onstage before her. She left her booth, hearing the click of Plexiglas on plywood. She sashayed up to the green electrical tape strip that was her floor marker. She saw that the emcee was as handsome as Eugene Lindsay — Why is there never a woman emceeing these things? Why is it always some variation of a Qantas pilot crossed with a Pentecostal evangelist? His teeth, lips, Adam's apple and chin worked in symphony, and Susan heard: «Susan Colgate: A UFO lands in your back yard and a little green man pops out of it and says to you, “Hello, Earthling — please tell me about your country.” What do you tell this little green man?»

Susan thought about this question. Why would an alien even know about the concept of countries? Were countries a universal concept? Did they have countries on Betelgeuse or on Mars? She thought about what a ridiculous spot she was now in. How many times had she been in just such an artificial situation where she was put on trial with fatuous, clownlike questions like something out of the Salem witch trials? Susan looked into the emcee's eyes and she could tell he was hosting the evening's event because he needed the money. Gambling debts? An addiction to sexual novelties or to Franklin Mint collectible ceramic thimbles? What was with his hair? Was that a trace of a scar on his left eye? Oh God, there still remained this idiotic question to be answered. The audience was so quiet. The lighting was so bright!

Aliens … She thought of cartoon aliens endorsing presweetened breakfast cereals. Pictures of Mexicans flashed through her head. She recalled the moods she had when she was on the road, driving to pageants — the hotel rooms and freeways and taxis and forests and grocery stores and all of the people she'd ever seen across the country, churning, scrambling and going — going forth — into some unknown.

She replied, «I'd tell that little green man that we're a busy country, Ken.» Marilyn safety-pinned the names of the emcees onto gowns before storing them in backstage lockers. «I'd tell him that we like getting things done here in the USA, and that we're always on the lookout for newer, better ways of doing them. And then, Ken» — Susan decided to speak to the emcee as a person and not a robot — «and then I'd ask the little green man if he'd take me for a ride in his UFO, and I'd say, “Take me to Detroit! Because there's tons of people there who'd like to learn from this little UFO ship of yours — because you know what? These UFOs look like a dandy new way of doing things faster and better. That's the American way.” Then, I guess, the two of us would lift off and cross this big country of ours. You might even call it a date. That's what I'd say, Ken. That's what I'd do.»

Her smile was clean, her eyes direct, and the crowd loved her.

Miss West Virginia was next. She was going to tell the little green man that the USA was a free country and that if he had a problem with that, he could leave, then and there. This was a negative reply and only garnered weak clapping, and sure enough, Miss West Virginia came in as fourth runner-up. Miss Maine was third, Miss Georgia was second runner-up and then, «In the event that Miss USA Teen is unable to fulfill her duties the first runner-up will assume those responsibilities. The first runner-up is Karissa Palewski, Miss Arizona, making Susan Colgate, the new, Miss USA Teen!»

A flash of kisses, flashbulbs and roses. A sash. A scepter. The previous Miss USA Teen, Miss Dawnelle Hunter, formerly Miss Florida USA Teen, emerged from the wings with a platinum tiara which she nested and pinned onto Susan's hair. From all sides came clapping, and a gentle tickle in the small of the back from Ken propelled Susan up to the front where she was to make the briefest of acceptance speeches.

Marilyn was at their table, electrified. The runners-up, or, as Marilyn would say, «the losers,» formed a sparkling multicolored backdrop behind Susan.

The floor calmed.

All was silent.

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