Douglas Coupland - Miss Wyoming

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Miss Wyoming: краткое содержание, описание и аннотация

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The eponymous heroine of Miss Wyoming is one Susan Colgate, a teen beauty queen and low-rent soap actress. Dragooned into show business by her demonically pushy, hillbilly mother, Susan has hit rock bottom by the time Douglas Coupland's seventh book begins. But when she finds herself the sole survivor of an airplane crash, this "low-grade onboard celebrity" takes the opportunity to start all over again:
She felt like a ghost. She tried to find her bodily remains there in the wreckage and was unable to do so.... Then she was lost in a crowd of local onlookers and trucks, parping sirens and ambulances. She picked her way out of the melee and found a newly paved suburban road that she followed away from the wreck into the folds of a housing development. She had survived, and now she needed sanctuary and silence.
She's not, of course, the only Hollywood burnout who'd like to vanish into thin air. Her opposite number, a producer of big-budget, no-brainer action flicks named John Johnson, stages a similar disappearing act. After a near-death experience, in the course of which he is treated to a vision of Susan's face, he roams the western badlands. And even after his return to L.A., Johnson is determined to unravel the mystery of this woman's fate.
Throughout, Coupland displays his usual gift for capturing the absurdities of modern existence. The distinctive minutiae of our age--junk mail and fast food, sitcoms and Singapore slings, and the "shop fronts bigger and brighter and more powerful than they needed to be"--come to vivid, funny life in this author's hands. And while Susan and John occupy center stage, Coupland is just as generous with his peripheral characters. A scriptwriter and his supernaturally intelligent girlfriend, a recluse who spends his evening generating Internet rumours--all manage to be blessed and cursed, numbed by their pointless existences but full of humanity when put to the test. Picture Joseph Heller and Kurt Vonnegut collaborating on a Tinseltown version of Zen and the Art of Motorcycle Maintenance and you come halfway to grasping Coupland's brand of thoughtful, supremely funny storytelling.

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She turned the corner onto her block to see the lower portion of the house completely ablaze, flames shooting out the windows like water raging down a river. More fire engines arrived, as if from the sky, just as Susan saw the top half of the house collapse into the bottom half.

It was the plane crash repeated — the flames, the havoc, the unreality. She closed the car door tightly and walked toward the pyre. A fireman warned her to stay away, but she ignored him, stumbled over a fire hose and heard the firemen yelling at one another:

* «Fastest fire I've ever seen. Zero to sixty in two seconds.»

* «Almost like it was planned this way.»

* «Anyone in there?»

* «Won't know until tomorrow. Assuming there's anything left.»

* «Family? Christ. »

* «No. It's that old weather guy — Evan something. From back in the eighties.»

* «Before my time.»

* «Real coot. Lived alone. Collected trash, the neighbor said.»

The front facade of the house tumbled into the barbecue pit that was once home. All eyes were on the fire, none on Susan, who felt trapped and damned in some sort of sick cosmic loop as she turned around and ran back to the car.

She started the car. Already the show was ending outside — not much remained to burn. She pulled away, wanting to find a highway, any highway, crying furiously, hitting her face, bruising it in anger. She found the freeway and raced onto it. She drove with the high beams on because she knew she was now in some rarefied darkness.

Susan remembered a New Year's Eve she'd once had, back in the eighties. She'd been in Larry's Jaguar and the two of them had gotten lost on the way to a party at Joan Collins's house. They'd already gotten a late start, and then the car needed gas. They'd taken the wrong freeway exit, and the net result was that at the stroke of midnight they were on the Hollywood Freeway, one car among hundreds — millions — around the world, driving through the night, through all the great changes, through those moments when one era turns into another.

Her eyes became cosmetic blots. She couldn't see and she pulled into a gas station and washed her face in the rest room. She fumbled in her purse and cried when she found a small photo of Eugene among the other things. And then she found the folded-up letter she'd rescued from the shrine to her back at the Flight 802 crash in Seneca — Randy Montarelli of 1402 Chattanauqua Street, Erie, Pennsylvania. She went into the convenience store, full of rush-hour shoppers, stole a map and got back into the car and drove, north and then east, from Bloomington to Indianapolis to Akron to Cleveland.

Around midnight she drove into Erie, Pennsylvania, where she pulled out the map and rattled through its flaps until she found what she wanted. Then, in what turned out to be a dozen or so contractions later, she banged on the front door of Randy Montarelli's town house. He opened it wearing a cucumber facial mask, with a TV blaring in the background playing a pretaped episode of Matlock. The odor of popcorn filled the air like hot salty syrup. Red-eyed, Susan ripped off her wig. Her hair was sticky, her brain racing. She crossed Randy's threshold and dropped herself onto the couch where she produced, before the TV program was over, a perfect baby boy.

Randy's afghan dogs, Camper and Willy, were whimpering in the spare bedroom. Randy held the baby in his arms while Susan yelled at him to cut the umbilical cord, which he did.

Chapter Twenty-two

«You hag, stop trying to change me. God dammit, I can't ever remember a single moment in my life when you weren't trying to twist me into something other than who I am.»

«Are you through yet, sweetie?»

They were in Denver for the Miss USA Teen competition. Mother and daughter were conducting their conversation through clenched teeth, mouths smiling. They were breakfasting in the Alpine Room of the Denver Marriott. It was seven-fifteen Thursday morning, at an orientation meeting and «Prayer Wake-Up with Turkey Sausage — Turkey, the Low-Fat Pork Substitute.»

Such pre-event meals were standard pageant procedure, and at them, gown lockers and keys were assigned. Susan also filled out sign-up sheets to set up a time slot for a video photo-op tour of the city of Denver, the footage to be edited into a big-screen montage and shown during the Sunday night awards ceremonies.

Meal time changes were announced, and lunch that day was to be shared with a local den of Rotarians. «So we can hook ourselves up with a fuck-buddy,» Susan laughed.

«Susan!» Marilyn slapped her daughter, who smiled, because as with most slappings, it's the struck who wins the match.

«Classy, Mom. Real swanke roo ! I don't think anybody in the room missed it. There goes my Miss Congeniality trophy.»

«Only losers win Miss Congeniality, Susan. Aim higher.»

Since the move to Cheyenne a few months before, just after her cosmetic surgery, Susan had grown positively mutinous. She had no friends in that surprisingly flat and dusty Wyoming city, and her high school days were finally over after having received a C2 average from an exasperated McMinnville school, blissful to have Marilyn out of its hair. Susan lived her days as might the favored member of a harem, painting her toenails, foraging for snack foods and absorbing anything possible from the local library up the street, eager to broaden her world's scope and to learn of possible ways out of pageant hell: Thalidomide, the Shaker religion, witch dunking, the Yukon Territory and Ingrid Bergman.

On the drive to Denver from Cheyenne, Susan did some math in her head. She realized that counting all of her wins over the past decade, little if any money was ever fed back into improving the Colgate family's quality of life. All the loot, she figured, was cycled right back into gowns, surgery, facials, voice and singing lessons. Susan had, until that math exercise on the drive down to Denver, thought of herself as the family breadwinner, the plucky little minx who kept her family away from the destructive intrusion of social workers and the rock-bottom fate of shilling burgers at Wendy's. She now understood that in continuing the pageant circuit, she was only fueling the fire of her own pageant hell.

The Miss USA Teen pageant was a national contest, but not one that Marilyn would concede was A-list like Miss America, Miss Teen America — or even Mrs. America. The winner of the Miss USA Teen pageant would receive a Toyota Tercel hatchback, a faux lynx fur evening coat, $2,000 toward college tuition, and $3,500 cash, along with a gown endorsement contract.

Susan had easily clinched the Miss Wyoming Teen title, and Marilyn acted like a crow raiding another bird's nest as Susan twinkled her way through a competition that was hokey, amateur and pushover. It was essentially four car-stereo speakers, a borrowed room at the community center (the sound of basketballs from the next room punctuated the event like a random metronome) and a feedlot of tinseled yokels who knew nothing about ramp walking, cosmetics, accessorizing, stage demeanor or the correct manner of answering skill-testing questions. The question asked of Susan had been: «If you could change one thing about America, what would it be?» Marilyn knew that the easy and obvious answer would be peace and harmony, but Susan's answer, delivered in tones Marilyn found suspiciously heartfelt, was, «You know what I'd change?» A pause. «I'd like to make us all stop squabbling for just one day. I'd have citizens sit down and talk about what it means to live in this country — all of us sitting down at the world's biggest dinner table, agreeing to agree, all of us trying to find things that bring us together instead of the things that keep us apart.»

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