Ben Elton - Dead Famous

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"A book with pace and wit, real tension…and a big on-screen climax."
From a celebrity performer, bestselling author of Popcorn and Inconceivable, a stunning satire on the modern obsession with fame.
One house. Ten contestants. Thirty cameras. Forty microphones.
Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest.
Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then suddenly, there are some new ones.
Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty cameras? Why did they do it? And who will be next?
***
Amazon.co.uk Review
Ben Elton's Dead Famous brings together his talents in comedy and crime writing to produce a hilarious and devastating novel on the gruesome world of reality TV. Peeping Tom productions invent the perfect TV programme: House Arrest. Its slogan is: "One house. Ten contestants. Thirty cameras. Forty microphones. One survivor." This is all a clever parody of the massive TV hit Big Brother, with its vain, ambitious contestants with their tattoos and their nipple rings, their mutual interest in star signs, their endless hugging and touching, and above all their complete lack of genuine intellectual curiosity about one single thing on this planet that was not directly connected with themselves.
However, Elton adds a clever twist to this very funny send-up. On Day 27 of the programme, one of the housemates is killed live on TV. Everyone in the country has a theory about the killer, "indeed the only person who seemed to have absolutely no idea whatsoever of the killer's identity was Inspector Stanley Spencer Coleridge, the police officer in charge of the investigation". Coleridge is an old fogey from the 1950s, who has to learn quickly about lesbians, piercings, blow jobs and the seductions of TV fame before he can crack the case. Elton's wicked parody of the housemates is brilliant, the murder fiendish in its ingenuity, and the ending wonderfully over the top. Dead Famous is great fun, and even has some social comment thrown in for good measure.

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“You saw the sheeted figure return to the sweatbox and go inside it?”

“Yes, we all did.”

“What happened then?” Coleridge asked.

“We sat and watched. Kelly was still on the bog but covered in this sheet.”

“You didn’t think that was strange?”

“Well, of course we thought it was fucking strange, but the whole thing’s fucking strange, isn’t it? We didn’t know what was happening. As far as we knew there’d been a bit of malarkey with the sheets, that was all. I mean, come on, inspector, we weren’t expecting a murder, were we? I think we sort of presumed she’d fallen asleep. They were all completely pissed. It would have been strange if things hadn’t been strange.”

“Then what?”

“Well, we saw the puddle, didn’t we?”

“How long would that have been after the figure in the sheet had left the toilet?”

“I don’t know. Five minutes, max.”

“Yes, that’s what the operator in the camera run said.”

“Does it matter?”

“The editor and his assistants thought it was more like two.”

“Maybe it was, I don’t know, it seemed like five minutes. Time drags a bit when you’re sitting staring at a bird on a bog covered in a sheet. What’s it say on the video time code?”

“Two minutes and eight seconds.”

“Well, you know, then. What are you asking me for?”

“So then you saw the puddle?”

“Yeah, suddenly we could see a wet sort of dark shiny glow spreading out from around the toilet.”

“Blood?”

“Well, we know that now, don’t we?”

“It must have occurred to you then.”

“Well, of course it did, but it just seemed so impossible.”

“The sheet was already sodden with it. Why didn’t you see that?”

“As you know, the sheet was dark blue. The stain didn’t show up on the night camera. All the sheets in the house are dark colours. Our psychologist reckons it’s more conducive to people having sex on them.”

“So what then?”

“Well, I’m embarrassed to say, inspector, that I screamed.”

DAY TWENTY-SEVEN. 10.00 p.m.

They had been inside the sweatbox for a few minutes now, waiting for their eyes to get used to the darkness. It was useless trying to see anything, however. The blackness was complete.

“Let’s play truth or dare,” Moon’s voice called out of the darkness.

“Dare?” said Dervla. “Jesus, what more of a dare could we think of than this? We’ve already had to strip naked, for heaven’s sake.”

“I can think of a few things,” Gazzer grunted.

“Well, keep them to yourself, Gaz,” Dervla replied, managing to make her voice sound almost prim, which was some achievement considering the situation they were all in. “Because I’m not shaggin’ any of yez.”

Dervla’s voice and intonation were getting closer to Dublin with every syllable she spoke. She always took refuge in the comfort and protection of the tough, highly credible accent of her childhood when she felt vulnerable. “Jesus, me mother’d kill me, so she would.”

“All right, then,” Moon conceded. “Let’s just play truth, then. Somebody ask a question.”

Now another voice rang out of the darkness, a voice that was jarring and bitter. “What would be the fucking point of asking you to tell the truth, Moon?” It was Sally’s voice, and it struck a disturbing note. Its hard, nasty edge cut through the drunken badinage.

“Hey, Sally,” Moon replied, angry and defensive. “I were having a fookin’ laugh, all right. Get over it, why don’t you?”

“What’s that, then?” Garry asked. “What’s been going on with you birds?”

“Ask Sally,” said Moon. “She’s the one who can’t take a joke.”

But Sally remained silent. And would not get over it either. She had no intention of getting over it, ever. Moon had done a despicable thing. She had hijacked the terrible suffering of the abused and the mentally disturbed to score cheap points. One day Sally intended to make Moon aware of the offence that she had caused.

“Oh, fook it, then,” Moon continued, “and fook you, Sally.”

There was a movement in the box. Somebody was leaving.

“Who’s that?” Hamish asked.

“Who’s got out?” said Jazz.

Sally was already outside the box. “I’m going for a slash,” she said.

“Well, make sure you come back,” said Jazz. “We all have to do this or we all fail.”

“I know,” Sally assured him.

In the monitoring box they watched as Sally came out of the boys’ bedroom and crossed the living area to the toilet. Sally had not bothered to take up a sheet to cover herself, but Geraldine was less than thrilled.

“Well, not bad, I suppose, but she’s hardly one of the lookers,” she moaned. “And, anyway, we’ve seen her bloody great kajungas hundreds of times. What we need is Kelly or Dervo to give us a full frontal.”

Geraldine stared wearily at the screen. “And I do wish she’d get that bikini line done. I mean, look at it. It’s just not necessary. I’ve known lesbians with beautifully styled fur burgers.”

Bob Fogarty reached for a comforting pound or two of chocolate.

While Sally was away Moon resumed her theme. “Come on, are we having a truth game or what? Let’s have a juicy question.”

And of course Garry asked the inevitable one. “All right. We all have to say who we’d shag in the house if we had to do it or die.”

“Dervla,” said Jazz, and as he said it he realized that he had responded rather embarrassingly quickly. He was rewarded with a chorus of “Whoos”.

“Jazz fancies Dervo. Jazz fancies Dervo,” Kelly chanted drunkenly.

“Well, I’m very flattered, Jazz,” said Dervla, “but as I said I’m not after looking for any nookie, so I’m not.”

“But if you were, Dervs,” Garry said, pressing his point. “Who would it be?”

“You have to answer,” said Moon. “We all have to answer.”

“Oh, all right, then,” Dervla replied. “Jazz, I suppose, but only because he’s been a gentleman and named me.”

“Me too, I’ll have him after you’ve finished with him,” said Moon, “’cos I reckon you’re dead fookin’ lush, Jazz. I can say it in here because it’s dark and I’m pissed and you can’t see me going red, but at the end of the day I’d bang your fookin’ brains out if I had a chance, so fair play to ya ’cos I think you’re brilliant.”

“Bang his brains out? That’d take all of ten seconds!” shouted Garry.

“You’re just jealous, Gazzer,” Jazz shouted back, “because it’s two nil to me! Two nil! Two nil! Two nil.” Jazz had turned his score into a chant.

Sally returned from the toilet. There was much groaning and giggling as she squeezed her way in among the naked bodies.

“I’ll tell you one thing, Jazz,” she said. “Listening to you and Gazzer I’m glad I’m a lesbian.”

“Yes, you’d better watch it, Jazz,” Dervla added. “I’m thinking about changing my vote.”

“Well, I’ll have Hamish, then,” Kelly shouted. “Because he’s a doctor and you’ve got to respect that, haven’t you?”

Actually Kelly fancied Jazz, like all the other girls except Sally, but she nominated Hamish because she wanted to be nice to him. She had been feeling guilty about the strange half-formed suspicion that she had harboured after their drunken night together and in particular about the fact that she had spoken to Peeping Tom about the matter. Not in so many words, of course, but she had gone to the confession box to ask whether anything had happened, which was a pretty clear indication of what she was thinking. That had been really bad of her. It must have looked to everyone like she was worried that Hamish had attempted to take advantage of her drunken state. Kelly knew that was a pretty major thing to imply about anybody, particularly a doctor, and particularly since she had by now definitely decided in her mind that nothing untoward had occurred in Copulation Cabin that night. Kelly wanted to make amends, and she reckoned by naming him as her preferred partner she was making clear that she harboured no further suspicions.

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