Ben Elton - Dead Famous

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"A book with pace and wit, real tension…and a big on-screen climax."
From a celebrity performer, bestselling author of Popcorn and Inconceivable, a stunning satire on the modern obsession with fame.
One house. Ten contestants. Thirty cameras. Forty microphones.
Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest.
Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then suddenly, there are some new ones.
Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty cameras? Why did they do it? And who will be next?
***
Amazon.co.uk Review
Ben Elton's Dead Famous brings together his talents in comedy and crime writing to produce a hilarious and devastating novel on the gruesome world of reality TV. Peeping Tom productions invent the perfect TV programme: House Arrest. Its slogan is: "One house. Ten contestants. Thirty cameras. Forty microphones. One survivor." This is all a clever parody of the massive TV hit Big Brother, with its vain, ambitious contestants with their tattoos and their nipple rings, their mutual interest in star signs, their endless hugging and touching, and above all their complete lack of genuine intellectual curiosity about one single thing on this planet that was not directly connected with themselves.
However, Elton adds a clever twist to this very funny send-up. On Day 27 of the programme, one of the housemates is killed live on TV. Everyone in the country has a theory about the killer, "indeed the only person who seemed to have absolutely no idea whatsoever of the killer's identity was Inspector Stanley Spencer Coleridge, the police officer in charge of the investigation". Coleridge is an old fogey from the 1950s, who has to learn quickly about lesbians, piercings, blow jobs and the seductions of TV fame before he can crack the case. Elton's wicked parody of the housemates is brilliant, the murder fiendish in its ingenuity, and the ending wonderfully over the top. Dead Famous is great fun, and even has some social comment thrown in for good measure.

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“I said , get back in your fucking box!”

Andy retreated with his camomile.

“Always trying to grab himself a few more lines, that bastard. I’ve told him, if he does one more beer ad voiceover he’s fucking out. I’m going to get a bird to do it next time, anyway… Stop it there!”

Fogarty froze the image of Sally’s face. Dribbles of shampoo foam ran down her temples; Kelly’s fingertips could be made out at the top of the screen. Sally’s hand was at her mouth, frozen in the moment of inserting a segment of tangerine into it.

“Run it on, but mute the sound,” Geraldine instructed.

They studied Sally’s silent countenance for a few moments, as her jaw moved about, her lips pursed and her cheeks became slightly sucked in, then the lips parted a fraction and the tip of her tongue licked them.

“Very nice,” Geraldine observed. “I love a bit of muted mastication, the editor’s friend. Right, chop the tangerine off the front and run that sequence mute under Kelly’s dialogue about finding head massage sensual.”

Fogarty gulped before replying. It really seemed as if this time he had had enough. “But… but, Kelly made that comment to David while they were having the rice, chicken and vegetables that Jazz cooked. If we drop it over Sally’s face it will look as if… as if…”

“Ye-es?” Geraldine enquired.

“As if she’s getting a thrill out of massaging Sally’s head!”

“While Sally,” Geraldine replied, “with her grinding jaw and tense cheeks, sucky-sucky lips and little wet tongue tip, is positively creaming her gusset, and we , my darling, have got what can only be described as a half-decent lezzo moment.”

The silence in the monitoring bunker spoke loudly of the unease felt by Geraldine’s employees. Geraldine just grinned, a huge, triumphant grin, like a happy snarl.

“We are in a ratings trough, you cunts!” she shouted. “I’m paying your wages here!”

DAY TWENTY-TWO. 6.10 p.m.

“Such a shame there was no eviction last night,” the young woman was saying. “The last one was terrific, although I was sorry to see Layla go. I mean I know she was pretty pretentious, but I respected the integrity of her vegetarianism.”

“Darling she was a poseur , a complete act, I hated her,” said the man, a rather fey individual of about thirty.

Chief Inspector Coleridge had been listening to them chat for about five minutes, and did not have the faintest idea who or what they were talking about. They seemed to be discussing a group of people that they knew well, friends perhaps, and yet they appeared to hold them in something approaching complete contempt.

“What do you think about Layla going, then?” said the man, whose name was Glyn, turning finally to Coleridge.

“I’m afraid I don’t know her,” Coleridge answered. “Is she a friend of yours?”

“My God,” said Glyn. “You mean you don’t know who Layla is? You don’t watch House Arrest ?”

“Guilty on both counts,” said Coleridge, attempting a little joke. He knew that they knew he was a policeman.

“You simply do not know what you’re missing,” said Glyn.

“And long may that remain the case,” Coleridge replied.

It was an audition evening at Coleridge’s local amateur dramatic society. Coleridge had been a member of the society for over twenty-five years and had attended thirty-three such evenings previous to this one, but he had never yet been offered a lead. The nearest he had got was Colonel Pickering in My Fair Lady , and that was only because the first choice had moved to Basingstoke and the second choice got adult chicken pox. The next production of the society was to be Macbeth , and Coleridge really and truly wanted to play the killer king.

Macbeth was his favourite play of all time, full of passion and murder and revenge, but one glance at Glyn’s patronizing, supercilious expression told Coleridge he has as much chance of playing Macbeth as he had of presenting Britain’s next entry for the Eurovision song contest. He would be lucky to score a Macduff.

“Yes, I am intending a very young production,” Glyn drawled. “One that will bring young people back into the theatre. Have you seen Baz Luhrman’s Romeo and Juliet ?”

Coleridge had not.

“That is my inspiration. I want a contemporary, sexy Macbeth. Don’t you agree?”

Well, of course Coleridge did not agree. Glyn’s production would run for three nights at the village hall and would play principally to an audience that wanted armour and swords and big black cloaks.

“Shall I read, then?” he asked “I’ve prepared a speech.”

“Heavens, no!” Glyn said. “This isn’t the audition, it’s a prelim chat . A chance for you to influence me , give me your feedback.”

There was a long pause while Coleridge tried to think of something to say. The table that divided him from Glyn and Val was a chasm. “So when is the actual audition?” he finally said.

“This time next week.”

“Right, well, I’ll come back then, shall I?”

“Do,” said Glyn.

DAY TWENTY-THREE. 3.00 p.m.

Sally was not yet satisfied with her new bright-red mohican hair.

“I just want a tuft,” she said, “like a shaving brush.”

“Well, just you leave it at that,” Moon said. “ I’m the bald bird in this house. Can’t have two of us, we’ll look like a fookin’ game of billiards.”

Sally did not reply. She rarely replied to anything Moon said, or even looked at her.

Dervla was relieved that Kelly elected to administer the haircut in the living area. It had been agony for her on the Saturday when Sally had done the dyeing in the bathroom. Dervla always rubbed out her messages, of course, and they were only condensation anyway, but seeing Sally with her face so close to the very place where they appeared had been most disconcerting. As Kelly washed Sally’s hair and the mirror steamed up, Dervla had been gripped with an irrational fear that a message might suddenly appear, there and then, right in front of Sally’s eyes. She knew that this was unlikely, unless of course the man had decided to start writing to Sally.

“All done,” said Kelly.

“I like it,” Sally replied, having inspected the little red tuft which was all that remained of her hair. “When I get out I’m going to have my head tattooed.”

“What will you get done, then?” Kelly asked.

“I thought perhaps my star sign. It’s the ram, except obviously I’m not having a male animal on my head, so I’d have to have a ewe.”

“Well, that doesn’t sound very empowering, Sally,” Dervla observed.

“Be a fucking lioness, Sal,” said Jazz. “I mean, let’s face it, them pictures they make out of the stars are just total bullshit anyway. Three bloody dots and they draw a bull round it, or a centaur. It’s ridiculous. If you actually do join the dots all you get is a splodge, like an amoeba or a puddle. Born under the sign of the puddle.”

“Actually, Jazz,” said Moon, “it’s not just about the fookin’ shapes, is it? It’s about the personality, the characteristics of people born under certain signs.”

“It’s bollocks,” Jazz insisted. “People say… Oh, Virgo, dead brave, or Capricorn, really clever and introspective. Where are the star signs for all the stupid boring people, eh? I mean, the world’s full of them. Don’t they get to be represented celestially? Taurus – we’re really dull and don’t get our rounds in… I could tell you was a Libra, they’re very flatulent.”

“You know fook all, you do, Jazz,” said Moon. “Do you know that?”

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