Айрис Мердок - The Nice and the Good

'Nobody needs me, Mary. Go and make my tea, there's a dear girl.'

Mary went away down the stairs in a state of irritation with herself. I'm no good, she thought. These encounters with Theo, her inability to reach him or see him, often he brought on a sort of self-pity which rendered his image even more indistinct.

Mary depended, more than she might have been willing to admit, on a conception of her existence as justified by her talent for serving people. Her failure with Theo hurt her vanity.

Downstairs she found Casie, no longer tearful but furious, already banging together another tea tray for Theo. As Mary passed on toward the back door she could now hear Barbara upstairs beginning to play something on her flute. The piercing husky hard-achieved beauty of the sound wrought on Mary's nerves. Her own utter inability to remember any tune gave music a special exasperating poignancy for her. Barbara's flute, although the child now played it well, was almost an instrument of torture to Mary. She wondered where Pierce was and whether the boy, lying in his room or hidden somewhere in the garden, was also listening to those heart-rending sounds.

The summer afternoon was very hushed in the garden and the air, thick with sun and pollen, dusted Mary's face like a warm powder-puff. The agonizing sound of the flute grew fainter. Mary mounted the pebble path and let herself out of the gate in the wall and began to go up the hill between the high banks of the lane. The banks were covered in white flowering nettles, a plant which Mary liked, and she picked a few as she went along and tucked them into the pocket of her blue and white check dress. When she got to the shade of the beech wood she. sat down automatically, out of a compulsive afternoon languor, upon a fallen tree, sitting astride the tree and gently rustling its skirt of curled beech leaves with her sandalled feet. The tree was smooth and grey above, but beneath the level of the leaves it curved inward with the colour and consistency of flaky milk chocolate, and as Mary sat upon it and stirred its flanks it gave off a light fungoid odour which made Mary sneeze. She began to think about Willy Kost.

Mary had for some time now been conscious of a sort of mounting distress which she connected with her relationship with Willy. She felt with him something of the same exasperated sense of failure as she felt with Theo, only with Willy it turn pre-eminently toucnawe. tie arrivea at irescomoe Cottage when Mary was already well established as whatever she was established as at Trescombe House, and she had immediately assumed a special responsibility for him. 'How's Willy?' other members of the household would tend to ask her. She had at first taken it for granted that Willy would soon confide in her and tell her all about his past, but this had not happened. No one even seemed to know for certain where Willy had been born. Ducane said Prague and Octavian said he thought Vienna. Mary had no theory, coming at last to accept Willy's sad European mysteriousness as a sort of physical quality and one which racked her tenderness more than any positive knowledge could have done.

Mary constantly told herself how lucky she was to live with so many people whom she loved and that surely so much love was enough to fill a woman's life. She knew perfectly well, with her heart's blood as well as with her mind, that loving people was the most important of all things. Yet she knew too that she was deeply discontented and she sometimes suffered fierce feral moods of confused yearning during which it seemed to her that her whole life was a masquerade and that she was piously acting the part of a kindly affectionate serviceable woman who was just not herself. Yet it was not that a rapture or a glory which had once shone around her had passed away from the world. The rapture and the glory whose hauntings she suffered had never manifested themselves in her life at all.

Her love for men had always been somehow neurotic and unfulfilled, and this had been true even of her love for her husband.

She had loved Alistair very much, but in a nervous, plucking, plucked at way, and though both her body and her mind had been involved in this love they had never been in accord about it. She had never been filled with her love like a calm brimming vessel. She had rather suffered it, as a tree might suffer a cold wind, and the image of a coldness was somehow mingled with her memories of marital love. Mary did not believe in analysing herself, and she had left vague the notion that sometimes came to her that this anxious unfulfilled sort of loving was the only kind of which she was capable.

Her relationship with Willy Kost was unsatisfying and even maddening to her but by now it had become very important and Mary could quite rationally hope that it would in time become better, easier, fuller. She did not any longer expect any great 'break through'. She did not expect, as she had done at first, that Willy would suddenly seize her hands and tell her all about what it was like in Dachau. In a way she no longer even wanted this to happen. But she did hope that some shrewd little genius which watched over her strange friendship with this man would see its way to bringing them, in gentleness and tenderness, much closer together.

'Willy, may I come in?'

'Oh, Mary. Come in, come in. Yes, I was expecting you. Have you had tea?'

'Yes, thanks.' In fact she had not had tea, but she did not want Willy to be moving about. She wanted him still, seated in a chair, while she moved about.

Willy subsided back into his low chair by the hearth. 'Some milk? I'm just drinking some.'

'No thanks, Willy.'

She began to roam up and down the room, as she usually did, while Willy, his legs stretched straight out and his heels dug into the wood ash, sipped his milk and watched her. They were often silent thus for a long time after Mary's arrival. Mary herself found that she needed some kind of physical recollection after she had entered Willy's presence. His presence was always a slight shock to her. In order to withstand him she had to weave her own web about his room, proliferate, as it were, her own presence to contain his.

Willy's cottage, a rectangular brick structure erected on the cheap by Octavian's predecessor, consisted simply of a large sitting-room with kitchen, bathroom and tiny bedroom beyond it at the west end. Most of the walls were covered with the bookshelves which Octavian had had the village carpenter make for the cottage after he had taken one look at Willy's crates of books. But on the south side looking towards the sea was a long narrow window with a wide white window ledge visitors, who seemed to have an urge to propitiate or protect him by the donation of often quite pointless gifts, offered or simply left, rather in the spirit of those who place saucers of milk outside the lair of a sacred snake.

Touching the window ledge automatically as she passed to see if it was dusty, Mary noticed two light-grey stones, lightly printed with curly fossil forms, probably donated by the twins, a small cardboard box full of birds' eggs, also doubtless from the twins, a mound of moss and feathers which looked like a disintegrating bird's nest, a paper bag containing tomatoes, a jam jar with two white Madame Hardy roses from a bush which grew outside Willy's door, a wooden plate with edelweiss painted on it which Barbara had brought Willy from Switzerland, a pair of binoculars, also the gift of Barbara, and a dirty tea cup which Mary picked up. As she did so she remembered the white flowering nettles which were still in the pocket of her dress. She went into the little kitchen and washed up the tea cup and one or two plates and knives which were on the side.

Then she took a large wine glass out of Willy's cupboard and put the drooping nettles into it and brought them back to the window-sill. Who had brought the roses in, she wondered. It would hardly have occurred to Willy to do so.