Peter Carey - Illywhacker

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Illywhacker: краткое содержание, описание и аннотация

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"Illywhacker is such an astonishing novel, of such major proportions, that before saying anything else one must record gratitude for its existence." – Geoffrey Dutton, Bulletin
"The finest and funniest picaresque novel yet written in Australia" – Peter Pierce National Times
"A great tottering tower of a novel which stands up astonishingly against all the odds." – Victoria Glendinning, London Sunday Times
"It is impossible to convey in a review the cumulative brilliance and accelerating hilarity of the prose." – Nicholas Spice, London Review of Books
"Awesome breadth, ambition and downright narrative joy…Illywhacker is a triumph." – Curt Suplee, Washington Post
"A sprawling, inventive and deeply absorbing saga…It is also one of the funniest, most vividly depicted, most entertainingly devious and bitterly insightful pieces of fiction to be published in recent years." – Alida Becker Newsday
Carey can spin a yarn with the best of them… Illywhacker is a big, garrulous, funny novel… If you haven't been to Australia, read Illywhacker. It will give you the feel of it like nothing else I know." – The New York Times Book ReviewIn Australian slang, an illywhacker is a country fair con man, an unprincipled seller of fake diamonds and dubious tonics. And Herbert Badgery, the 139-year-old narrator of Peter Carey's uproarious novel, may be the king of them all. Vagabond and charlatan, aviator and car salesman, seducer and patriarch, Badgery is a walking embodiment of the Australian national character – especially of its proclivity for tall stories and barefaced lies.As Carey follows this charming scoundrel across a continent and a century, he creates a crazy quilt of outlandish encounters, with characters that include a genteel dowager who fends off madness with an electric belt and a ravishing young girl with a dangerous fondness for rooftop trysts. Boldly inventive, irresistibly odd, Illywhacker is further proof that Peter Carey is one of the most enchanting writers at work in any hemisphere."A book of awesome breadth, ambition, and downright narrative joy… Illywhacker is a triumph." – Washington Post Book World

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52

There were too many things that Geelong could not explain or understand. Why would a healthy, happy man like Jack McGrath go sneaking into another man's bedroom and remove a hessian bag containing a snake? Why, at two o'clock in the morning, would he open this bag in the kitchen? And why, when he was bitten, would he walk out on to the front lawn to die in public (in his pyjamas) rather than raise his family and ask for help?

It was I who found poor Jack, poor grey-faced dead Jack. I could not bear his staring eyes. I can bear few memories of that dreadful day. I look at them still through half-closed lids against a too bright light. Molly in nightgown howling like a dog inside the music room. Mrs Kentwell standing at the fence ducking the clod of earth Phoebe hurled at her. Sergeant House with notebook suggesting I was not telling everything.

Gawpers, comforters, people with gifts of fruit turned away by Bridget, who would resign next day when the snake was still not found.

I joined the police search for the snake. I supervised the loading of the Morris Farman on to a flat-top wagon and rode with it to Barwon Common on which windswept expanse I tried to weep but all that came from me was a small ugly sound like a man might make when choking.

53

No point to dwell on this episode, to detail the various threats I received from men who thought themselves friends of Jack McGrath, amongst them the elder Cocky Abbot and the once friendly manager of the National Bank, or the strict instructions given mother and daughter to remove me from the house.

They stuck by me, my only allies. And even Molly, unravelled by grief, dizzy, vomiting, summoned up enough love to tell me it was not my fault.

When I did not leave the house as Geelong thought fit, the crowds of mourners who had followed Jack McGrath's coffin saw fit to ostracize the wife and daughter for their indiscretion.

Geelong lined up with Mrs Kentwell and cut them dead. All the fine fellows who had taken quids and ten-bob notes from Generous Jack, who had accepted hospitality, and laughed and drank and danced and scuffed up the floors of Western Avenue, now abandoned his family to solitary grief.

Phoebe slept with her mother. I made them bowls of bread and hot milk. I cannot remember how long this little hell went on for, only that Molly finally expressed a desire to go to Ballarat and Phoebe was sent to withdraw one thousand pounds from the bank. She also, for reasons I never understood, invited Annette Davidson to accompany us.

54

Ballarat, the Golden City, was in decline. The streets were peopled by dour cloth-capped men in braces. Shops were boarded up and there was a mean dispirited air about the place which was made no happier by the big white statue of Hargreaves and his Welcome Stranger nugget, the flower bed in Sturt Street or the feathery cirrus clouds that streaked pink across the pale evening sky.

Annette Davidson was sorry she had come. She, at least, had rallied to her friend and now she wondered why her friend had wanted her. Annette, when neglected, had a tendency to cynicism. She had cancelled two days of classes for which she would lose two days' pay and Phoebe, sitting between Annette and the widow, would not even take her hand. Why ask her then? She answered herself bitterly: to witness the theatre of her grief, to be spellbound, taunted, maddened, by the pale skin and red lips behind the veil.

It had been a terrible journey, conducted in a silence broken only by the small whimpering noises Molly made as she wound and rewound the cord from a bulky electric radiator around her wrists. No one had explained the function of the radiator to Annette and it was too grotesque to inquire after. Molly, however, had been more explicit about a large piece of cardboard cut in the shape of a toilet seat which she would not travel without. It had "up" written on one side and "down" on the other and, fearful that she might be compelled to carry the ludicrous object into a country hotel, Annette kept quiet about her most pressing and painful problem.

She wanted a pee.

She had assumed we would go straight to a hotel, but no one in the car seemed in any hurry at all. First, it seemed, they would have to find a Dr Grigson. Much as Annette felt pity for Molly she could not see why the visit could not be postponed until the morning.

Annette, who could wax lyrical about the working people of Paris, did not bring this view to those of Ballarat. Small boys with no shoes ran beside the car and their faces frightened her. She thought the Hispano Suiza an insult to their condition. Groups of men on street corners stopped their conversation and stared at us in silence. She saw a drunk vomit into a gutter and another pee against the green-tiled walls of Craig's Hotel.

Molly clutched at her wires. She could not remember the names of streets. She was as confused and shocked as a householder returning to a bombed-out city and her directions to me lacked confidence.

"Down here," she said. "Up here."

Phoebe stroked her mother's arms and dabbed at the beads of perspiration that appeared on her upper lip. She tried to loosen the wires which were cutting off circulation. She despatched me to ask directions. But no one knew of any Dr Grigson. They shook their heads before I had finished my question. They turned their backs. They walked away.

We circled the streets. The Crystal Palace Hotel had vanished. Nothing was the same. People came from their houses to watch the Hispano Suiza go by. They shouted and grinned and sometimes jeered. Annette found none of this reassuring. As a sympathetic student of the Bolsheviks she considered the working class of Ballarat with some trepidation.

"All gone," Molly said, "all gone."

But Dr Grigson's building in Lydiard Street was precisely where it had always been. It was one of those buildings that disappear from the eyes of a city's inhabitants. It no longer had any part in their lives and they did not trouble to spell out the bleached and peeling letters on the rotting fascia of the veranda. We passed it four times before Molly located it in the wrecked map of her memory and experienced, in that drop from memory to reality, the chronological equivalent of an exceedingly large air pocket.

"Oh dear," she said as she confronted this desolation. "Oh dearie, dearie me."

Annette was ready to pee on the footpath.

"The good Dr Grigson", she said dryly, "appears to be no more."

"Herbert will knock," Phoebe said and Annette sighed in irritation and held her hands between her knees. Oh God, she prayed, find me somewhere to pee.

I did as I was bidden and gained Annette's best cynical smile for my attempts at kindness.

The windows facing the street were painted cream like a dentist's surgery. I knocked on them. I hammered on the door from which the ancient paint, unused to such agitation, fell in a flurry of green flakes and adhered stubbornly to the sleeves of my dark suit. I stooped to look through the generous keyhole and when I shouted I could hear my voice echo through the empty passage.

I had no idea why Molly wished to see Dr Grigson. It would be another year or two before I became privy to such delicate secrets. For the moment, all I knew was that it was a pressing matter. I did not need to be instructed to go round to the back of the building. I signalled this intention to my passengers.

I scaled the high wooden gate in Dr Grigson's back fence, although the padlock was so rusted I might have snapped it with my bare hands. A pale light glowed in the upstairs window. I picked up a piece of coal and threw it at the window. I fancied I heard a cough. I threw another, larger lump and knew, before it hit the glass, that the throw had been too hard. I sucked in my breath as the window broke.

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