Michelle Kretser - The Lost Dog

Здесь есть возможность читать онлайн «Michelle Kretser - The Lost Dog» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Lost Dog: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Lost Dog»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

De Kretser (The Hamilton Case) presents an intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush. While the overarching story follows Tom's search during a little over a week in November 2001, flashbacks reveal Tom's infatuation with Nelly Zhang, an artist tainted by scandal-from her controversial paintings to the disappearance and presumed murder of her husband, Felix, a bond trader who got into some shady dealings. As Tom puts the finishing touches on his book about James and the uncanny and searches for his dog, de Kretser fleshes out Tom's obsession with Nelly-from the connection he feels to her incendiary paintings (one exhibition was dubbed Nelly's Nasties in the press) to the sleuthing about her past that he's done under scholarly pretenses. Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century.
***
‘A captivating read… I could read this book 10 times and get a phew perspective each time. It’s simply riveting.’ Caroline Davison, Glasgow Evening Times
‘… remarkably rich and complex… De Kretser has a wicked, exacting, mocking eye…While very funny in places, The Lost Dog is also a subtle and understated work, gently eloquent and thought-provoking… a tender and thoughtful book, a meditation on loss and fi nding, on words and wordlessness, and on memory, identity, history and modernity.’ The Dominion Post
‘Michelle de Kretser is the fastest rising star in Australia ’s literary firmament… stunningly beautiful.’ Metro
‘… a wonderful tale of obsession, art, death, loss, human failure and past and present loves. One of Australia ’s best contemporary writers.’
Harper’s Bazaar
‘In many ways this book is wonderfully mysterious. The whole concept of modernity juxtaposed with animality is a puzzle that kept this reader on edge for the entire reading. The Lost Dog is an intelligent and insightful book that will guarantee de Kretser a loyal following.’ Mary Philip, Courier-Mail
‘Engrossing… De Kretser confidently marshals her reader back and forth through the book’s complex flashback structure, keeping us in suspense even as we read simply for the pleasure of her prose… De Kretser knows when to explain and when to leave us deliciously wondering.’ Seattle Times
‘De Kretser continues to build a reputation as a stellar storyteller whose prose is inventive, assured, gloriously colourful and deeply thoughtful. The Lost Dog is a love story and a mystery and, at its best, possesses an accessible and seemingly effortless sophistication… a compelling book, simultaneously playful and utterly serious.’ Patrick Allington, Adelaide Advertiser ‘A nuanced portrait of a man in his time. The novel, like Tom, is multicultural, intelligent, challenging and, ultimately, rewarding.’
Library Journal
‘This book is so engaging and thought-provoking and its subject matter so substantial that the reader notices only in passing how funny it is.’ Kerryn Goldsworthy, Sydney Morning Herald
‘… rich, beautiful, shocking, affecting’ Clare Press, Vogue
‘… a cerebral, enigmatic reflection on cultures and identity… Ruminative and roving in form… intense, immaculate.’ Kirkus Reviews
‘De Kretser is as piercing in her observations of a city as Don DeLillo is at his best… this novel is a love song to a city… a delight to read, revealing itself in small, gem-like scenes.’ NZ Listener
‘… de Kretser’s trademark densely textured language, rich visual imagery and depth of description make The Lost Dog a delight to savour as well as a tale to ponder.’ Australian Bookseller and Publisher
‘A remarkably good novel, a story about human lives and the infi nite mystery of them.’ Next
‘Confident, meticulous plotting, her strong imagination and her precise, evocative prose. Like The Hamilton Case, The Lost Dog opens up rich vistas with its central idea and introduces the reader to a world beyond its fictional frontiers.’ Lindsay Duguid, Sunday Times
“[a] clever, engrossing novel… De Kretser’s beautifully shaded book moves between modern day Australia and post-colonial India. Mysteries and love affairs are unfolded but never fully resolved, and as Tom searches for his dog, it becomes apparent that its whereabouts is only one of the puzzles in his life.” Tina Jackson, Metro
‘A richly layered literary text.’ Emmanuelle Smith, Big Issue

The Lost Dog — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Lost Dog», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I can drive you back this evening. Or drop you at a station. No point us both wasting our time.’

‘So let’s say he’s dead. Don’t you want to keep looking anyway? We can still take him home.’

‘Hey, look.’

They bent over the wing: bone and cartilage and dusty brown feathers. Tom’s toes drew back in his boots.

‘Do you think…?’

He sniffed: nothing. ‘Probably been there for days.’

In the clearing nothing seemed to have changed. The smooth tyre, an assortment of damp rubbish. Tom had half expected the remains of brutality: smashed bones, slit corpses strung from trees. His foot stirred a set of fi lthy cardboard corrugations stamped with a brewer’s logo and uncovered a condom.

‘Did you hear the motorbike? Last night, when you were out?’

‘Don’t think so.’

‘I came looking for you. Couldn’t see you.’

Nelly yawned. Then said, indifferently, ‘I walked up to the top of the hill.’

Tom fastened a length of yellow tape to a branch. Nelly was somewhere on the hillside below. He stepped forward, trying to do so soundlessly. For a while now it had been gaining force, the impression that something was listening to him.

A stick cracked in the distance. Tom peered through the undergrowth and caught a glimpse of red between jittery leaves. He was about to call out to Nelly, when he remembered his dream of the previous week, the stumpy child raging over the roof, its face full of fury. Suddenly he was very frightened. Trees he couldn’t name pressed about him.

Fear revived the memory of an exchange that had taken place months earlier, not long after Tom had begun visiting the Preserve. A tiny fat woman he knew by sight, a friend of Yelena’s, had been complaining about another student. ‘It creeps me out, how she never says much. But just hangs about watching everything-you know?’

Yelena said amiably, ‘You are right, it is very powerful this way to be still and observe.’ Her gaze drifted about the little group drinking shiraz from a cardboard box. ‘It is frightening. Like Tom.’

People concentrated on the contents of their glasses. The fat girl’s eyes met Tom’s briefl y. A terrified giggle broke from her, and she spoke at once of something else. The conversation slid gratefully away.

Pinned in Nelly’s armchair, Tom was returned to a rainy morning when, in the course of a schoolboy discussion about breakfast, a classmate of his, a boy named Sanjeev Swarup, had said, ‘Boiled eggs make your breath stink. Like Loxley’s.’

There was the shock, never adequately anticipated, of finding himself, the sovereign subject, an object of conversation. There was the terrible content of the statement, of course. But what had pierced Tom was the casualness of Swarup’s remark; a fatal lightness echoed in Yelena’s words. Like Sanjeev Swarup, she had intended neither harm nor provocation, had referred merely to a known, accepted fact. Tom thought, So that is how they see me! It was as if he had glanced down and discovered a precipice at his feet.

It was an incident he had dismissed over time, reasoning that as Yelena and the others came to know him, their view of him had altered. If he had failed to smother the recollection altogether, nevertheless its power to disturb had grown feeble.

But now a curious notion came after Tom, took hold of him and swivelled him, as he blundered among unfamiliar trees. He had assumed that Posner’s hints about Nelly’s fragility had been designed to frighten him off. But what if the dealer had been trying to protect her? From me, thought Tom, horrified. The idea was like coming upon something unholy. He fl ed from it, refusing to look over his shoulder.

He came out of the bush on the southern trail and found Nelly waiting there. She gestured at the shawl of paddocks below them fastened with the bright brooch of a dam. ‘We should search the farm. Jack-even Mick-would’ve spotted anything obvious. But they won’t have been everywhere. There could be something they’ve missed that we’d see.’

Her eyes were pouchy, the whites stained. Tom looked at her scratched hands and grimy clothes and thought, She wants a break from this.

She was saying, ‘Like there’s this old paddock that’s going back to bush with a grassy bit still in the middle. There’s so much you can’t see from the road or take in at a glance, all these tucked-away places.’

‘Why don’t you go back to the house and have a rest? I can keep going here.’

‘I think we should check over the farm. And I’m OK. I don’t need a break.’

Tom could have sworn that the farm track was empty when they first turned on to it. Then he saw that a woman was standing by the bank, in the shade of an overhanging branch. As if released by a Play button, she began moving towards them.

‘I was just on my way up to your place.’ It was the fi rst thing Denise said, as if her presence there required justifi cation. And then, ‘Hi Nelly.’

‘Hi.’ After a moment, Nelly said, ‘How you doing?’

‘Yeah, good. You?’

‘Yeah.’

‘That’s good. You look good.’

This was so patently absurd that Nelly smiled. At once, something invisible altered, as if a breeze had found its way into a room.

Denise looked at Tom. ‘This bloke came into the clinic who’s done his hamstring. He said he saw your dog up near Walhalla.’

‘That’s miles away!’ But hope sprang open instantly within Tom. ‘When was this?’

‘This morning. Oh-when did he see the dog? Sunday, I think. I gave him one of your flyers so he could call you.’ Denise was digging in the back pocket of her jeans; embroidered white cotton tightened over her breasts.

‘Here you go.’ She handed Tom a Post-it. ‘I got his number, in case.’ He had his phone out. ‘Thanks. I’ll take this up to the top

of the hill.’ ‘You’re welcome to call from the farm if it’s easier.’ ‘No, it’s fine. Thanks. Thanks.’

No messages. He called his landline. Nothing. He sat on his heels in the grass beside the track. Two

magpies swooped low, a third began to sing. A long, greenish beetle lifted one antenna, toiling past Tom’s foot while somewhere a phone rang and rang.

‘Hello?’ He said, ‘Could I speak to Trevor, please? My name’s Loxley.’ ‘Who?’ ‘Tom Loxley. I think Trevor saw my dog. Is he there?’ He could hear her breathing while she thought it over.

Then she shouted, ‘Trev, you there? Trev?’ There were voices; indistinct. Tom pictured the receiver,

held against her breast. A man said, ‘Yeah, g’day?’ Tom explained. ‘Yeah, sorry mate, I was gunna call, but the day got away?’ In the background, the woman said something. Trev said

something. Tom cried, ‘You’re breaking up.’ ‘What?’ ‘I didn’t catch what you said.’ ‘Listen, mate, I dunno-’

The woman said, ‘It’s me. Shirl? What he’s trying to say, love, it wasn’t your dog.’

After a moment, Tom said, ‘Are you sure?’

‘I was the one spotted him, love. By the side of this track coupla hundred yards this side of Walhalla? Cute little tyke.’

‘Little.’

‘Yeah, little curly white fella, got a bit of that Malteser in him, I reckon? I didn’t get a real good look. Took off into the bush when I slowed down. Like he just vanished?’

‘So he definitely wasn’t…’

‘No, love. Nothing like, except they’re both white. Trev just remembered I said I’d seen a white dog.’

‘Right. OK.’

‘Sorry, love.’

The women’s faces were turned to the bend in the track. Tom saw the light go out of them at the sight of his own.

When he explained, Denise said, ‘That Trevor Opie. Might’ve known-guy’s a dickhead.’

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Lost Dog»

Представляем Вашему вниманию похожие книги на «The Lost Dog» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Lost Dog»

Обсуждение, отзывы о книге «The Lost Dog» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x