Michelle Kretser - The Lost Dog

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The Lost Dog: краткое содержание, описание и аннотация

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De Kretser (The Hamilton Case) presents an intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush. While the overarching story follows Tom's search during a little over a week in November 2001, flashbacks reveal Tom's infatuation with Nelly Zhang, an artist tainted by scandal-from her controversial paintings to the disappearance and presumed murder of her husband, Felix, a bond trader who got into some shady dealings. As Tom puts the finishing touches on his book about James and the uncanny and searches for his dog, de Kretser fleshes out Tom's obsession with Nelly-from the connection he feels to her incendiary paintings (one exhibition was dubbed Nelly's Nasties in the press) to the sleuthing about her past that he's done under scholarly pretenses. Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century.
***
‘A captivating read… I could read this book 10 times and get a phew perspective each time. It’s simply riveting.’ Caroline Davison, Glasgow Evening Times
‘… remarkably rich and complex… De Kretser has a wicked, exacting, mocking eye…While very funny in places, The Lost Dog is also a subtle and understated work, gently eloquent and thought-provoking… a tender and thoughtful book, a meditation on loss and fi nding, on words and wordlessness, and on memory, identity, history and modernity.’ The Dominion Post
‘Michelle de Kretser is the fastest rising star in Australia ’s literary firmament… stunningly beautiful.’ Metro
‘… a wonderful tale of obsession, art, death, loss, human failure and past and present loves. One of Australia ’s best contemporary writers.’
Harper’s Bazaar
‘In many ways this book is wonderfully mysterious. The whole concept of modernity juxtaposed with animality is a puzzle that kept this reader on edge for the entire reading. The Lost Dog is an intelligent and insightful book that will guarantee de Kretser a loyal following.’ Mary Philip, Courier-Mail
‘Engrossing… De Kretser confidently marshals her reader back and forth through the book’s complex flashback structure, keeping us in suspense even as we read simply for the pleasure of her prose… De Kretser knows when to explain and when to leave us deliciously wondering.’ Seattle Times
‘De Kretser continues to build a reputation as a stellar storyteller whose prose is inventive, assured, gloriously colourful and deeply thoughtful. The Lost Dog is a love story and a mystery and, at its best, possesses an accessible and seemingly effortless sophistication… a compelling book, simultaneously playful and utterly serious.’ Patrick Allington, Adelaide Advertiser ‘A nuanced portrait of a man in his time. The novel, like Tom, is multicultural, intelligent, challenging and, ultimately, rewarding.’
Library Journal
‘This book is so engaging and thought-provoking and its subject matter so substantial that the reader notices only in passing how funny it is.’ Kerryn Goldsworthy, Sydney Morning Herald
‘… rich, beautiful, shocking, affecting’ Clare Press, Vogue
‘… a cerebral, enigmatic reflection on cultures and identity… Ruminative and roving in form… intense, immaculate.’ Kirkus Reviews
‘De Kretser is as piercing in her observations of a city as Don DeLillo is at his best… this novel is a love song to a city… a delight to read, revealing itself in small, gem-like scenes.’ NZ Listener
‘… de Kretser’s trademark densely textured language, rich visual imagery and depth of description make The Lost Dog a delight to savour as well as a tale to ponder.’ Australian Bookseller and Publisher
‘A remarkably good novel, a story about human lives and the infi nite mystery of them.’ Next
‘Confident, meticulous plotting, her strong imagination and her precise, evocative prose. Like The Hamilton Case, The Lost Dog opens up rich vistas with its central idea and introduces the reader to a world beyond its fictional frontiers.’ Lindsay Duguid, Sunday Times
“[a] clever, engrossing novel… De Kretser’s beautifully shaded book moves between modern day Australia and post-colonial India. Mysteries and love affairs are unfolded but never fully resolved, and as Tom searches for his dog, it becomes apparent that its whereabouts is only one of the puzzles in his life.” Tina Jackson, Metro
‘A richly layered literary text.’ Emmanuelle Smith, Big Issue

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Passed for Australia.

At the thought of a New World, Arthur felt great weariness. He was not sure he could be dusted off for it. But there was his son’s face, etched with excitement. He had realised, in the first week of his marriage, that his wife was vain, capable of pettiness and not in love with him. In all that concerned the boy, however, her faculty for selfl essness outstripped his own. She would willingly plough herself into the dust for the sake of the future quivering in their son. Arthur thought of rain falling in a far country; one day, turning to grain.

Old Mr Lal sent his ancient, gleaming Bentley to take them to the station. Friends and neighbours gathered on the steps. At the last moment, with faces already arranged for farewells and all the luggage squeezed in, Tom said he had to use the lavatory.

In the yawning rooms of childhood he raced hither and thither, touching a doorframe, a tile; thinking, The last time, the last time. Glancing through a window to fix a view forever- the last time, the last time-he saw a dog on the shadowed edge of the lawn: a tiny, heraldic beast, one forepaw raised; milky as marble. Then it was gone. Fear opened its wings under Tom’s heart. Already a neighbour had acquired a dog he didn’t recognise. It was a glimpse of the terrible future: a world he knew as well as his own face altering by degrees, never entirely alien but riddled with strangeness. One day he would pass through these scenes like a ghost, everywhere encountering proof of his irrelevance.

In 1972 in Australia there was work even for a man of fi ftythree. Even for Arthur Loxley.

When he left the pub that Thursday evening, Arthur’s breast pocket contained what was left of his second week’s wages from the bottling plant where he had been taken on for a month’s trial.

Any number of things might have been on his mind as he approached the tram tracks. The need to find a flat, as they could not stay with Audrey forever. The discovery that Australia, or at least this southern corner of it, was not a warm place.

The certainty that he would not keep his job, as the senior accountant didn’t like Poms and had told him so.

In fact, Arthur was gazing at the sky, and remembering a Sunday School picnic on a manored estate where there were blue pools under trees. Then he wondered why violets look purple close up but blue at a distance. There came into his mind something barely remembered, and perhaps, after all, only dreamed: the discovery of blue petals on his tongue.

He heard a shout, and the wild tinging of a bell, but did not immediately understand their significance. When he saw the tram swaying above him, he hopped smartly back. There was time to register surprise and pleasure at his nimbleness; then the car hit him. He heard his knee crack as he went down.

At first Tom was not afraid. The dog was given to running off. In parks, beside creeks, over waste ground: tracking a scent, he vanished; emerged as a white band glimpsed among trees or on a plunging hillside; disappeared again. In time-half an hour or so-he would turn up, grinning.

But this was the bush: a site constructed from narratives of disaster. Tom thought of dogs forcing their way into wombat holes, where they stuck fast and starved. He thought of snakes. He thought of sheep, and guns.

There came the sound of barking.

Twenty yards away, a track led up to the ridge. Tom took it at a run, air tearing in his chest. The pale trunks of saplings reeled past.

Away to his right it went on: a high consistent barking designed to attract the pack’s attention. So the dog barked when dancing around a tree where a cat or a possum clung among leaves. After a while, it would be borne in on him that he was alone in his venture; that the man would not assist in capturing the prey he had gone to the effort of flushing out. Like marriage, their relations had entailed the downward adjustment of expectations. A dog: Tom had pictured a faithful presence at his heel, an obedient head pressed to his knee. And the dog, thought Tom, arms hanging loose, breathing hard on a bush track, what had the dog hoped for from him? Something more than the recurrence of food in a dish, surely; surely some untrammelled dream of loping camaraderie.

Over the years, with patient repetition and bribes of raw flesh, he had taught the dog to fetch. But when he picked up the ball and threw it a second time, Tom would feel the dog’s gaze on him. He tried to imagine how his actions might appear from the dog’s point of view: the man had thrown the ball away, the dog had obligingly sought out this object the man desired and dropped it at his feet; and behold, the man hurled it away again. How long could this stupidity go on?

‘Anthropomorphism,’ Karen would have said, his wife being the kind of person who mistrusted emotions that had not been assigned a name. But what was apparent to Tom in all their dealings was the otherness of the dog: the expanse each had to cover to arrive at a corridor of common ground.

Where the bushes fanned less densely, he pushed his way through and found himself on an overgrown path. There was a smell: leafy, aromatic.

The barking now sounded higher up the hill; somewhere to his left, where a wall of grey-green undergrowth barred the way. He pressed on ahead, hoping to loop around behind the dog. His jacket grew damp from the branches that reached across his face. Water found the place between his collar and his skin.

He was so intent on moving forward that at first he didn’t notice the silence. When he did, he stopped. Silence meant the dog had given up hope that the pack would come to his assistance; and with it, the chase. Silence meant he was making his way back.

Tom Loxley returned, under a thickening sky, to the place where the wallaby had bounded across the track. Well after the rain came he was still standing there, a slight man in large wet sneakers, calling, calling.

By lunchtime the dog had been gone five hours and the rain over the trees had fined to drizzle. Tom remembered Nelly’s raincoat, hanging from a hook behind the bedroom door; it would be too short in the arms, but the hood was the thing. When he took it down, he discovered a promotional calendar from a stock agent stuck to the door. May 2001: no one had torn off a leaf in six months.

The forested crest of the hill was hemmed on the east by the track that ran down from Nelly’s house past paddocks and a farmhouse. To the north was the trail Tom had followed that morning; another led up the hill to the south. Both came out on the ridge road that curved around the top of the hill and turned down into the valley, where it met the muddy farm track. Tom set out along the perimeter of this bush trapezoid, calling and whistling and calling.

He told himself the dog was making the most of freedom, running where his nose led, through the crags and troughs of unimaginable scentscapes.

He reminded himself of the time when two children selling chocolate to raise money for their school left a gate open and the dog escaped into the street. Karen and Tom ran along pavements, checked parks, trespassed, knocked on doors, called animal shelters. Then the phone rang. A woman who lived half a mile away had returned from work to find the dog asleep on her step and her cat’s bowl licked clean.

The dog was still hard-muscled, swift and strong. But he was twelve now; old for a dog his size. He spent less time darting after swallows and more snoozing in his basket, dream-paws scrabbling. He would not willingly be out in this rain.

The ridge road was deserted. But it was the route taken by the logging trucks. The drivers, quota-ruled, were always in a hurry. The dog had no traffic sense. With the wind in his face, Tom tried not to think of these things.

He followed a path that led into the bush from the southern track. It took him to a clearing where a treadless tractor tyre held the charred traces of a fire. There were crushed cans; cigarette butts and balled-up tissues disintegrating in the scrub.

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