Jonathan Lethem - The Fortress of Solitude

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If there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams.

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We don’t need no stinking badges.

Dylan halted on the sidewalk, but Robert didn’t move. Nobody seemed much impressed at what had bumbled into their laps. This crew might find motivation another time to resume careers as criminals or at least harassers, menaces, inspirers of fear: this day they’d got a thirty-year head start on the men who sat on rooming-house stoops or in the entranceway of the Colony South Brooklyn Daycare Center on Nevins, mellow lackadaisical observers of life’s passing streams, Thoreaus at Walden. They were drunk off their asses.

Life’s passing streams might be urine trails from doorways to the curb, but never mind.

“Hey, Robert?” said Dylan.

“Yo,” said Robert Woolfolk, his eyes glazed. He didn’t object to being addressed by Dylan, not today: We’re on the same planet, might as well admit I know you.

“Have you seen Mingus?”

Robert tilted his head back and to the side, Ali ducking a jab. Or possibly he mimed a braying laugh, but no laugh came out.

One of his homeboys extended a hand to slap and Robert Woolfolk slapped it. Dylan had stepped into some slow sculpture, a frieze in motion. Though he’d penetrated the frieze’s reality, barely, he nonetheless couldn’t hurry it along.

“Have you seen him?” he asked again, helpless, his morning’s panic only mounting.

“You lookin’ for Arrowman ?” said Robert Woolfolk.

He made it sound like errorman .

Dylan didn’t offer a correction.

Now came braying laughter, in triplicate. Robert’s cohorts squirmed in their spots as though brutally tickled, immediately gasping for air, begging for release from the excess of hilarity. Hands were again slapped, Robert accepting congratulations for his rapier wit.

“Ho, shit ,” said one of Robert’s homeboys, shaking his head as he recovered.

“Nah, man, G ain’t come around here today,” said Robert. “You want me to tell him something for you?”

“That’s okay.”

“I’ll tell him a message, man. What, you don’t trust me?”

“Just that I came around looking for him, I guess.”

“Aight. You was lookin’ for him, cool.”

Dylan mumbled thanks.

“Yo, Dylan, wait up man. You got a dollar you could lend me?” No one budged from slanted attitudes on the stoop. Someone drained a bag-sheathed tallboy, tossed it aside. Robert Woolfolk might have been addressing the sky, Dylan wasn’t worth settling eyes on. “Because you know I’m good with you, man. These dudes don’t know you, I had to stop them coming down throw a yoke on you. I told them you were my man, we practilly grew up together, you’s like my little brother.”

The logic was airtight. Certainly Robert’s homeboys weren’t saying otherwise, though neither looked inclined at this moment to yoke anything larger than a cat. Dylan emptied his pockets, his despair absolute, the dollars negligible for passage out of here.

One thing transfer of funds always did accomplish was a turning of the page.

He walked to the Heights, knowing he couldn’t risk being seen on Dean Street before three, figuring no authority would doubt the legitimacy of a white kid with a knapsack in Brooklyn Heights being home early from school. There he took up station on a bench at the south end of the Promenade, sat chin-propped, pancaked between sky and the truck traffic roaring underfoot, the exhaust-flooded Brooklyn-Queens Expressway. He abandoned himself gazing into the bay, ferries slugging across to Staten Island and the Statue, garbage scows loaded up for Fresh Kills, the whole watery mouth of the city. Every reeling gull was Mingus Rude tumbling from the bridge again, white wings like cape ends tipped to the water, Dylan’s eye fooled a thousand times.

The sky was full of Aeroman, except it wasn’t.

Dylan had never flown in Brooklyn, if the ring was gone. They’d meant to swap it back and forth, the changing from black to white one of Aeroman’s mystifying aspects, another level of secret identity, but it had always been Mingus in the costume, always Dylan crouched behind a parked car or dangled as bait while Mingus flew. Now this, Mingus heroing into the projects on the far side of Flatbush Avenue, where Dylan would never go. Dylan had sewn Rachel’s scraps together and told a story and then clothed in those tatters Mingus had launched himself onto a cop in a drug deal. If the newspaper was to be believed. Of course it had to be understood before it could be believed.

There was something in the story not to understand.

Or maybe something you didn’t want to know.

What did Aeroman care about a drug deal ?

Two black kids found Dylan there at the end of the bench faced out to the island and the water and the sky. Lodge in any one place long enough and they’d find you, drawn like flies. These were just about as problematic as flies, too small to yoke him, fifth or sixth graders probably, a couple of mugging Robins lacking a Batman to back them up. If they’d roamed to the Heights from wherever, I.S. 293 probably, it had to be after three, school out.

They circled as if Dylan were a beehive, daring themselves to prod.

“What’s the matter, whiteboy?”

“Your friends leave you all alone?”

“What, you can’t go home? You lost?”

“You crying, whiteboy?”

“He ain’t talkin’.”

“Boy’s stupid or retarded.”

“Check his pockets.”

“You do it, man.”

Dylan looked up and they danced back. There was really no chance they’d touch him. He wasn’t Aeroman, but he’d gained in gravity, was something middle-sized, neither gull nor mole.

“Ooh, ooh, he’s mad now.”

“He’s gonna grab you, man, you better book!”

“Nah, he’s going back to his crying.”

“He a stupid whiteboy.”

“He stoopid.”

Stoo -pid.”

“Nigger’s a faggot.”

It was enough to make you miss Robert Woolfolk. The situation minus fear was only idiotic. Dylan was sick of it, the racial rehearsal. He’d been identified as whiteboy a thousand times and there was nothing more to learn. Another option, Manhattan, was so prominent it was nearly sticking in his eye. If Aaron X. Doily’s ring was gone Dylan might be done with Brooklyn for a while, be done vindicating fifth grade, be through with Mingus’s fucked-up mysteries and ready to complete his escape.

The two black kids grew bored of him and wandered, maybe to find some Packer or Saint Ann ’s kid and work off steam, pick up a dollar or two.

A barge grunted from the docks with a three-color throw-up by Strike on its side, a strong piece of work.

He sat and sat, chanting Clash songs in his head, “I’m So Bored with the USA,” “Julie’s in the Drug Squad,” records he’d never played for Mingus Rude because they embarrassed him on Dean Street, because he didn’t know how. Then the Talking Heads, Find myself, find myself a city to live in . He sat and measured skyscrapers through bars and when he was done sitting the sun had fallen, squinting its narrowed orange beams through towers and bridges, the honey light flared and grew dull, and Dylan had missed Abraham’s dinner, he’d sat all day.

In darkness he returned to the block and tried Mingus’s door.

Mingus Rude appeared at the gate of the basement entrance, himself, intact, dope-eyed. He showed no particular objection to Dylan being there.

“D-Man. What up?”

“Where’s the ring?”

“I got it, it’s cool, don’t worry.”

“Where?” Dylan looked up and down the block, fearing surveillance of some kind. There was nothing, his paranoia wasn’t even mirrored in Mingus. Two nights later nobody cared, Aeroman or Errorman was a joke, a name passed along stoops before fading from memory.

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