Jonathan Lethem - The Fortress of Solitude

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If there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams.

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“Say Fanta.”

“No. Ow! Dr. Pepper!”

“ Not Dr. Pepper, Fanta .”

“Tab!”

Fanta .”

“Mr. Pibb! No. Shit, stop! Bastard, bloody bastard!”

“You know what I want.”

“Okay, ow, okay, okay-Fanta!”

“Now Sprite!”

“No! Never that! Let go!”

Stuyvesant drew high-scorers from all five boroughs, a migration hidden under the skin of rush hour, subway floods of Lacoste-clad Upper West Siders who’d known each other since kindergarten, dazed black math geniuses from the South Bronx who slumped in the hallways wondering if they’d ever recover from the shock, studious Puerto Rican nerds from Stuyvesant Town who’d only crossed the street to attend school and were still in thrall to local bullies from their pre-high-school lives, diligent Chinese achievers from assorted immigrant neighborhoods, Greenpoint, Sunnyside, usually in sequences of siblings, an older sister in an upper grade nearby to grab an ear if a younger began to trickle toward the mass of kids who cut class almost from day one, smoking joints and playing frisbee in Stuyvesant Park down the block. The lemmings gathered from every corner of the city, some unlucky souls coming from Staten Island on the ferry every morning had to set their alarms for five or six or some wilder hour.

Gabriel Stern and Timothy Vandertooth lived on Roosevelt Island, had met three years before when their families moved to the new housing there. Roosevelt Island was an enigma, carless and dogless, haunted by the ruins of a tuberculosis sanitorium on the southern shore. Residence there was like cult membership. The science-fiction tram on pulleys which dangled beside the span of the Fifty-ninth Street Bridge and which Tim and Gabe rode to school and home together every day stood nicely for their resolute and impenetrable best-frienditude: they were freaks beamed daily to the island of Manhattan from their own subordinate, moonlike isle, no wonder they spoke a private language, nanu-nanu, live long and prosper.

Stuyvesant was Jewish white, wasp white, hippie white, Chinese, black, Puerto Rican, and much else but crucially it was nerd, nerd, nerd, nerd, the great family of those able to ace the entrance test. Pencil chewers, teacher’s pets in glasses, the Arthur Lomb in everyone unbound now, no longer having to cower. It was pathetic to think of Arthur himself, on course for this natural destination all those years at Saint Ann’s, then derailed by Dean Street only six months or so short of his goal. The mystery was how so many who’d toed the line, favored studies over socialization in order to pass the test, then within a few weeks of freshman orientation broke out Jim Morrison- and Led Zeppelin-painted jean jackets and began loafing all day in the park, immaculate scholastic careers ruined overnight.

Timothy Vandertooth and Gabriel Stern didn’t drift into stoner affiliation, not exactly. The sole class they cut was gym, and though they did spend that period and lunch hour and some after-school hours in the park they were inept with frisbees and retained their short haircuts and were uninterested in Hendrix or Morrison or Zeppelin, music too blunt and earnest to be swallowed straight. The languorous, slack-haired park girls paid Tim and Gabe no attention at all, seemed unable to parse jokes in any register.

“I swear she almost looked at you when your voice cracked. You ought to talk like that all the time, get a tank of helium.” Tim and Gabe discussed matters in full voice as if girls were deaf, lame payback for the silent treatment they themselves received.

“I think she was distracted staring at your pants, actually. Check your fly, maybe there’s a spot of chocolate milk or scum or something.”

“It’s because of the zucchini I’m concealing in my underwear, my new method which I highly recommend. I offer it free, you don’t owe any royalties. The cold wears off eventually.”

Tim and Gabe would smoke pot or not. Either way they didn’t fit, were tourists, comic relief to the longhairs in the park who were comic relief to them in turn, never clear who ought to be laughing at who, only that Tim and Gabe were moving at a faster clip, their movements and thoughts hectic, jerky. Those first months of high school Tim and Gabe waited for something else to complete them, or the reverse, something waited to complete them. They were stalled like robots, incanting their encoded frustration.

“Open the pod bay doors, Hal. Open the pod bay doors, Hal. Open the pod bay doors, Hal. Open the pod bay doors, Hal.”

“I am not a number. I am a free man!

You waited too, feeling it.

Another sensibility agitated in periphery, one located in the conjunction of the midnight movies at the Eighth Street Playhouse and the Waverly, on Sixth Avenue: Clockwork Orange , Pink Flamingos , Rocky Horror , Eraserhead . Within six weeks you’d seen all but Eraserhead , the prospect of which was too terrifying, though you’d never admit it, just fumbled out an excuse about being grounded that night. In fact you’d never been grounded in your life, wondered where you’d even picked up the word.

One guy came to class in Tim Curry pancake whiteface and black-varnished nails every day, the focus of scoffing laughter and secret awe.

Each morning you passed Max’s Kansas City on your way from the Fourteenth Street subway to school, talismanic site of what exactly you weren’t sure.

The band Devo might have to do with the new something in the air, lyrics about mongoloids and swelling itching brains offering some ironic back door into animal nature, a way to evade the appalling, head-on Jim Morrison route.

The main problem any kid faced if he could have found the word was how to find himself in any way sexy . Forget girls themselves for the time being, the problem was between you and the mirror.

Manhattan thankfully didn’t give a shit about you.

What about Mingus and Aeroman, though?

Dylan crept as he reapproached Dean Street in the perishing light of afternoons spent with Gabe and Tim bouncing in and out of Crazy Eddie’s and Ray’s Famous and Blimpies and J &R Music World and Washington Square Park, crept in his mind, furtive like an escapee returning nightly for meals in his old cell. The block was dead as far as he could tell. He’d killed it by graduating from I.S. 293 and leaving for Stuyvesant. It wasn’t only Mingus. Henry, Alberto, Lonnie, Earl, Marilla, and La-La had all fled the scene or been so transformed they might not be recognizable. Some days you passed in silence some kid you’d known, they had a mustache or tits and they were black and you were white and you didn’t say a word.

There was no new crop of kids unless you counted the scruffy batch, mostly Puerto Rican, who didn’t even know you were meant to gather in Henry’s yard or at the abandoned house, they didn’t even know Henry’s name, they squatted like bugs on the sidewalk and were as little able to carry forward the block’s work as bugs would have been. One day Dylan saw one scratching some primitive botched skully board, not on a slate but on a pebbly square of poured concrete, hopeless, like a fallout survivor dim with radiation sickness sketching a blueprint for reinvention of the wheel. One day Dylan passed the buglike kids and one called out “Honky” in a voice so tentative Dylan died laughing at the sweetness of it. The abandoned house wasn’t even abandoned anymore. It wore a sign reading CINDERELLA #3, A PROJECT OF BROOKLYN UNION GAS, and one day they punched through the cement blocks and replaced them with dull aluminum-frame windows, dumb eyes. The site of mystery was destroyed. For a few months bums resolutely drank and passed out on the stoop anyway, then moved on.

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