Jonathan Lethem - The Fortress of Solitude

Здесь есть возможность читать онлайн «Jonathan Lethem - The Fortress of Solitude» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Fortress of Solitude: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Fortress of Solitude»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

If there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams.

The Fortress of Solitude — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Fortress of Solitude», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Dylan flipped the ball back past gapes of astonishment in the street.

“Watch your boy D-Lone, King Arthur man. Learn a thing.”

“I’m taking notes,” said Arthur Lomb sourly.

Marilla flopped her head and rolled her eyes, resumed singing, syllables stretched in petulance, But my bod-dee-ee, yearned to be-freee -

By the time Robert Woolfolk arrived Dylan had robbed nine of Mingus’s sure home runs, was perhaps assembling a legend, some kind of miraculous stand patrolling the far sidewalk, the air above. The game had become nominal, just an elaborate contest of wills between the stoned Mingus, the flying Dylan. The others were stranded, monkeys-in-the-middle, feeding off scraps.

Marilla and La-La chose not to note Robert Woolfolk’s saunter past their place on the stoop, his bid for their eyes. Robert couldn’t bring Dean Street crumbling to attention just rounding the corner anymore, that’s what their taunting voices claimed. I got up on the flo-oo-or board, somebody can-choose-me -

Inspired, street-flippant, Dylan decided not to fear Robert Woolfolk today, not on his own block, not wearing Aaron Doily’s ring. Besides, Arthur Lomb was here, official weakest link. You could practically feel Robert measuring Arthur’s neck for a yoke, like Wile E. Coyote replacing the Roadrunner with a roast chicken in his mind’s eye.

It seemed to Dylan now that Robert Woolfolk’s argument was with Rachel. Who was gone from their lives, even if Robert Woolfolk hadn’t grasped it. That wasn’t Dylan’s problem. There were days he hardly thought of Rachel once.

Today, for one.

“Yo, Gus, man, let me see the ball for a minute,” said Robert. He tilted his head, moved his eyes sideways, checking his back. “I’ll give it back, man, you know I will.” Another kid could ask to join a ball game: Robert Woolfolk had to hustle in. His basic premise was criminal. It wasn’t something he could leave behind when it happened to be unnecessary.

Mingus cocked his head, stared at Robert Woolfolk like Robert was speaking Martian. The younger kids wandered off, half-intimidated, half-bored, never touching the ball. Arthur Lomb frowned at Dylan, his trademark glare-of-despair. He might be calling up an asthma attack any minute now.

“Aight,” said Mingus suddenly, and bounced the spaldeen to Robert Woolfolk, home run forgotten, stakes evaporated. Mingus could do that, flip like a switch. “You can find me in the outfield,” he announced. “Me and my man Dee .”

Dylan shifted to his left and Mingus joined him, two center fielders in rivalry for anything in the air. Robert’s first throw, slung underhand, knuckles nearly grazing pavement, produced a line drive at eye level which banked off the car between infield and outfield, nearly taking Arthur Lomb’s head off coming and going. Robert Woolfolk remained a source of bizarre ricochets, like a busted pinball machine left for years in the arcade and still eating your quarters.

“My mother said I have to go home, Dylan,” said Arthur Lomb glumly. The non sequitur betrayed his discomfort. Who’d said anything about mothers ?

“Okay,” said Dylan, uninterested.

“All right then, I’ve got to go.” Arthur seemed to think Dylan ought to walk him home, or at least break off playing to acknowledge the fact of his departure.

“See ya.”

“Hey, King Arthur,” said Mingus, picking up the thread. “Catch you on the rebound.”

“Nice to meet you.”

“Give my regards to Pacific Street, man-and your mother.”

Alberto and Robert Woolfolk busted an instantaneous gut. Mingus and Dylan deadpanned, pretended nothing was unusual. It was hilarious in a way you couldn’t pin down, Mingus essentially saying yo mama without saying it.

Mutual assured deniability.

Arthur Lomb just slumped and moved down the block, a crushed pawn.

And Marilla sang No more stand-di-ing beside the wall -

Robert wound and unwound himself again and the ball struck high on the stoop and flew the farthest yet.

Albert leaned on a car, not imagining for a moment this was his to catch. He turned to watch Dylan and Mingus jostle elbows together, preparing to leap.

I done got myself togeth-a, baby -

As he rose, Dylan saw the block complete. He nestled easily in the air, under the branches, above the cars. He was aware of Mingus beside him, rising not quite so high. The pink ball found Dylan’s left hand, his catching hand, ring hand, met palm of its own volition. Dylan simply there to keep the appointment. He had time to glance around, Marilla’s song slowed, to, geth, a, ba, by , from above Dylan saw that Robert Woolfolk had what couldn’t actually be a bald spot, but a bare place, an off-center patch of scuff or mange on the top of his head. The ball compressed in Dylan’s palm as if sighing. At the corner of Dylan’s vision Arthur Lomb sagged home along the slate. The boy can’t catch, ain’t nothin’ you can do about it . Dylan noticed La-La’s nice tits, was amazed he had the term nice tits ready the first time he’d noticed any. In truth he probably owed it to Arthur Lomb, the availability of that concept, not that he’d ever give Arthur the credit. So who needed the Solver girls, anyway? Maybe your life wasn’t bereft, your fortune robbed before it could be spent. Maybe life, sex, everything that mattered, was right here, on Dean, not gone elsewhere. At his side, Dylan felt Mingus Rude nestled slightly below him, their bodies clunking sweetly as Mingus tried to match Dylan’s leap and fell short, minus the advantage of the flying man’s ring. Mingus rising not quite so high as Dylan.

At perihelion Dylan felt himself to be a note of music, one delayed, now floating upward. They might all be notes in a song, the Dean Street kids. Mingus was Dose. Though Dylan had been tagging the name it belonged to Mingus wholly. Mingus had his drug thing, his access to Barrett’s stash, and it was okay, it was cool. Robert Woolfolk, his part was to be skulky and scary. Robert was criminal-minded, Dylan couldn’t begrudge it. You allowed for the kid from the projects, steered a berth. Arthur Lomb, he was the white boy, slotted into place. Even Arthur was okay, he just didn’t know it yet.

As for Dylan, he had the ring. Befuddled witnesses were only part wrong, Dean Street possessed superheroes: not musicians in a limousine but Dylan, the flying kid. He’d sew a costume and take to the rooftops, begin bounding down on crime and they’d know then what they couldn’t be allowed to know yet. Today it had to be disguised: the Discovery of Flight, right under their noses. On his maiden bound, though, he already felt love and sympathy for all as he swam in the air, his view rearranged.

Then Marilla completed the line, hands waving for syncopation, the beat only she heard, I done got myself togeth-a, baby-now I’m havin’ a ball! Dylan landed, Keds squeaking softly, a millisecond after Mingus, though they’d jumped in tandem. The ball in Dylan’s cool palm. Elsewhere sweat had broken everywhere on his thrilled body while aloft.

“Kangaroo boy!” barked Mingus. “Been takin’ his vitamins , dang!”

La-La answered Marilla’s falsetto call with a jeering response:

Got to give it up, baby!

Oh, yeah: Got to give it up!

It would be the throwdown of the summer of ’77 though it was still just the start of July: Grandmaster DJ Flowers is coming with his crew from Flatbush to spin discs in the schoolyard of P.S. 38 after the block party on Bergen. Word’s gone out. Hottest day of summer so far only nobody complains, nobody’s tired, the sun plummets on Manhattan and the harbor, making orange light, but the day hadn’t started yet, not if you knew what was about to go down. You couldn’t drink enough beer to cool off or get sleepy. The block party itself is just preliminary, the white renovators grilling chops in their front yards, trying to get to know their neighbors, couple of Spanish guys playing steel drums, nothing special. The little kids run wild, girl and boy, Spanish, black and white mixed the way they did at that age. They spend themselves in the sun, winning and losing shitty prizes, Super Balls, green-haired gremlins, sucking sweet juice through shaved ice in paper cones, getting face-painted by a clown who’s really somebody’s mom roasting in a Day-Glo Afro wig. The young ones shriek and run, are pooped and whining by four o’clock. The older kids are stalling for night. They kill the afternoon stoop-sitting, eyeing that balloon-filler’s huge canister of helium, eating dollar-fifty plates of paella.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Fortress of Solitude»

Представляем Вашему вниманию похожие книги на «The Fortress of Solitude» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Fortress of Solitude»

Обсуждение, отзывы о книге «The Fortress of Solitude» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x