Margaret Atwood - The Year of the Flood

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An epic of biblical proportions, The Year of the Flood is a feast of imagination and a journey to the end of the world. Adam One is the leader of the God's Gardeners, a religious group devoted to living under the command of the natural world. They wear beige cloth-sacks, cultivate mushrooms, harvest honey and curse each other by shouting: Pig-Eater! Their community is only tolerated by the CorpSeCorps, the ruling power, because they are not perceived as threatening. But, this is a world where gene-splicing is the norm; where lions and lambs have become Liobams and pigs have human DNA. The times, and species, are changing at a rapid rate, and with loyalites as thin as environmental stability, the future is a dangerous place. And, if the Waterless Flood does indeed arrive, as predicted by the Gardeners, will there even be a future to contemplate? Ren is a trapeze dancer at Scales and Tails, and can work a plank just as well. After a rip in her biofilm she is placed in solitary confinement until they can guarantee she is without disease. Her story is one part of our gateway into this uniquely constructed world. The other is Toby, an ex-counter-girl at SecretBurger ('Because we all love a Secret'), a natural cynic and source of extensive homeopathic knowledge; she knows her aminatas from her puffballs. Their stories weave beneath the holy teachings and saintly-songs of Adam One to create a truly apocalyptic vision, a world that harnesses Atwood's wit, dystopic imagination and sharp insight. The result is a collective blast of a novel and one that will remain with you until the Waterless Flood comes.

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Toby wasn’t much for standard religion: none of her family had been. They’d gone to the local church because the neighbours did and it would have been bad for business not to, but she’d heard her father say – privately, and after a couple of drinks – that there were too many crooks in the pulpit and too many dupes in the pews. Nevertheless, Toby had whispered a short prayer over the patio stones: Earth to earth. Then she’d brushed sand into the cracks.

She’d wrapped up the rifle in its plastic again and buried it under the patio stones of the house next door, which seemed to be empty: windows dark, no car in evidence. Maybe they’d been foreclosed. She’d taken that chance, trespassing on the neighbours, because if her father’s body settled and they dug up the yard, and she’d buried the rifle beside him, it would be found too, and she wanted it to stay where it was. “You never know,” her father used to say, “when you might need it,” and that was right: you never did know.

It’s possible a neighbour or two saw her digging around in the dark, but she didn’t think they’d tell. They wouldn’t want to draw the lightning down anywhere near their own possibly weapon-filled backyards.

She hosed the blood off the garage floor, then took a shower. Then she went to bed. She lay in the darkness, wanting to cry, but all she felt was cold. Though it wasn’t cold at all.

She couldn’t sell the house without revealing that she was the owner now because her father was dead, thus unleashing a whole dumpster-load of garbage onto her own head. Where, for instance, was the corpse, and how had it become one? So in the morning, after a sparse breakfast, she put the dishes in the sink and walked out of the house. She didn’t even take a suitcase. What was there to pack?

Most likely the CorpSeCorps wouldn’t bother tracing her. There was nothing in it for them: one of the Corporation banks would get the house anyway. If her disappearance was of interest to anyone, such as maybe her college – where was she, was she ill, had she been in an accident – the CorpSeCorps would spread it about that she’d been last seen with a cruising pimp on the lookout for fresh recruits, which is what you’d expect in the case of a young woman like her – a young woman in desperate financial straits, with no visible relations and no nest egg or trust fund or fallback. People would shake their heads – a shame but what could you do, and at least she had something of marketable value, namely her young ass, and therefore she wouldn’t starve to death, and nobody had to feel guilty. The CorpSeCorps always substituted rumour for action, if action would cost them anything. They believed in the bottom line.

As for her father, everyone would assume he’d changed his name and vanished into one of the seedier pleebs to avoid paying for her mother’s funeral with money he didn’t have. That sort of thing was happening all the time.

7

The period that followed was a bad time for Toby. Though she’d hidden the evidence and managed to disappear, there was still a chance the CorpSeCorps might come after her for her father’s debts. She didn’t have any money they could seize, but there were stories about female debtors being farmed out for sex. If she had to make her living on her back, she at least wanted to keep the proceeds.

She’d burned her identity and didn’t have the cash to buy a new one – not even a cheap one, without the DNA infusion or the skin-colour change – so she couldn’t get a legitimate job: those were mostly controlled by the Corporations. But if you sank deep down – down where names disappeared and no histories were true – the CorpSeCorps wouldn’t bother with you.

She rented a tiny room – she had enough money left from her cafeteria savings for that. A room of her own, which might save her few possessions from theft by some dubious roommate. It was on the top floor of a fire-trap commercial building in one of the worst pleebs – Willow Acres was its name, though the locals called it the Sewage Lagoon because a lot of shit ended up in it. She shared the bathroom with six illegal Thai immigrants, who kept very quiet. It was said that the CorpSeCorps had decided that expelling illegals was too expensive, so they’d resorted to the method used by farmers who found a diseased cow in the herd: shoot, shovel, and shut up.

On the floor below her there was an endangered-species luxury couture operation called Slink. They sold Halloween costumes over the counter to fool the animal-righter extremists and cured the skins in the backrooms. The fumes came up through the ventilation system: though Toby tried stuffing pillows into the vent, her cubicle stank of chemicals and rancid fat. Sometimes there was roaring and bleating as well – they killed the animals on the premises because the customers didn’t want goat dressed up as oryx or dyed wolf instead of wolverine. They wanted their bragging rights to be genuine.

The skinned carcasses were sold on to a chain of gourmet restaurants called Rarity. The public dining rooms served steak and lamb and venison and buffalo, certified disease-free so it could be cooked rare – that was what “Rarity” pretended to mean. But in the private banquet rooms – key-club entry, bouncer-enforced – you could eat endangered species. The profits were immense; one bottle of tiger-bone wine alone was worth a neckful of diamonds.

Technically, the endangered trade was illegal – there were high fines for it – but it was very lucrative. People in the neighbourhood knew about it, but they had their own worries, and who could you tell, without risk? There were pockets within pockets, with a CorpSeCorps hand in each one of them.

Toby got a job as a furzooter: cheap day labour, no identity required. The furzooters put on fake-fur animal suits with cartoon heads and hung advertising signs around their necks, and worked the higher-end malls and the boutique retail streets. But it was hot and humid inside the fur-zoots, and the range of vision was limited. In the first week she suffered three attacks by fetishists who knocked her over, twisted the big head around so she was blinded, and rubbed their pelvises against her fur, making strange noises, of which the meows were the most recognizable. It wasn’t rape – no part of her actual body was touched – but it was creepy. Also it was distasteful dressing up as bears and tigers and lions and the other endangered species she could hear being slaughtered on the floor below her. So she stopped doing that.

Then she made a lump of quick cash by selling her hair. The hair market hadn’t yet been decimated by the Mo’Hair sheep breeders – that happened a few years later – so there were still scalpers who’d buy from anyone, no questions asked. She’d had long hair then, and although it was medium brown – not the best colour, they preferred blond – it had fetched a decent sum.

After the money from the hair was used up, she’d sold her eggs on the black market. Young women could get top dollar for donating their eggs to couples who hadn’t been able pay the required bribe or else were so truly unsuitable that no official would sell them a parenthood licence anyway. But she could only pull the egg stunt twice because the second time the extraction needle had been infected. At that time the egg traders were still paying for treatment if anything went wrong; still, it took her a month to recover. When she tried a third time, they told her there were complications, so she could never donate any more eggs, or – incidentally – have any children herself.

Toby hadn’t known until then that she’d wanted any children. She’d had a boyfriend back at Martha Graham who used to talk about marriage and a family – Stan was his name – but Toby had said they were far too young and poor to consider it. She was studying Holistic Healing – Lotions and Potions, the students called it – and Stan was in Problematics and Quadruple-Entry Creative Asset Planning, at which he was doing well. His family wasn’t rich or he wouldn’t have been at a third-rate institution like Martha Graham, but he was ambitious, and fully intended to prosper. On their more tranquil evenings, Toby would rub her flower preparations and herbal extract projects on him, and after that there would be a round of crisp, botanical-remedy-flavoured sex, followed by a shower-off and some popcorn, without salt or fat.

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