Margaret Atwood - The Year of the Flood

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An epic of biblical proportions, The Year of the Flood is a feast of imagination and a journey to the end of the world. Adam One is the leader of the God's Gardeners, a religious group devoted to living under the command of the natural world. They wear beige cloth-sacks, cultivate mushrooms, harvest honey and curse each other by shouting: Pig-Eater! Their community is only tolerated by the CorpSeCorps, the ruling power, because they are not perceived as threatening. But, this is a world where gene-splicing is the norm; where lions and lambs have become Liobams and pigs have human DNA. The times, and species, are changing at a rapid rate, and with loyalites as thin as environmental stability, the future is a dangerous place. And, if the Waterless Flood does indeed arrive, as predicted by the Gardeners, will there even be a future to contemplate? Ren is a trapeze dancer at Scales and Tails, and can work a plank just as well. After a rip in her biofilm she is placed in solitary confinement until they can guarantee she is without disease. Her story is one part of our gateway into this uniquely constructed world. The other is Toby, an ex-counter-girl at SecretBurger ('Because we all love a Secret'), a natural cynic and source of extensive homeopathic knowledge; she knows her aminatas from her puffballs. Their stories weave beneath the holy teachings and saintly-songs of Adam One to create a truly apocalyptic vision, a world that harnesses Atwood's wit, dystopic imagination and sharp insight. The result is a collective blast of a novel and one that will remain with you until the Waterless Flood comes.

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Let us sing.

OH SING WE NOW THE HOLY WEEDS

Oh sing we now the Holy Weeds
That flourish in the ditch,
For they are for the meek in needs,
They are not for the rich.
You cannot buy them at the mall,
Nor at the superstore,
They are despised because they all
Grow freely for the poor.
The Dandelion shoots, for spring,
Before their flowers burst;
The Burdock root is best in June
When it is fat with juice;
When autumn comes, the Acorn’s ripe,
The Walnut black is too;
Young Milkweed pods are sweet when boiled,
And Milkweed shoots when new.
The inner bark of Spruce and Birch
For extra Vitamin C –
But do not take too much of each,
Or you will kill the tree.
The Purslane, Sorrel, Lamb’s Quarters,
And Nettles, too, are good;
The Hawthorn, Elder, Sumac, Rose –
Their berries wholesome food.
The Holy Weeds are plentiful
And beautiful to see –
For who can doubt God put them there,
So starved we’ll never be?

From The God’s Gardeners Oral Hymnbook

24

REN
YEAR TWENTY-FIVE

I remember what the dinner was, that night in the Sticky Zone: it was ChickieNobs. I couldn’t deal with meat very well ever since the Gardeners, but Mordis said that ChickieNobs were really vegetables because they grew on stems and didn’t have faces. So I ate half of them.

Then I did some dancing to keep in practice. I had my own Sea/H/Ear Candy, and I sang along. Adam One said music was built into us by God: we could sing like the birds but also like the angels, because singing was a form of praise that came from deeper than just talking, and God could hear us better when we were singing. I try to remember that.

Then I looked in on the Snakepit again. There were three guys from Painball in the Snakepit – ones who’d just got out. You could always tell because they were freshly shaved, with new haircuts, and new clothes too, and they had a stunned look, like they’d been kept in a dark closet for a long time. Also they had a little tattoo at the base of their left thumb – a round circle, red or bright yellow, depending on whether they were Red Team or Gold Team. The other customers were sort of moving back from them, giving them room, but respectfully – as if they were webstars or sports heroes instead of Painball criminals. Rich guys loved to imagine themselves as Painball players. They gambled on the teams as well: Red against Gold. A lot of money changed hands over Painball.

There were always two or three CorpSeCorps guys minding the Painball vets – they could go berserk and do a lot of damage. We Scalies were never allowed to be alone with them: they didn’t understand make-believe, they never knew when to stop, and they could break a lot more than the furniture. It was best to get them wasted, but it had to be fast or they’d go into full rage mode.

“I’d bar those assholes myself,” said Mordis. “Nothing much human left inside that scar tissue of theirs. But SeksMart pays us a bigtime extra bonus when it’s them.”

We’d feed them drinks and pills, with a shovel if we could. There was something new they’d started using just after I went into the Sticky Zone – BlyssPluss, it was called. Hassle-free sex, total satisfaction, blow you right out of your skin, plus 100 percent protection – that was the word on it. Scales girls weren’t allowed to do drugs on the job – we weren’t paid to enjoy ourselves, said Mordis – but this was different, because if you took it you didn’t need a Biofilm Bodyglove, and a lot of customers would pay extra that way. Scales was testing the BlyssPluss for the ReJoov Corp, so they weren’t handing it out like candy – it was mostly for the top customers – but I could hardly wait to try it.

We always got huge tips on Painball nights, though none of us regular Scales girls had to do plank duty with the new vets because we were skilled artists and any damage to us would be pricey. For the basic bristle work they brought in the temporaries – smuggled Eurotrash or Tex-Mexicans or Asian Fusion and Redfish minors scooped off the streets because the Painball guys wanted membrane, and after they were finished you’d be judged contaminated until proved otherwise, and Scales didn’t want to spend Stick Zone money either testing these girls or fixing them up. I never saw them twice. They walked in the door, but I don’t think they walked out. In a shoddier club they’d have been used for the guys acting out their vampire fantasies, but that involved mouth-to-blood contact, and as I said, Mordis liked to keep it clean.

That night one of the Painball guys had Starlite on his lap, giving him the signature twist. She was in her peagret-feather outfit with the headdress, and maybe she was terrific from the front, but from my angle of vision it looked like the guy had a big blue-green duster working him over – like a dry carwash.

The second guy was gazing up at Savona with his mouth open and his head so far back it was almost at right angles to his spine. If her grip slips, she’ll snap his neck. If that happens, I thought, he won’t be the first guy to be carted out the back door of Scales and dumped in a vacant lot with no clothes on. He was an older guy, bald on top, with a ponytail at the back, and a lot of arm tattoos. There was something familiar about him – maybe he was a repeat – but I didn’t get a very good look.

The third one was drinking himself into mud. Maybe he was trying to forget what he’d done inside the Painball Arena. I never watched the Painball Arena website myself. It was too disgusting. I only knew about it because men talk. It’s amazing what they’ll tell you, especially if you’re covered with shiny green scales and they can’t see your real face. It must be like talking to a fish.

Nothing else was happening, so I called Amanda on her cell. But she wasn’t answering. Maybe she was asleep, rolled up in her sleeping bag out there in Wisconsin. Maybe she was sitting around a campfire and the two Tex-Mexicans were playing their guitars and singing, and Amanda was singing too because she knew the Tex-Mex language. Maybe there was a moon up above and some coyotes howling in the distance, just like an old movie. I hoped so.

25

Things changed in my life when Amanda came to live with me, and they changed again in the Saint Euell’s Week when I was almost thirteen. Amanda was older: she’d already grown real tits. It’s strange how you measure time that way.

That year, Amanda and I – and Bernice as well – would be joining the older kids for Zeb’s Predator-Prey Relationship demonstration, when we’d have to eat real prey. I had a faint memory of meat-eating, back at the HelthWyzer Compound. But the Gardeners were very much against it except in times of crisis, so the idea of putting a chunk of bloody muscle and gristle into my mouth and pushing it down inside my throat was nauseating. I vowed not to throw up, though, because that would embarrass me a lot and make Zeb look bad.

I wasn’t worried about Amanda. She was used to eating meat, she’d done it lots of times before. She used to lift SecretBurgers whenever she could. So she’d be able to chew and swallow as if there was nothing to it.

On the Monday of Saint Euell’s Week, we put our clean clothes on – clean yesterday – and I braided Amanda’s hair, and then she braided mine. “Primate grooming,” Zeb called it.

We could hear Zeb singing in the shower:

Nobody gives a poop.

Nobody gives a poop;

And that is why we’re in the soup,

Cause nobody gives a poop!

I’d come to find this morning singing of his a comforting sound. It meant things were ordinary, at least for that day.

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