Margaret Atwood - The Year of the Flood

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An epic of biblical proportions, The Year of the Flood is a feast of imagination and a journey to the end of the world. Adam One is the leader of the God's Gardeners, a religious group devoted to living under the command of the natural world. They wear beige cloth-sacks, cultivate mushrooms, harvest honey and curse each other by shouting: Pig-Eater! Their community is only tolerated by the CorpSeCorps, the ruling power, because they are not perceived as threatening. But, this is a world where gene-splicing is the norm; where lions and lambs have become Liobams and pigs have human DNA. The times, and species, are changing at a rapid rate, and with loyalites as thin as environmental stability, the future is a dangerous place. And, if the Waterless Flood does indeed arrive, as predicted by the Gardeners, will there even be a future to contemplate? Ren is a trapeze dancer at Scales and Tails, and can work a plank just as well. After a rip in her biofilm she is placed in solitary confinement until they can guarantee she is without disease. Her story is one part of our gateway into this uniquely constructed world. The other is Toby, an ex-counter-girl at SecretBurger ('Because we all love a Secret'), a natural cynic and source of extensive homeopathic knowledge; she knows her aminatas from her puffballs. Their stories weave beneath the holy teachings and saintly-songs of Adam One to create a truly apocalyptic vision, a world that harnesses Atwood's wit, dystopic imagination and sharp insight. The result is a collective blast of a novel and one that will remain with you until the Waterless Flood comes.

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“I bet she’s carbon garboil,” Bernice whispered to me. Carbon garboil was made from any sort of carbon garbage – slaughterhouse refuse, old vegetables, restaurant tossout, even plastic bottles. The carbs went into a boiler, and oil and water came out, plus anything metal. Officially you couldn’t put in human corpses, but the kids made jokes about that. Oil, water, and shirt buttons. Oil, water, and gold pen nibs.

“Oil, water, and green scales,” I whispered to Bernice.

At first glance the vacant lot was empty. No winos, no pleebrats, no dead naked women. Amanda led me over to the far corner, where there was a flat slab of concrete. A syrup bottle was leaning against it, the squeeze kind.

“Look at this,” she said. She’d written her name in syrup on the slab, and a stream of ants was feeding on the letters, so that each letter had an edging of black ants. That was how I first learned Amanda’s name – I saw it written in ants. Amanda Payne.

“Cool, huh?” she said. “Want to write your own name?”

“Why are you doing that?” I said.

“It’s neat,” said Amanda. “You write things, then they eat your writing. So you appear, then you disappear. That way no one can find you.”

Why did this make sense to me? I don’t know, but it did. “Where do you live?” I asked.

“Oh, around,” said Amanda carelessly. That meant she didn’t really live anywhere: she was sleeping in a squat somewhere, or worse. “I used to live in Texas,” she added.

So she was a refugee. A lot of Texas refugees had turned up after the hurricanes and then the droughts. They were mostly illegal. Now I could see why Amanda would be so interested in disappearing.

“You can come and live with me,” I said. I hadn’t planned that, it just came out of my mouth.

At that moment Bernice squeezed through the gap in the fence. She’d relented, she’d returned to collect me, except now I didn’t want her.

“Ren! What’re you doing!” she yelled. She came clomping across the vacant lot in that purposeful way she had. I found myself thinking she had big feet, and her body was too square and her nose too small, and her neck ought to be longer and thinner. More like Amanda’s.

“Here comes a friend of yours, I guess,” said Amanda, smiling. I felt like saying, She’s not my friend, but I wasn’t brave enough to be that treacherous.

Bernice came up to us, red-faced. She always got red when she was mad. “Come on, Ren,” she said. “You’re not supposed to talk to her.” She spotted Amanda’s jellyfish bracelet, and I could tell she wanted it as much as I did. “You’re evil,” she said to Amanda. “Pleebrat!” She stuck her arm through mine.

“This is Amanda,” I said. “She’s coming to live with me.”

I thought Bernice would fly into one of her rages. But I was giving her my stony-eyed stare, the one that said I wasn’t going to give in. She’d risk losing face in front of a stranger if she pushed too hard, so instead she gave me a silent, calculating look. “Okay then,” she said. “She can help carry the vinegar wine.”

“Amanda knows how to steal things,” I said to Bernice as we trudged back to the Wellness Clinic. I meant this as a peace offering, but Bernice only grunted.

16

I knew I couldn’t really take Amanda home with me like a stray kitten: Lucerne would’ve told me to put her back where I found her, because Amanda was a pleebrat and Lucerne hated pleebrats. According to her they were ruined children, thieves and liars all, and once a child had been ruined it was like a wild dog, it could never be trained or trusted. She was afraid to walk along the street from one Gardener place to another because of the pleebrat gangs that could swarm you and run off with anything they could grab. She never learned about picking up stones and hitting back and yelling. It was because of her earlier life. She was a hothouse flower: that’s what Zeb called her. I used to think this was a compliment, because of the word flower.

So Amanda would be sent packing, unless I got Adam One’s permission first. He loved people joining the Gardeners, especially kids – he was always going on about how the Gardeners should mould young minds. If he said Amanda should live with us, Lucerne wouldn’t be able to say no.

The three of us found Adam One at the Wellness Clinic, helping to bottle the vinegar. I explained that I’d picked up Amanda – ”gleaned” her, I said – and that she wished to join us, having seen the Light, and could she live at my house?

“Is that true, my child?” Adam One asked Amanda. The other Gardeners had stopped work and were eyeing Amanda’s miniskirt and silver fingers.

“Yes, sir,” said Amanda in a respectful voice.

“She’ll be a bad influence on Ren,” said Nuala, who had come over. “Ren is too easily led. We should place her with Bernice.”

Bernice gave me a triumphant look: See what you’ve done! “That would be fine,” she said neutrally.

“No!” I said. “I found her!” Bernice glared at me. Amanda said nothing.

Adam One considered the three of us. He knew a lot of things. “Perhaps Amanda herself should decide,” he said. “She should meet the families in question. That will help to settle the matter. That would be fairest, no?”

“My place first,” said Bernice.

Bernice lived in the Buenavista Condos. The Gardeners didn’t exactly own the building, because ownership was wrong, but somehow they controlled it. It had “Luxury Lofts for Today’s Singles” on it in faded gold lettering, but I knew it wasn’t Luxury: the shower in Bernice’s apartment was clogged, the tiles in the kitchen were cracked and gap-toothed, the ceilings oozed when it rained, the bathroom was slick with mildew.

The three of us went into the lobby, past the middle-aged Gardener lady on security duty there – she was busy with some snarled-up macramé craft object and hardly noticed us. We had to climb six flights of stairs to get to Bernice’s floor because the Gardeners didn’t believe in elevators except for old people and paraplegics. There were forbidden objects in the stairwell – needles, used condoms, spoons, candle ends. The Gardeners said pleeb crooks and thugs and pimps got in at night and used the stairwell for nasty parties; we’d never seen any of these, though we’d once caught Shackie and Croze and their pals drinking wine dregs in there.

Bernice had her own plastikey; she unlocked the door and let us in. The apartment smelled like unwashed clothes left under a dripping sink, or like other kids’ plugged sinuses, or like diapers. Through these odours drifted another one – a rich, fertile, spicy, earthy aroma. Maybe it was wafting up through the hot-air vents from the Gardener mushroom beds in the basement.

But this smell – all the smells – seemed to be coming from Bernice’s mother, Veena, who was sitting on the worn plush-covered sofa as if rooted there, staring at the wall. She had on her usual shapeless dress; her knees were covered with an old yellow baby blanket; her pale hair hung limply on either side of her round, soft, whitish face; her hands lay curled slackly, as if her fingers were broken. On the floor in front of her was a scattering of dirty plates. Veena didn’t cook: she ate what Bernice’s father gave her; or else she didn’t eat it. But she never tidied up. She hardly ever spoke, and she didn’t speak now. Her eyes flickered as we went past her though, so maybe she saw us.

“What’s the matter with her?” Amanda whispered to me.

“She’s Fallow,” I whispered back.

“Yeah?” Amanda whispered. “She just looks really stoned.”

My own mother said Bernice’s mother was “depressed.” But my mother wasn’t a real Gardener, as Bernice was always telling me, because a real Gardener would never say depressed. The Gardeners believed that people who acted like Veena were in a Fallow state – resting, retreating into themselves to gain Spiritual insight, gathering their energy for the moment when they would burst out again like buds in spring. They only appeared to be doing nothing. Some Gardeners could remain in a Fallow state for a very long time.

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