George Saunders: In Persuasion Nation

"We have a situation," Rimney says. "Can you step outside?"

"I am outside," I say.

"Oh, there you are," he says.

The special van's coming slowly up the street.

"New plan," he says, still on the phone, parking now. "What's done is done. We can save the Dirksen or lose it. Minimize the damage or maximize."

He gets out, leads me around to the sliding door.

You didn't, I think. You did not dig those poor guys up again. Does he think Historical is stupid? Does he think Historical, getting a report of mummies, finding only a recently filled hole, is going to think, Oh, Giff, very funny, you crack us up?

"Not the mummies," I say.

"I wish," he says, and throws open the door.

Lying there is Giff, fingers clenched like he's trying to cling to a ledge, poor pink glasses hanging off one ear.

I take a step back, trip on the curb, sit in a drift.

"We took a walk, things got out of hand," he says. "Shit, shit, shit. I tried to reason with him, but he started giving me all his Christian crap. Something snapped, honestly. It just got away from me. You've probably had that happen?"

"You killed him?" I say.

"An unfortunate thing transpired, after which he died, yes," Rimney says.

Thrown in there with Giff is a big rock, partly wrapped in bloody paper towels.

I ask did he call the police. He says if he planned on calling the police, would he have thrown Giff in back of the freaking van? He says we've got to think pragmatic. He did it, he fucked up, he knows that. He'll be paying for it the rest of his life, but no way is Val paying for it. If he goes to jail, what happens to Val? A state home? No, no, no, he says. Dead is dead, he can't change that. Why kill Val as well?

"What do we do with this guy?" he says. "Think, think."

"We?" I say. "You."

"Oh God, oh shit," he says. "I can't believe I killed somebody. Me, I did it. Jesus, wow. O.K. O.K."

Snow's blowing in over Giff, melting on his glasses, clumping up between his pants and bare leg.

"You know Val, you like Val, right?" Rimney says.

I do like Val. I remember her at Mom and Dad's funeral, in her wheelchair. She had Rimney lift one of her hands to my arm, did this sad little pat pat pat.

"Because here's the thing," Rimney says. "Dirksen-wise? You're all set. I submitted my rec. It's in the system. Right? Why not take it? Prosper, get a little something for yourself, find a wife, make some babies. The world's shit on you enough, right? You did not do this, I did. I shouldn't have come here. How about pretend I didn't?"

I stand up, start to do a Moral Benefit Eval, then think, No, no way, do not even think about doing that stupid shit now.

The bandage on Giff's underchin flips up, showing his shaving scar.

"Because who was he?" says Rimney. "Who was he really? Was he worth a Val? Was he even a person? He, to me, was just a dumb-idea factory. That's it."

Poor Giff, I think. Poor Giff's wife, poor Giff's baby.

Poor Val.

Poor everybody.

"Don't fuck me on this," Rimney says. "Are you going to fuck me on this? You are, aren't you? Fine. Fine, then."

He turns away, slams the van door shut, emits this weird little throat-sound, like he can't live with what he's done and would like to end it all, only can't, because ending it all would make him even more of a shit.

"I feel I'm in a nightmare," he says.

Then he crashes the Giff-rock into my head. I can't believe it. Down I go. He swung so hard he's sitting down too. For a second we both sit there, like playing cards or something. I push off against his face, crawl across the yard, get inside, bolt the door.

"I don't like that," says Dad, all frantic. "I did not like seeing that."

"People should not," Mom says. "That is not a proper way."

When terrified, they do this thing where they flicker from Point A to Point B with no interim movement. Mom's in the foyer, then in the kitchen, then at the top of the stairs.

"You better get to the hospital," Dad says.

"Take this poor kid with you," Mom says.

"He just suddenly showed up," Dad says.

Somebody's on the couch. It takes me a second to recognize him.

Giff.

Or something like Giff: fish-pale, naked, bloody dent in his head, squinting, holding his glasses in one hand.

"Whoa," he says. "Is this ever not how I expected it would be like."

"What what would be like?" says Dad.

"Death and all?" he says.

Dad flickers on and off: smiling in his chair, running in place, kneeling near the magazine rack.

"You ain't dead, pal, you're just naked," says Dad.

"Naked, plus somebody blammed you in the head," says Mom.

"Do they not know?" Giff says.

I give him a look, like, Please don't. We're just enjoying a little extra time. I'm listening to their childhood stories, playing records from their courtship days, staring at them when they're not looking, telling them how good they were with me and Jean, how safe we always felt.

"Don't you love them?" Giff says.

I remember them outside the funeral home the day we buried Jean, Mom holding Dad up, Dad trying to sit on a hydrant, wearing his lapel button, his lapel photo-button of little smiling Jean.

"Then better tell them," Giff says. "Before it's too late. Because watch."

He stands, kind of shaky, hobbles over, breathes in my face.

Turns out when the recently dead breathe in your face they show you the future.

I see Mom and Dad trapped here forever, reënacting their deaths night after night, more agitated every year, finally to the point of insanity, until, in their insanity, all they can do is rip continually at each other's flesh, like angry birds, for all eternity.

I tell them.

"Very funny," says Mom.

"Cut it out," Dad says.

"We're a little sad sometimes," says Mom. "But we definitely ain't dead."

"Are we?" Dad says.

Then they get quiet.

"Holy crap," Dad says.

Suddenly they seem to be hearing something from far away.

"Jeez, that's better," Dad says.

"Feels super," Mom says.

"Like you had a terrible crick and then it went away," Dad says.

"Like your dirty dress you had on for the big party all of a sudden got clean," says Mom.

They smile, step through the wall, vanish in two little sudden blurps of light.

Giff's pale and bent, glowing/shimmering, taller than in life, a weird breeze in his hair that seems to be coming from many directions at once.

"There is a glory, but not like how I thought," he says. "I had it all wrong. Mostly wrong. Like my mind was this little basket, big flood pouring in, but all I got was this hint of greater water?"

"You were always a nice person," I say.

"No, I was not," he says. "Forced my little mini-views down everybody's throat. Pinched my wife! And now it's so sad. Because know what he did? Rimney? Typed her a note, like it was from me, saying I was leaving, due to I didn't love her, due to that Kyle thing. But that is so not true! I loved her all through that. But now, rest of her life, she's going to be thinking that of me, that I left her and the baby, when we were just getting over that pinching thing."

His eyes fill with tears and his hair stops blowing and he crushes his pink glasses in his hand.

"Go see her," I say. "Tell her the truth."

"Can't," he says. "You just get one."

"One what?" I say.

"Visitation or whatever?" he says.

I think, So why'd you come here?

He just smiles, kind of sad.

Then the front window implodes and Rimney climbs through with a tire iron.

"It's going to happen now," Giff says.

And it does. It takes two swings. It doesn't hurt, really, but it's scary, because it's happening to me, me, me, me, the good boy in school, the boy who felt lilacs were his special flower, the boy who, when poor Jean was going, used to sneak off to cry in the closet.