George Saunders - In Persuasion Nation

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George Saunders has earned enthusiastic acclaim and a devoted cult-following with his first two story collections and the recent novella The Brief and Frightening Reign of Phil. With his new book, In Persuasion Nation, Saunders ups the ante in every way, and is poised to break out to a wide new audience.
The stories In Persuasion Nation are easily his best work yet. "The Red Bow,"about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing.
Saunders's work in the last six years has come to be recognized as one of the strongest-and most consoling-cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.

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Rimney says Giff has a wife, Giff has a baby-would a transfer to the Dirksen be of interest? Maybe Giff's aware that he, Rimney, knows somebody who knows somebody?

"Oh, my gosh, you guys did do it," Giff says.

He lets the shovel fall and walks toward the woods, as if so shocked he has to seek relief in the beauty of nature. Out in the woods are three crushed toilets. Every tenth bush or so has a red tag on it, I have no idea why.

"All's I can say is wow," Giff says.

"They're dead, man," Rimney says. "What do you care?"

"Yes, but who was it shaped these fellows?" says Giff. "You? Me? Look, I'm going to speak frank. I think I see what's going on here. Both you guys took recent hard hits. One had a wife with a stroke, the other a great tragic loss of their parents. So you got confused, made a bad call. But He redeemeth, if only we open our hearts. Know how I know? It happened to me. I also took a hard hit this year. Because guess what? In terms of my wife? I'm just going to say it. Our baby is not my baby. Cyndi had a slipup with this friend of ours, Kyle. I found out just before Christmas, which was why I was such a fart at our party. That put me in a total funk-we were like match and gas. I was so mad there was a darkness upon me. Poor thing had bruises all up her arms, due to I started pinching her. In her sleep, or sometimes I would get so mad and just come up quick and do it. Then, January tenth, I'd had enough, and I prayed, I said, ‘Lord, I am way too small, please take me up into You, I don't want to do this anymore.' And He did it. I dropped as if shot. And when I woke? My heart was changed. All glory goes to Him. I mean, it was a literal release in my chest. All my hate about the baby was gone and all of a sudden Andy was just my son for real."

"Nice story," says Rimney.

"It's not a story. It happened to me for real in my life," says Giff. "Point is? I had it in me to grow. We all do! I'm not all good, but there's a good part of me. My fire may be tiny, but it's a fire just the same. See what I mean? Same like you. Do you know that good part? Have you met it, that part of you that is all about Truth, that is called, in how we would say it, your Christ-portion? My Christ-portion knew that pinching was wrong. How does your Christ-portion feel about this sneaky burial thingy? I mean honestly. In a perfect world, is that what you would have chose to do?"

This catches me a little off guard.

"Is this where I go into a seizure and you heal me by stroking my dick?" Rimney says.

Giff blinks at this, turns to me.

"Think these things up in your heart," he says softly. "Treasure them around. See what it is. Then be in touch, come to our church, if you want. I am hopeful that you will come to your Truth."

Suddenly my eyes tear up.

And I don't even know why.

"This is about my wife, jackass," says Rimney.

"Do what's right, come what may," Giff says. "That's what it says on all our softball sweatshirts, and I believe it. And on the back? 'Say no thanks to Mr. Mere Expedience.' Good words for you, friend."

Rimney's big. Once when mad he smacked the overhang on the way to Vending and there's still a handprint up there. Once he picked up one end of the photocopier so Mrs. Gregg could find her earring, and a call came in and he had this big long conversation with Benefits while still holding up the copier.

"Cross me on this, you'll regret it," he says.

"Get thee behind me," says Giff.

So, a little tense.

My phone rings. Ms. Durrell again. She's got a small vocal outraged group coming at four to eat her alive. Where the hell am I? Those dioxin books? Had something to do with a donkey, Donkey Dioxin, Who Got the Job Done? Or it was possibly an ape or possum or some such shit? She remembers a scene at the end with some grateful villagers, where the ape/possum/donkey/whatever gave the kids a ride, and also the thing came with a CD?

"Go," Rimney says. "Elliot and I will work this out."

By the time I get the books out of Storage and over to Environmental it's after five.

I clock out, race home through our wincing little town. Some drunks outside the Twit are heaving slushballs up at the laughing neon Twit. Blockbuster has a new program of identifying all videos as either Artsy or Regular. Two beautiful girls in heels struggle down to the banks of the Ottowattamie, holding each other up. Why are they going down there? It's dusk and that part of the river's just mud and an old barge.

I wish I could ask them but I don't have time. When I'm late Mom and Dad race around shouting, "Where? Where? Where?" It always ends in this bitter mutual crying. It's just one of their things. Like when it rains, they go up to the ceiling and lie there facing up. Like when feeling affectionate, they run full speed toward each other and pass through, moaning/laughing.

The night of the Latvians I was out with Cleo from Vehicles. We went parking, watched some visiting Warthogs practice their night-firing. Things heated up. She had a room on the side of a house, wobbly wooden stairs leading up. Did I call, say I'd be late, say I might not be back at all? No, I did not. Next morning I came home, found the house taped off. For the body locations, the cops didn't use chalk. There was just a piece of loose-leaf on the stairs labelled "Deceased Female" and one on the kitchen floor labelled "Deceased Male."

I tell myself, If I'd been home, I'd be dead, too. The Latvians had guns. They came in quick, on crack, so whacked out they forgot to even steal anything.

Still. Mom's sciatica was acting up. She'd just had two teeth pulled. At the end, on the steps, on her back, she kept calling my name, as in, Where is he? Did they get him too? Next day, on the landing, I found the little cotton swab the dentist had left in her mouth.

So if they want me home right after work I'm home right after work.

They're standing at the kitchen window, looking out at the old ballbearing plant. All my childhood, discarded imperfect ball bearings rolled down the hill into our yard. When the plant closed, a lathe came sliding down, like a foot a day, until it hit an oak.

"Snowing like a mother," Dad says.

"Pretty, but we can't go out," says Mom.

"Too old, I guess," Dad says sadly.

"Or something," says Mom.

I set three places. They spend the whole dinner, as usual, trying to pick up their forks. Afterward they crowd under the floor lamp, the best part of their night. When they stand in direct heat, it doesn't make them warmer, just makes them vividly remember their childhoods.

"Smell of melted caramel," Mom says.

"The way I felt first time I seen a Dodger uniform in color," says Dad.

Dad asks me to turn up the dimmer. I do, and the info starts coming too fast for grammar.

"Working with beets purple hands Mother finds that funny," says Mom.

"Noting my boner against ticking car, Mr. Klemm gives look of you-are-rubbing-your-boner, mixed sense of shame/pride, rained so hard flooded gutters, rat wound up in the dog bowl," says Dad.

They step out of the light, shake it off.

"He's always talking about boners," says Mom.

"Having a boner is a great privilege," says Dad.

"You had your share," says Mom.

"I should say so," says Dad. "And will continue to, I hope, until the day I die."

Having said "die," Dad blinks. Whenever we see a murder on TV, they cover their eyes. Whenever a car backfires, I have to coax them out from under the couch. Once a bird died on the sill and they spent the entire day in the pantry.

"Until the day you die," Mom says, as if trying to figure out what the words mean.

Before they can ask any questions, I go outside and shovel.

From all over town comes the sound of snowplows, the scraping plus the beeping they do when reversing. The moon's up, full, with halo. My phone rings in my parka pocket.

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