Jerome Salinger - The Catcher in the Rye

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Since his debut in 1951 as
, Holden Caulfield has been synonymous with “cynical adolescent.” Holden narrates the story of a couple of days in his sixteen-year-old life, just after he’s been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,
“If you really want to hear about it, the first thing you’ll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them.”
His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.

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That was about all I could think of, though. Those two nuns I saw at breakfast and this boy James Castle I knew at Elkton Hills. The funny part is, I hardly even know James Castle, if you want to know the truth. He was one of these very quiet guys. He was in my math class, but he was way over on the other side of the room, and he hardly ever got up to recite or go to the blackboard or anything. Some guys in school hardly ever get up to recite or go to the blackboard. I think the only time I ever even had a conversation with him was that time he asked me if he could borrow this turtleneck sweater I had. I damn near dropped dead when he asked me, I was so surprised and all. I remember I was brushing my teeth, in the can, when he asked me. He said his cousin was coming in to take him for a drive and all. I didn’t even know he knew I had a turtleneck sweater. All I knew about him was that his name was always right ahead of me at roll call. Cabel, R., Cabel, W., Castle, Caulfield—I can still remember it. If you want to know the truth, I almost didn’t lend him my sweater. Just because I didn’t know him too well.

“What?” I said to old Phoebe. She said something to me, but I didn’t hear her.

“You can’t even think of one thing.”

“Yes, I can. Yes, I can.”

“Well, do it, then.”

“I like Allie,” I said. “And I like doing what I’m doing right now. Sitting here with you, and talking, and thinking about stuff, and—”

“Allie’s dead—You always say that! If somebody’s dead and everything, and in Heaven, then it isn’t really—”

“I know he’s dead! Don’t you think I know that? I can still like him, though, can’t I? Just because somebody’s dead, you don’t just stop liking them, for God’s sake—especially if they were about a thousand times nicer than the people you know that’re alive and all.”

Old Phoebe didn’t say anything. When she can’t think of anything to say, she doesn’t say a goddam word.

“Anyway, I like it now,” I said. “I mean right now. Sitting here with you and just chewing the fat and horsing—”

“That isn’t anything really!”

“It is so something really! Certainly it is! Why the hell isn’t it? People never think anything is anything really. I’m getting goddam sick of it.”

“Stop swearing. All right, name something else. Name something you’d like to be. Like a scientist. Or a lawyer or something.”

“I couldn’t be a scientist. I’m no good in science.”

“Well, a lawyer—like Daddy and all.”

“Lawyers are all right, I guess—but it doesn’t appeal to me,” I said. “I mean they’re all right if they go around saving innocent guys’ lives all the time, and like that, but you don’t do that kind of stuff if you’re a lawyer. All you do is make a lot of dough and play golf and play bridge and buy cars and drink Martinis and look like a hot-shot. And besides. Even if you did go around saving guys’ lives and all, how would you know if you did it because you really wanted to save guys’ lives, or because you did it because what you really wanted to do was be a terrific lawyer, with everybody slapping you on the back and congratulating you in court when the goddam trial was over, the reporters and everybody, the way it is in the dirty movies? How would you know you weren’t being a phony? The trouble is, you wouldn’t.”

I’m not too sure old Phoebe knew what the hell I was talking about. I mean she’s only a little child and all. But she was listening, at least. If somebody at least listens, it’s not too bad.

“Daddy’s going to kill you. He’s going to kill you,” she said.

I wasn’t listening, though. I was thinking about something else—something crazy. “You know what I’d like to be?” I said. “You know what I’d like to be? I mean if I had my goddam choice?”

“What? Stop swearing.”

“You know that song ‘If a body catch a body comin’ through the rye’? I’d like—”

“It’s ‘If a body meet a body coming through the rye’!” old Phoebe said. “It’s a poem. By Robert Burns.”

“I know it’s a poem by Robert Burns.”

She was right, though. It is “If a body meet a body coming through the rye.” I didn’t know it then, though.

“I thought it was ‘If a body catch a body,’ ” I said. “Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around—nobody big, I mean—except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.”

Old Phoebe didn’t say anything for a long time. Then, when she said something, all she said was, “Daddy’s going to kill you.”

“I don’t give a damn if he does,” I said. I got up from the bed then, because what I wanted to do, I wanted to phone up this guy that was my English teacher at Elkton Hills, Mr. Antolini. He lived in New York now. He quit Elkton Hills. He took this job teaching English at N.Y.U. “I have to make a phone call,” I told Phoebe. “I’ll be right back. Don’t go to sleep.” I didn’t want her to go to sleep while I was in the living room. I knew she wouldn’t but I said it anyway, just to make sure.

While I was walking toward the door, old Phoebe said, “Holden!” and I turned around.

She was sitting way up in bed. She looked so pretty. “I’m taking belching lessons from this girl, Phyllis Margulies,” she said. “Listen.”

I listened, and I heard something, but it wasn’t much. “Good,” I said. Then I went out in the living room and called up this teacher I had, Mr. Antolini.

23

I made it very snappy on the phone because I was afraid my parents would barge in on me right in the middle of it. They didn’t, though. Mr. Antolini was very nice. He said I could come right over if I wanted to. I think I probably woke he and his wife up, because it took them a helluva long time to answer the phone. The first thing he asked me was if anything was wrong, and I said no. I said I’d flunked out of Pencey, though. I thought I might as well tell him. He said “Good God,” when I said that. He had a good sense of humor and all. He told me to come right over if I felt like it.

He was about the best teacher I ever had, Mr. Antolini. He was a pretty young guy, not much older than my brother D.B., and you could kid around with him without losing your respect for him. He was the one that finally picked up that boy that jumped out the window I told you about, James Castle. Old Mr. Antolini felt his pulse and all, and then he took off his coat and put it over James Castle and carried him all the way over to the infirmary. He didn’t even give a damn if his coat got all bloody.

When I got back to D.B.’s room, old Phoebe’d turned the radio on. This dance music was coming out. She’d turned it on low, though, so the maid wouldn’t hear it. You should’ve seen her. She was sitting smack in the middle of the bed, outside the covers, with her legs folded like one of those Yogi guys. She was listening to the music. She kills me.

“C’mon,” I said. “You feel like dancing?” I taught her how to dance and all when she was a tiny little kid. She’s a very good dancer. I mean I just taught her a few things. She learned it mostly by herself. You can’t teach somebody how to really dance.

“You have shoes on,” she said.

“I’ll take ’em off. C’mon.”

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