Jerome Salinger - The Catcher in the Rye

My mother didn’t like her too much. I mean my mother always thought Jane and her mother were sort of snubbing her or something when they didn’t say hello. My mother saw them in the village a lot, because Jane used to drive to market with her mother in this LaSalle convertible they had. My mother didn’t think Jane was pretty, even. I did, though. I just liked the way she looked, that’s all.

I remember this one afternoon. It was the only time old Jane and I ever got close to necking, even. It was a Saturday and it was raining like a bastard out, and I was over at her house, on the porch—they had this big screened-in porch. We were playing checkers. I used to kid her once in a while because she wouldn’t take her kings out of the back row. But I didn’t kid her much, though. You never wanted to kid Jane too much. I think I really like it best when you can kid the pants off a girl when the opportunity arises, but it’s a funny thing. The girls I like best are the ones I never feel much like kidding. Sometimes I think they’d like it if you kidded them—in fact, I know they would—but it’s hard to get started, once you’ve known them a pretty long time and never kidded them. Anyway, I was telling you about that afternoon Jane and I came close to necking. It was raining like hell and we were out on her porch, and all of a sudden this booze hound her mother was married to came out on the porch and asked Jane if there were any cigarettes in the house. I didn’t know him too well or anything, but he looked like the kind of guy that wouldn’t talk to you much unless he wanted something off you. He had a lousy personality. Anyway, old Jane wouldn’t answer him when he asked her if she knew where there was any cigarettes. So the guy asked her again, but she still wouldn’t answer him. She didn’t even look up from the game. Finally the guy went inside the house. When he did, I asked Jane what the hell was going on. She wouldn’t even answer me, then. She made out like she was concentrating on her next move in the game and all. Then all of a sudden, this tear plopped down on the checkerboard. On one of the red squares—boy, I can still see it. She just rubbed it into the board with her finger. I don’t know why, but it bothered hell out of me. So what I did was, I went over and made her move over on the glider so that I could sit down next to her—I practically sat down in her lap, as a matter of fact. Then she really started to cry, and the next thing I knew, I was kissing her all over—anywhere—her eyes, her nose, her forehead, her eyebrows and all, her ears—her whole face except her mouth and all. She sort of wouldn’t let me get to her mouth. Anyway, it was the closest we ever got to necking. After a while, she got up and went in and put on this red and white sweater she had, that knocked me out, and we went to a goddam movie. I asked her, on the way, if Mr. Cudahy—that was the booze hound’s name—had ever tried to get wise with her. She was pretty young, but she had this terrific figure, and I wouldn’t’ve put it past that Cudahy bastard. She said no, though. I never did find out what the hell was the matter. Some girls you practically never find out what’s the matter.

I don’t want you to get the idea she was a goddam icicle or something, just because we never necked or horsed around much. She wasn’t. I held hands with her all the time, for instance. That doesn’t sound like much, I realize, but she was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they’d bore you or something. Jane was different. We’d get into a goddam movie or something, and right away we’d start holding hands, and we wouldn’t quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.

One other thing I just thought of. One time, in this movie, Jane did something that just about knocked me out. The newsreel was on or something, and all of a sudden I felt this hand on the back of my neck, and it was Jane’s. It was a funny thing to do. I mean she was quite young and all, and most girls if you see them putting their hand on the back of somebody’s neck, they’re around twenty-five or thirty and usually they’re doing it to their husband or their little kid—I do it to my kid sister Phoebe once in a while, for instance. But if a girl’s quite young and all and she does it, it’s so pretty it just about kills you.

Anyway, that’s what I was thinking about while I sat in that vomity-looking chair in the lobby. Old Jane. Every time I got to the part about her out with Stradlater in that damn Ed Banky’s car, it almost drove me crazy. I knew she wouldn’t let him get to first base with her, but it drove me crazy anyway. I don’t even like to talk about it, if you want to know the truth.

There was hardly anybody in the lobby any more. Even all the whory-looking blondes weren’t around any more, and all of a sudden I felt like getting the hell out of the place. It was too depressing. And I wasn’t tired or anything. So I went up to my room and put on my coat. I also took a look out the window to see if all the perverts were still in action, but the lights and all were out now. I went down in the elevator again and got a cab and told the driver to take me down to Ernie’s. Ernie’s is this night club in Greenwich Village that my brother D.B. used to go to quite frequently before he went out to Hollywood and prostituted himself. He used to take me with him once in a while. Ernie’s a big fat colored guy that plays the piano. He’s a terrific snob and he won’t hardly even talk to you unless you’re a big shot or a celebrity or something, but he can really play the piano. He’s so good he’s almost corny, in fact. I don’t exactly know what I mean by that, but I mean it. I certainly like to hear him play, but sometimes you feel like turning his goddam piano over. I think it’s because sometimes when he plays, he sounds like the kind of guy that won’t talk to you unless you’re a big shot.

The cab I had was a real old one that smelled like someone’d just tossed his cookies in it. I always get those vomity kind of cabs if I go anywhere late at night. What made it worse, it was so quiet and lonesome out, even though it was Saturday night. I didn’t see hardly anybody on the street. Now and then you just saw a man and a girl crossing a street, with their arms around each other’s waists and all, or a bunch of hoodlumy-looking guys and their dates, all of them laughing like hyenas at something you could bet wasn’t funny. New York’s terrible when somebody laughs on the street very late at night. You can hear it for miles. It makes you feel so lonesome and depressed. I kept wishing I could go home and shoot the bull for a while with old Phoebe. But finally, after I was riding a while, the cab driver and I sort of struck up a conversation. His name was Horwitz. He was a much better guy than the other driver I’d had. Anyway, I thought maybe he might know about the ducks.

“Hey, Horwitz,” I said. “You ever pass by the lagoon in Central Park? Down by Central Park South?”

“The what?”

“The lagoon. That little lake, like, there. Where the ducks are. You know.”

“Yeah, what about it?”

“Well, you know the ducks that swim around in it? In the springtime and all? Do you happen to know where they go in the wintertime, by any chance?”

“Where who goes?”

“The ducks. Do you know, by any chance? I mean does somebody come around in a truck or something and take them away, or do they fly away by themselves—go south or something?”