Peter Ackroyd - The Canterbury Tales – A Retelling

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Ackroyd's retelling of Chaucer's classic isn't exactly like the Ethan Hawke'd film version of Hamlet, but it's not altogether different, either. Noting in his introduction that the source material is as close to a contemporary novel as Wells Cathedral is to an apartment block, Ackroyd translates the original verse into clean and enjoyable prose that clears up the roadblocks readers could face in tackling the classic. The Knight's Tale, the first of 24 stories, sets the pace by removing distracting tics but keeping those that are characteristic, if occasionally cringe-inducing, like the narrator's insistence on lines like, Well. Enough of this rambling. The rest of the stories continue in kind, with shorter stories benefiting most from Ackroyd's treatment, though the longer entries tend to… ramble. The tales are a serious undertaking in any translation, and here, through no fault of Ackroyd's work, what is mostly apparent is the absence of the original text, making finishing this an accomplishment that seems diminished, even if the stories themselves prove more readable.
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A fresh, modern prose retelling captures the vigorous and bawdy spirit of Chaucer's classic
Renowned critic, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents the work in a prose vernacular that makes it accessible to modern readers while preserving the spirit of the original.
A mirror for medieval society, Chaucer's Canterbury Tales concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ranging from comedy to tragedy, pious sermon to ribald farce, heroic adventure to passionate romance, the tales serve not only as a summation of the sensibility of the Middle Ages but as a representation of the drama of the human condition.
Ackroyd's contemporary prose emphasizes the humanity of these characters-as well as explicitly rendering the naughty good humor of the writer whose comedy influenced Fielding and Dickens-yet still masterfully evokes the euphonies and harmonies of Chaucer's verse. This retelling is sure to delight modern readers and bring a new appreciation to those already familiar with the classic tales.

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‘My guess is that you are an official of your house. You are a sacristan, perhaps, or a cellarer in charge of all the wines. Am I right? I am sure that you are in a position of authority. That is clear from your appearance and your behaviour. You have the manner of one who leads. You are no novice. You look strong and fit, too. You could look after yourself in a fight. What a mistake it was to introduce you to the religious life. You could have been good breeding stock. A big cock among the hens. If you had followed the call of nature, you would have fathered many lusty children. No doubt about it. It is a pity that you wear the cope of office.

‘I swear to God that, if I were pope, I would give a dispensation for every strong and lusty monk to take a wife. Otherwise the world will shrink to nothing. The friars and the monasteries are full of good English spunk, and we laymen are nothing but drips in comparison. Frail shoots make a weak harvest. Our wills and our willies are so weak that nothing comes from them; no wonder that wives queue up for the attentions of you monks and friars. You have got Venus on your side. You don’t pay in counterfeit coin. You have the genuine article beneath your robes. Don’t be cross with me, sir. I am only joking. But of course there’s many a truth in a good joke.’

In fact the Monk took the Host’s jesting in good part. ‘I will play my part in this pilgrimage,’ he said, ‘by telling you a tale or two. They will be moral tales, of course. That is the mark of my profession. If you like, I can narrate the history of Saint Edward the Confessor. Or perhaps you would prefer a tragedy? I know hundreds of them. You know what a tragedy is, I suppose? It is a story from an old book. It concerns those who stood in authority, or in prosperity, only to suffer a great fall. They went from high estate to wretchedness and misery. Their stories are sometimes told in verses of six metrical feet known as dactylic hexameters – da da dum dum da da. Homer uses it. But sometimes they are told in other metres. In England we have alliteration. Then again they are often told in plain prose. Have I said enough on that subject?’ The Host nodded. ‘Now listen, if you wish. I cannot promise that I will tell you these stories – of popes, of emperors, of kings – in chronological order. I will just mention them as I remember them. Forgive my ignorance. My intentions are good.’

So the Monk began.

The Monk’s Tale

Heere bigynneth the Monkes Tale

De Casibus Virorum Illustrium

So I will lament, in the manner of tragedy, the fate of those who once stood in high degree. They fell so far that they could not be rescued from the darkness. When the doom of Fortune has been decided, no one can avert its course. Never rely upon prosperity. That is the lesson of these little histories.

Lucifer

I will begin with Lucifer. I know that he is an angel rather than a man, but he is a very good example to us all. Fortune cannot help or harm an angel, of course. Nevertheless he fell from heaven into hell, where he still resides. Oh Lucifer, son of the morning, you can never escape from the flames of the inferno. You have become Satan. How you have fallen!

Adam

Behold Adam, lying in Eden (now known as Damascus). He was not made from human seed, but wrought by God’s own finger. He ruled over all of Paradise, with the exception of one tree. No human being has ever been so blessed as Adam. Yet for one bad act he fell from grace. He was consigned to a fallen world of labour and misery.

Sampson

Behold great Sampson, heralded by an angel before his birth, consecrated to Almighty God! While he retained his sight, he was the noblest of all. No one in the world was stronger or more courageous. Yet foolishly he told the secret of his strength to his wife. In doing so, he condemned himself to death.

This mighty champion slew a lion, and tore it to pieces with his bare hands. He was on his way to his own wedding, and he had no weapons. His wife knew how to please him, with her wicked wiles, and could coax all of his confidences out of him. Then she betrayed him to his enemies, and took another man in his place.

In his anger he took up three hundred foxes and bound them together by their tails. Then he set the tails on fire, with a burning torch tied to each one, and with them he set ablaze all the cornfields in the land. He destroyed the olive trees and the vineyards. In his rage he killed a thousand men, although his only weapon was the jawbone of an ass.

After they were slain he was tortured by a thirst so great that he turned to God for help. He prayed Him to send water, or else he would die. Lo and behold, a miracle occurred. From the molar tooth of this dry jawbone there sprang forth a fountain of water, with which Sampson refreshed himself. So God saved him. All this really happened. You can read about it in the Book of Judges.

Then one night in Gaza, despite the presence of all the Philistines in that city, he tore up the entrance gates and carried them on his back. He took them to the top of a hill, where everyone could see them. Oh noble Sampson, fine and courageous warrior, you would have been without equal in the world if you had not whispered your secret to your wife.

Sampson never drank wine or strong liquor. He never cut his hair or shaved himself. What was the reason? He had been told by a divine messenger that all of his strength lay in his hair. He ruled Israel for twenty years. Yet bitter tears would fall down Sampson’s cheeks. One woman would lead him to destruction.

He had told Delilah where his strength lay. She sold the secret to his enemies and, while he slept in her arms one night, she took a pair of shears and cut off all his hair. When his enemies burst in upon them, they were able to bind Sampson before putting out his eyes.

When he still had his hair, there was no one in the world who could defeat him. After he was blinded and shorn, he was consigned to a cavernous prison where he was forced to labour at a mill with slaves. Sampson was the strongest of humankind. He was a fearless judge, a wise and noble man. Yet his fate was to weep out of blind eyes, bitterly mourning his wretchedness.

Let me tell you the final chapter of this sad story. His enemies celebrated with a great feast and called Sampson before them to play the part of a jester; the setting was a hall of marble pillars. Here Sampson stood his ground, and took his revenge upon them all. He took hold of two pillars and shook them so violently that the whole building collapsed. He was killed, but so were those who had enslaved him.

The leaders of the country, and three thousand of their followers, were among the dead who lay among the ruins of the hall. I will say no more about Sampson. But remember the moral of this tale. Husbands must never tell their secrets to their wives. Their lives might depend on it.

Hercules

Let us praise famous men, and principal among them mighty Hercules. In his lifetime he was the flower of might. He killed and skinned a lion. He overthrew the Centaurs, part human and part horse. He slew the Harpies, winged spirits of death. He stole the golden apples of the Hesperides. He drove back Cerberus, the hound of hell.

What else? He slew the cruel tyrant, Busirus, and forced his horse to eat him, flesh and bone. He strangled a serpent while he was still in his cradle. He broke off one of the two horns of Achelous. He destroyed Cacus in a cave of stone. He overcame and killed the mighty giant Antheus. He slew the wild boar of Mycenae. He even held the heavens upon his shoulders.

No man in myth or history has killed so many monsters and prodigies as Hercules. His fame spread all over the world; he was renowned for his beauty as much as for his strength. He visited every kingdom and was welcomed everywhere. No man could defeat him. One commentator says that he was able to raise pillars to mark the eastern and western boundaries of the known world.

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