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Kate Furnivall: Under a Blood Red Sky

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Kate Furnivall Under a Blood Red Sky

Under a Blood Red Sky: краткое содержание, описание и аннотация

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Davinsky Labour Camp, Siberia, 1933: Sofia Morozova knows she has to escape. Only two things have sustained her through the bitter cold, aching hunger and hard labour: the prospect of one day walking free; and the stories told by her friend Anna, beguiling tales of a charmed upbringing in Petrograd? and of Anna's fervent love for a passionate revolutionary, Vasily. So when Anna falls gravely ill, Sofia makes a promise to escape the camp and find Vasily: to chase the memory that has for so long spun hope in both their hearts. But Sofia knows that times have changed. Russia, gripped by the iron fist of Communism, is no longer the country of her friend's childhood. Her perilous search takes her from industrial factories to remote villages, where she discovers a web of secrecy and lies, but also bonds of courage and loyalty? and an overwhelming love that threatens her promise to Anna.

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Nina patted Anna’s shoulder and said nothing. Sofia walked Anna back to her patch of the road, helped her scramble up on to its raised surface and gently placed the shovel in her hand. Not once had Anna come even close to meeting the norm in the last month and that meant less food each day in her ration. Sofia shifted a few shovels of rock for her.

‘Thanks,’ Anna said and wiped her mouth. ‘Get on with your own work.’ She managed a convincing smile. ‘We’ll be home early today. Before the white-out hits.’

Sofia stared at her with amazement. Home. How could she bear to call that place home?

‘I’ll be fine now,’ Anna assured her.

You’re not fine, Sofia wanted to shout, and you’re not going to be fine.

Instead she gazed hard into her friend’s sunken eyes and what she saw there made her chest tighten. Oh, Anna. A frail wisp of a thing, just twenty-eight years old. Too soon to die, much too soon. And that moment, on an ice-bound patch of rock in an empty Siberian wilderness, was when Sofia made the decision. I swear to God, Anna, I’ll get you out of here. If it kills me.

2

The white-out came just as Sofia said it would. But this time the guards paid heed to her warning, and before it hit they roped together the grey crocodile of ragged figures and set off on the long mindless trudge back to camp.

The track threaded its way through unremitting taiga forest, so dark it was like night, the slender columns of pine trees standing like Stalin’s sentinels overseeing the march. The breath of hundreds of women created a strange, disturbing sound in the silence, while their feet shuffled and stumbled over snow-caked ruts.

Sofia hated the forest. It was odd because she had spent most of her life on a farm and was used to rural living, whereas Anna, who loved the forest and declared it magical, had been brought up in cities. But maybe that was why. Sofia knew too well what a forest was capable of, she could feel it breathing down her neck like a huge unwelcome presence, so that when sudden soft sounds escaped from the trees as layers of snow slid from the branches to the forest floor, it made her shiver. It was as though the forest were sighing.

The wind picked up, stealing the last remnants of heat from their bodies. As the prisoners made their way through the trees, Sofia and Anna ducked their faces out of the icy blast, pulling their scarves tighter round their heads. They pushed one exhausted foot in front of the other and huddled their bodies close to each other. This was an attempt to share their remaining wisps of warmth, but it was also something else, something more important to both of them. More important even than heat.

They talked to each other. Not just the usual moans about aching backs or broken spades or which brigade was falling behind on its norm, but real words that wove real pictures. The harsh scenes that made up the daily, brutal existence of Davinsky Camp were difficult to escape, even in your head they clamoured at you. Their grip on the mind, as well as on the body, was so intractable that no other thoughts could squeeze their way in.

Early on, Sofia had worked out that in a labour camp you exist from minute to minute, from mouthful to mouthful. You divide every piece of time into tiny portions and you tell yourself you can survive just this small portion. That’s how you get through a day. No past, no future, just this moment. Sofia had been certain that it was the only way to survive here, a slow and painful starvation of the soul.

But Anna had other ideas. She had broken all Sofia’s self-imposed rules and made each day bearable. With words. Each morning on the two-hour trek out to the Work Zone and each evening on the weary trudge back to the camp, they put their heads close and created pictures, each word a colourful stitch in the tapestry, until the delicately crafted scenes were all their eyes could see. The guards, the rifles, the dank forest and the unrelenting savagery of the place faded, like dreams fade, so that they were left with no more than faint snatches of something dimly remembered.

Anna was best at it. She could make the words dance. She would tell her stories and then laugh with pure pleasure. And the sound of it was so rare and so unfettered that other heads would turn and whimper with envy. The stories were all about Anna’s childhood in Petrograd before the Revolution, and day by day, month by month, year by year, Sofia felt the words and the stories build up inside her own bones. They packed tight and dense in there where the marrow was long gone, and kept her limbs firm and solid as she swung an axe or dug a ditch.

But now things had changed. As the snow began to fall and whiten the shoulders of the prisoners in front, Sofia turned away from them and faced Anna. It had taken her a long time to get used to the howling of a Siberian wind but now she could switch it off in her ears, along with the growls of the guard dogs and the sobs of the girl behind.

‘Anna,’ she urged, holding on to the rope that bound them together, ‘tell me about Vasily again.’

Anna smiled, she couldn’t help it. Just the mention of the name Vasily turned a light on inside her, however wet or tired or sick she was. Vasily Dyuzheyev – he was Anna’s childhood friend in Petrograd, two years older but her companion in every waking thought and in many of her night-time dreams. He was the son of Svetlana and Grigori Dyuzheyev, aristocratic friends of Anna’s father, and right now Sofia needed to know everything about him. Everything. And not just for pleasure this time – though she didn’t like to admit, even to herself, how much pleasure Anna’s talking of Vasily gave her – for now it was serious.

Sofia had made the decision to get Anna out of this hell-hole before it was too late. Her only hope of succeeding was with help, and Vasily was the only one she could turn to. But would he help? And could she find him?

A quiet and thoughtful smile had crept on to Anna’s face. Her scarf was wrapped round her head and the lower part of her face, so that only her eyes showed, narrowed against the wind. But the smile was there, deep inside them, as she started to talk.

‘The day was as colourless as today. It was winter and the new year of 1917 had just begun. All around me the white sky and the white ground merged to become one crisp shell, frozen in a silent world. There was no wind, only the sound of a swan stamping on the ice of the lake with its big flat feet. Vasily and I had come out for a walk together, just the two of us, wrapped up well against the cold. Our fur boots crunched satisfyingly in the snow as we ran across the lawn to keep warm.

‘“Vasily, I can see the dome of St Isaac’s Cathedral from here. It looks like a big shiny snowball!” I shouted from high up in the sycamore tree. I’d always loved to climb trees and this was a particularly tempting one, down by the lake on his father’s estate.

‘“I’ll build you a snow sleigh fit for a Snow Queen,” he promised.

‘You should have seen him, Sofia. His eyes bright and sparkling like the icicle-fingers that trailed from the tree’s branches, he watched me climb high up among its huge naked limbs that spread out over the lawn like a skeleton. He didn’t once say, “Be careful” or “It’s not ladylike”, like my governess Maria would have.

‘“You’ll keep dry up there,” he laughed, “and it’ll stop you leaping over the sleigh with your big feet before it’s finished.”

‘I threw a snowball at him, then took pleasure in studying the way he carefully carved runners out of the deep snow, starting to create the body of a sleigh with long, sweeping sides. At first I sang “Gaida Troika” to him, swinging my feet in rhythm, but eventually I couldn’t hold back the question that was burning a hole in my tongue.

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