Shan Sa - The Girl Who Played Go

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“Explosive… Poignant and shattering… While [the] climax is inevitable and the stories lead directly toward it, a reader is still shocked and horrified when it occurs.” -The Boston Globe
“Shan Sa creates a sense of foreboding that binds the parallel tales of her protagonists. Her measured prose amplifies the isolation amid turmoil that each character seems to inhabit.” – San Francisco Chronicle
“Dreamy… powerful… This unlikely love story… is beautiful, shocking, and sad.” – Entertainment Weekly
“Compelling… Emotionally charged chapters evoke the stop-and-start rhythms of adolescence… Sa handles the intersection of the personal and the political quite deftly.” – The Washington Post Book World
“What makes Sa’s novel so satisfying is the deceptive simplicity of her narrative strategy.” – San Jose Mercury News
“An awesome read… Shan Sa describes the story so well that you almost forget you’ve never visited the places in her book… This book is truly for every reader.” -The Decatur Daily
“Entrancing… [With] an ending that you won’t predict.” – Austin American-Statesman
“It has the sweep of war and the intimacy of a love story… Shan Sa is a phenomenon.” – The Observer (London)
“Spellbinding… Sa’s language is graceful and trancelike: her fights are a whirling choreography of flying limbs and snow, her emotions richly yet precisely expressed.” – The Times (London)
“One is struck by the economy of the tale, its speed, and the brutality of its calculations. There is never an excess word or a superfluous phrase: each paragraph counts… Fine literary work.” – Le Figaro Magazine (France)
“An astonishing book… Ends up taking one’s breath away… Goes straight to our hearts.” – Le Point (France)
“Gripping… A wrenching love story… [The protagonists’] shared sense of immediacy and the transience of life is what in the final analysis makes this novel so strong, so intelligent, so moving… You’ll have to look far and wide to find a better new novel on an East Asian subject than this finely crafted story, satisfying as it is on so many different levels.” – The Taipei Times
***
In a remote Manchurian town in the 1930s, a sixteen-year-old girl is more concerned with intimations of her own womanhood than the escalating hostilities between her countrymen and their Japanese occupiers. While still a schoolgirl in braids, she takes her first lover, a dissident student. The more she understands of adult life, however, the more disdainful she is of its deceptions, and the more she loses herself in her one true passion: the ancient game of go.
Incredibly for a teenager-and a girl at that-she dominates the games in her town. No opponent interests her until she is challenged by a stranger, who reveals himself to us as a Japanese soldier in disguise. They begin a game and continue it for days, rarely speaking but deeply moved by each other's strategies. As the clash of their peoples becomes ever more desperate and inescapable, and as each one's untold life begins to veer wildly off course, the girl and the soldier are absorbed by only one thing-the progress of their game, each move of which brings them closer to their shocking fate.
In The Girl Who Played Go, Shan Sa has distilled the piercing emotions of adolescence into an engrossing, austerely beautiful story of love, cruelty and loss of innocence.

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Jing looks at the handkerchief and stammers, “I’m so glad I’ve met you. You’re special, you’re interesting… Min doesn’t deserve you…”

I ask him why and he stares right at me, biting his lower lip. I ask again, but he stamps his foot angrily and turns away.

It is hot and humid out in the street. The trees shine with moisture and the green drips from the ends of the leaves. The shop windows scatter their haphazard glints of the failing sun. Children run almost naked along the pavements, brandishing newspapers. To attract customers, they chorus: “Woman kills her lover! Body found by Buddhist priest!”

Just before I reach the house, Min suddenly appears and catches hold of my arms to stop me.

“Jing’s gone mad! What did he say to you earlier?”

“Nothing.”

“What did he say about me?”

“Nothing.”

Min is still not reassured, and he looks at me closely.

“He loves you,” he says, “he’s just told me,” and his words seem to pierce my heart.

“Leave me alone,” I say quietly.

“You’ll have to choose between us.”

“Oh, don’t make such a scene!”

“You can’t betray me. Your body belongs to me!”

“I’m free. I can give my body to whomever I like, even the devil!”

“Why did you say that? Why do you want to hurt me? You don’t love me!”

“Leave me alone,” I say again, “my sister’s waiting for me at home, I’ll talk to you when you’ve calmed down. Tomorrow I’m playing a game of go on the Square of a Thousand Winds. Come and pick me up at five o’clock.”

I have never seen Min in such a state: he is trembling, and I run off to get away from him.

48

After dinner we are ordered to sleep fully clothed, weapons to hand. At midnight we are woken by sharp blows of a whistle and I race outside.

Our unit divides into several sections and dives into trucks. We are told that the object of this operation is to arrest a group of terrorists who have gathered in the town this evening. We think that the infamous Colonel Li may be among them.

It is a heavy, humid night. Geometrid moths flap under the streetlights. In the wealthiest, most respectable district there are oil lamps lighting the imposing gateways. Suddenly there is a burst of gunfire. The terrorists know they are being cornered and are trying to escape; our scouts have opened fire on them.

A grenade goes off in a nearby road, and the smell of the powder makes me shudder. It is months since I have taken part in a battle: I have missed that sense of death.

We surround a huge residence. The rebels are inside, crouching below the windows, resisting our attack by throwing grenades. There are trees burning where their projectiles have fallen. The windows with their shattered panes are dark as the mouths of animal lairs.

The assaults made by our section have allowed one of our commandos to get up onto the roof, where he finds an opening. The fighting is over too quickly: I am only just warming up and I have to lower my weapon. The terrorists leave behind five bodies and eight wounded. The famous rebel colonel had the wisdom to take his own life before we broke in. There is much to plunder: in the cellars there are piles of rifles, cases of ammunition and stacks of Chinese currency that the terrorists have not had time to change into Manchurian money. We intervened just in time-a new insurrection was about to explode.

I count our losses: four soldiers and one officer have left their lives for the Emperor of Japan. There is something moving by the doorway of a nearby house: a soldier, hit by a grenade, is crawling along the pavement, taking long, agonizing breaths. His body is reduced to great chunks of mangled flesh, churned up with the shreds of his clothes. His entrails spew from his open belly. He gets hold of me suddenly and implores me, “Go on, kill me!”

He has had it. I know that this is how soldiers die, but I cannot bring myself to draw my pistol.

“Kill me, you bastard! What are you waiting for?”

I am not strong enough. I stand there with my hand on my pistol, feeling light-headed. The ambulance men run over and carry the injured man off on a stretcher, but he keeps on yelling, “Kill me! I beg you, please! Kill me!”

Back at the barracks I collapse onto my bed without undressing. The sleeves of my uniform are still wet with the blood of this stranger, who will die slowly and painfully in the hospital. His despair is haunting. I could not give him the gift of death, I was weak, a coward. Buddha would have committed the crime of deliverance. Compassion belongs to those who have strength in their souls.

My mother’s words ring in my ears: “If you have to choose between death and cowardice, don’t hesitate: choose death!”

49

I watch the moon through the window and the trees outside. In my mind, I see Jing again with his hands on the doorposts and a strange gleam in his eye. He is thanking me for coming.

He has seemed wild and aloof for such a long time, and I haven’t dared to tease him once. Now that I have had this confession, via Min, I am no longer afraid of his apparent disdain. He is an open book to me: I could write every word of him.

Why did Jing say that Min didn’t deserve me? How did the two of them end up confronting each other? What persuaded Jing suddenly to make his confession? Did they have an argument? Did they fight?

Min says he wants to marry me, but I am afraid that he will eventually be like my father and my brother-in-law. A man’s passion wanes more quickly than a woman’s beauty.

He asked me to choose, but how could I stop seeing Jing who feeds my attraction to Min? I can’t betray Min, he made me a woman; it is my gratitude, and not his jealousy, which makes me faithful. My relationship with Jing is more subtle than any physical excitement… abstinence is the sensuous pleasure of the soul. I know that Jing is watching us, that he is experiencing with me the dazzling discovery of the pleasures of the flesh, and when I look at him all his resentment melts away. When I turn to him, his pale face fills with all the color of life again: he is my child, my brother with whom all physical contact is forbidden. This purity is the beginning of a boundless and defenseless affection that I can’t bring myself to give to Min.

Without Jing, my couplings with his rival would somehow become vulgar. Without Min, Jing no longer exists. Compared to my lover’s flippancy, his arid character seems serious and full of mystery. If I choose one I would have to forgo the other, and I would lose them both.

In this sort of situation in a game of go, the player opts for a third solution: attacking the opponent where he least expects it. When Min comes to get me on the Square of a Thousand Winds tomorrow I will pretend not to see him. When the game is over I will count up the stones, bid my opponent good-bye and watch him walk away until he has disappeared. I will stare at the checkered tabletop as if I am exhausted and then I will ask, “Min, who is Tang?”

He will swear he is faithful to me. I will pretend to be angry, I will stamp my feet and sigh-I remember Moon Pearl’s cries clearly and can play the part to perfection.

To calm me down he will take me to Jing’s house. I will accept his kisses, he will climb on top of me, our two bodies will be wrapped in the crimson sheet like two pine trees bound together by ivy. The bed will be our palanquin, carrying us off to another world.

A deafening sound wakes me from my dreams. Looking out of the window I can see my parents in their pajamas out in the courtyard. The cook has been woken too and has come out of her room with a candle in her hand.

“Put it out!” my father orders her in a hoarse whisper.

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