Говард Голдблатт - Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]

Здесь есть возможность читать онлайн «Говард Голдблатт - Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From Publishers Weekly
In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence. Translated ably enough to keep up with the colloquial tone, most tales are told with straightforward familiarity, drawing readers into small communities and personal histories that are anything but heroic. "The Brothers Shu," by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story's earthiness is matched by Wang Xiangfu's folksy "Fritter Hollow Chronicles," about peasants' vendettas and local politics, and by "The Cure," by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui's "Sham Marriage") as they are to poison the lives of urban characters (Chen Cun's "Footsteps on the Roof"). Comedy takes an elegant and elaborate form in "A String of Choices," Wang Meng's tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao's "Grass on the Rooftop." Editor Goldblatt has chosen not to expand the contributors' biographies or elaborate on the collection's post-Tiananmen context. He lets the stories speak for themselves, which, fortunately, they do, quietly and effectively.
From Library Journal
The 20 authors represented here range from Wang Meng, the former minister of culture, to Su Tong, whose Raise the Red Lantern has been immortalized on screen.
***
Chinese literature has changed drastically in the past thirty years. During the Cultural Revolution (1966-1976) arts and literature of all sorts were virtually nonexistent since they were frowned upon by official powers so that attempts to produce any were apt to cause one’s public humiliation and possibly even death by the Red Guards and other unofficial arms of the government. After 1976, in the wake of Mao’s death, literature slowly regained its importance in China, and by the mid-1980s dark, angry, satirical writings had become quite prominent on the mainland.
In the wake of Tiananmen Square, dark literature faded somewhat, but never vanished. Now Howard Goldblatt, a prominent translator of Chinese fiction and editor of the critical magazine Modern Chinese Literature, has compiled a representative collection of contemporary Chinese fiction entitled Chairman Mao Would Not Be Amused. Even with my limited knowledge of modern China I feel certain the title of the book is fairly accurate.
Mo Yan is one of my favorite contemporary writers. His dark, no-holds-barred satires Red Sorghum and The Garlic Ballads detailed what he sees as the failings of both Chinese peasants (of which he was born as one) and the Chinese leaders. His short story "The Cure" is in the same vein, detailing how a local government representative-probably self-appointed during the Cultural Revolution, although that is never made quite clear in the story-leads a lynching of the village’s two most prominent leaders and their wives. But, as in most Mo Yan stories, the bitterness directed at the lyncher is double-edged with the bitter look at a local peasant who sees the deaths of the two village leaders as a desperate chance to possibly rescue his mother from impending blindness. The story is coldly realistic and totally chilling in the rational way it treats the series of events.
Su Tong is the author of the novella "Raise The Red Lantern", the basis of the wonderful movie. His "The Brothers Shu" is a bitter look at some traditional character weaknesses of Chinese people, and particularly how they affect family life. The Shu family is incredibly dysfunctional. The father nightly climbs up the side of his two-family house to have sex with the woman upstairs until her husband bolts her windows shut. So the woman sneaks downstairs to have sex in the younger son’s bedroom while the son is tied to his bed, gagged and blindfolded. Meanwhile the elder son abuses the girl upstairs until she falls in love with him. When she becomes pregnant, they are both so shamed they form a suicide pact, tie themselves together and jump into a river, where the boy is rescued in time but the girl dies. The younger son so hates his older brother-somewhat deservedly considering the abuse heaped on him by the brother-that he pours gasoline through his bedroom and sets it ablaze.
And so on, complete with beatings and torments worthy of the most dysfunctional American families. While not a particularly likeable cast of characters, the story is strong and thoughtful.
Perhaps the most moving part about "First Person", by Shi Tiesheng is in the brief author description in the back of the book. Shi is described as “crippled during the Cultural Revolution”. So many lives were needlessly destroyed during that tumultuous decade, it is easy to feel that the arrest and subsequent conviction of the notorious Gang of Four was not nearly sufficient punishment for them.
"First Person" tells the story of a man with a heart condition-Shi frequently writes about the lives of handicapped people, according to his description-who is visiting his new 21st floor apartment for the first time. While climbing the stairs very slowly, taking frequent rests, he notices a cemetery separated from the apartment building by a huge wall. On one side of the wall is sitting a woman, while on the other side stands a man. As the man climbs the stairs he fantasizes about why the couple are there, and why they are separated by the wall. Perhaps the man is having an affair, and the wife is spying on him as he rendezvous with his lover?
But then the man notices a baby lying on a gravesite, being watched from a distance by the man, and he realizes that the couple is abandoning the child. An interesting story about the fanciful delusions a person can have, but with no real depth beyond that.
Two stories involve fear of dentists in completely different ways. Wang Meng’s "A String of Choices" is a very funny story that combines a bitter look at both Eastern and Western medicine with perhaps the most extreme case of fear of dentists imaginable. Chen Ran’s "Sunshine Between the Lips" tells of a young girl whose adult male friend exposes himself to her. If that were not traumatic enough, after he is arrested for exposing himself to a complete stranger, he sets his apartment on fire and dies a brutal death. This event, combined with a near-fatal bout of meningitis, creates in the girl a deep fear of phallic objects such as needles and penises. So imagine her trauma when she develops impacted wisdom teeth at the same time as she gets married. While this description might sound a bit ludicrous, this story is very serious and very well-executed.
A strong satire on how history can be rewritten to suit the writers’ needs is Li Xiao’s "Grass on the Rooftop". When a peasant’s hut goes on fire, he is rescued by a local student. The rescue is written up for an elementary school newspaper by a local child, but the story is picked up by other papers, changing radically with each reprinting until the rescuing student becomes a great hero of the Maoist revolution because of his supposed attempt to rescue a nonexistent portrait of Mao on the wall of the hut. While this story is uniquely Chinese in many ways, it resonates in all societies in which pride and agenda is often more important than the truth.
Anybody interested in a look at contemporary Chinese society should enjoy this collection immensely.

Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт] — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Then again, maybe she didn't love him. Or once loved him but didn't anymore. "But why?" the man asked. "I don't want to pressure you, but I have to know why this is happening." It wasn't that she didn't want to tell him, but she truly didn't know what to say. There seemed to be many reasons, but when she tried to speak, she couldn't make any of them clear. There really were many reasons, but when she spoke, she couldn't find any of them. "Go with the flow" was what she said. It was what she always said to him. In her mind, she was still saying it to him and to herself. There was no way to prove or disprove love; all one could do was go with the flow. The man went around to the other side of the wall. Maybe he was grieved; maybe he was angry. He just turned and walked out through the small gate. Maybe it was love; maybe it was hatred. Not wanting to say anything more, he walked out through the small gate. But he couldn't leave her. He didn't want to leave her. He was upset and anxious and didn't know what to do; he stood looking around helplessly. The sun had neared the woods. Gray magpies called back and forth. Inside the wall, the woman listened worriedly to the man's movements. She couldn't leave either. She was afraid he might be capable of anything. But what should she do? There was absolutely nothing she could do except go with the flow. That and pray quietly. It was the only wise thing to do, the right thing.

I reached the seventh floor. When I looked down, I could see over the dense treetops nearby. I saw a gravestone among the trees. First one, then two, then three. When I looked carefully, I saw they were all over, like stars in the sky or men on a chessboard, and I realized it was a cemetery. So that's what was going on. All along, the man had been gazing at the cemetery. That's what was going on. That's why the woman was dressed so plainly and neatly. Maybe it was the anniversary of someone's death, and they had come together to visit the grave.

Death has always been the most mysterious of affairs. A living, breathing person is gone. A living soul, someone who could think, could speak, could laugh, could love… suddenly is gone. You and he were once so intimate. You could see him whenever you wanted.

You could say to him whatever you wanted to say. But he died, and you'll never see him again. If there's something you forgot to tell him, it's too late now. But even after many years, when the woman came to the dead man's grave, she still couldn't accept this fact. She placed a handful of earth on the grave, sprinkled a little wine on it, and set down a bouquet of wildflowers. But the deceased? He was dead, gone, couldn't be found, couldn't be found anywhere, would never be found. The woman sat by the grave and felt chills run through her body and her heart, too.

The man pleaded with her. "This is the natural way of things. You've got to understand that this is the inevitable resting place for us all."

Looking at the irrefutable grave, she still could not believe death was so cruel.

"Don't be this way, OK? Don't be like this." He pleaded with her in a gentle, humble tone, as if it were all his fault.

"To live, you've got to learn to forget," the man said.

Looking at the grave, the woman also saw the dead man's likeness, smiling and very real. She still could not imagine what dying was.

The man said, "You have to keep thinking that he's gone, that he's been released. You have to keep thinking that we are alive.

"You and me," the man said, "we're together. I'm here with you."

After a long time, the woman left the graveside and walked blindly through the woods. Her long skirt drifted in the air like a ghost. She walked out of the woods. There was a white apartment building surrounded by a long, green brick wall. She walked through the small gate. It was a good place, with a big, lonely tree that calmed one down a little and gave one something to lean on. "Let me be alone for a while, just be by myself, OK?" she said. She didn't have to look back to know the man was right behind her. Obediently, he turned and walked back through the gate. She sat down against the tree. It was a little better here, by the vacant building. Unfamiliar places help one forget the past. The gently sliding shadow of the tree and the softly falling leaves made just the place for a grieving heart. Go with the flow, just go with the flow, she thought. Really, he was right-death didn't have to be so scary. "Go with the flow," she said quietly. Maybe she thought the man had come back inside the courtyard, or maybe she was speaking to whomever it was who had died. She didn't see clearly who I was, didn't understand at all what I was asking. The man kept watch outside the gate. The woman's persistent heartache often left him at a loss. He didn't know if he respected the dead man or was jealous of him; maybe he even hated him a little. At such times, he couldn't say if he himself was decent or base and mean. He had come here with her, he had agreed to come every year. He knew he would live up to his word, but he also knew, and only he knew, that he truly wished that she would forget that man, forget him forever. He looked toward the woods and the grave they surrounded. He prayed to heaven either to bless and protect him or forgive him: let that man die for good, and let the two of them never come here again, never return to this place.

The ninth floor. It was evening, and the autumn breeze had stiffened. If there was a strong wind that night, by the next day most of the leaves on the trees would be down. By now, the rays of the setting sun seemed to be coming in on the horizontal. I could see that the man outside the wall was shading his eyes with his hand and staring at the woods, in the same direction in which he had been looking so expectantly before-toward the setting sun. In that direction, through the trees, I could see two roads that intersected. Where struck by sunlight, the roads' pale surface was dazzling. One of the roads ran east-west, the other north-south. At the far end of the east-west road-the west end-I could see a stop sign for a suburban bus. A bus was pulling in just then, and a few people got off. The man was looking in that direction. He remained absolutely still as he watched the people. He seemed to be waiting for someone. Then the bus pulled away, and the people dispersed. They had probably come to visit graves. Some carried fresh flowers. The man's hand came down slowly, fished out a cigarette, and placed it between his lips. As he lit the cigarette, he began to pace back and forth. But now he seemed to notice something else. He raised his hand to shade his eyes and looked off in the same direction again: a woman was walking this way. She had probably taken the wrong road; she turned around and headed back this way. Her snow-white windbreaker was striking as it appeared and disappeared among the trees. The man's head turned slowly as he followed the woman with his eyes. But she stopped, looked around for a minute, then turned, and headed north. The white windbreaker disappeared among the trees to the north. At this, the man finally took a drag from his cigarette. He was definitely waiting for someone. Who? A woman? So that's what was going on. He was waiting for another woman. They had agreed to meet below the empty building east of the woods.

"The building is white and has a green brick wall around it. After you get off the bus, go east. Pass through a grove of trees and a cemetery."

"A cemetery?"

"Yes, I'll wait for you there."

Maybe it was at the entrance to an alley. Maybe it was while they were both rushing to work. Maybe the streets were already full with a crashing flood of cars and people. Or maybe there was only a handful of pedestrians on the sidewalk, and the city was still a pale blue.

"What did you say, there's a cemetery there?"

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]»

Представляем Вашему вниманию похожие книги на «Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]»

Обсуждение, отзывы о книге «Chairman Mao Would Not Be Amused - Fiction From Today`s China [редактор Говард Голдблатт]» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x