Iain Banks - The Crow Road

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The Crow Road: краткое содержание, описание и аннотация

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A new novel from the author of CANAL DREAMS and THE WASP FACTORY, which explores the subjects of God, sex, death, Scotland, and motor cars.

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I looked in the folder again to see if I'd missed anything.

I had. There was another small sheet of blue writing paper, in Janice Rae's hand. "Prentice — had a look at this — " (then the word "while', crossed out heavily, followed by the word "before', also nearly obliterated) " — Can't find any more; R had another folder. (?) If you find it and work out what it's all about, let me know; he said there was something secret buried in it. (Gallanach)?"

I bobbled my head from side to side. "Gallanach?" I said, in a silly high-pitched voice, as though quoting. I stretched, grunting with pain as my leg muscles extracted their revenge for having been ignored twelve hours earlier.

I reached for my coffee, but it was cold.

* * *

"Dear God, we beseech ye, visit the reactive wrath of their own foulness upon those nasty wee buggers in the Khmer Rouge in general, and upon their torturers, and their leader Pol Pot, in particular; may each iota of pain they have inflicted on the people of their country — heathen or not — rebound upon their central nervous system with all the agony they originally inflicted upon their victims. Also, Lord God, we ask that you remember the dark deeds of any communistic so-called-interrogators, in this time of great upheaval in eastern Europe; we know that you will not forget their crimes when their day of reckoning comes, and their guttural, Slavic voices cry out to ye for mercy, and ye reward them with all the compassion they ever showed to those unfortunate souls delivered unto them. Prentice?"

I jumped. I'd almost fallen asleep while Uncle Hamish had been droning on. I opened my eyes. The Tree was looking expectantly at me.

"Oh," I said. "Umm… I'd just like to put in a word for Salman Rushdie. Or at least take one out for old Ayatollah Ruhollah Khomeini… " I looked at Uncle Hamish, who was making quiet signals that I should clasp my hands and close my eyes. We were in the front lounge of Uncle Hamish and Aunt Tone's Victorian villa in the attractive Gallanach suburbette of Ballymeanoch, facing each other over a card table. I closed my eyes.

"Ah," I said. "Dear God, we pray that as well as suffering whatever part of the general physical unpleasantness involved in the Iran-Iraq war you may judge to be rightly his, you can find a spare area in his suffering, er, anti-create, for Mr R. Khomeini, late of Tehran and Qom, to experience at least some of the, umm, despair and continual worry currently being undergone by the novelist Mr S Rushdie, of Bombay and London, heathen and smart-alec though he may well be. Amen."

"Amen," echoed Uncle H. I opened my eyes. Uncle Hamish was already rising from his sear, looking positively twinkly with health and good cheer. He rubbed his hands. "Very good," he said, moving in that oddly stiff and creaky way of his for the door. "Let us repair for some repast," he chuckled as he held the door open for me. "I believe Antonia has prepared something called Cod Creole." He sniffed the fishy air in the hall; we crossed to the dining room.

"Not Lobster Creole? Or Kid?" I inquired.

But I don't think Uncle Hamish heard me. He was humming something sombre and looking pleased with himself.

Uncle H has developed a fascinating heresy based on the idea that exactly what you did to other people while you were alive gets done right back to you once you're dead. Torturers die — in agony — hundreds, maybe thousands of times, before their ravaged souls are finally dropped from the jaws of a fearsome and vengeful God. Those who authorise the dreadful deeds carried out by the torturers (or whoever) also share whatever proportion of this retrospective agony the deity — or his angelic cost-benefit-calculating representatives — deem they deserve. Having quizzed The Tree on the details of this scheme, it would appear that said burden of transferred pain is debited from the account of the guy at — or rather wielding — the sharp end of the original action, which seems only fair, I suppose.

Apparently Uncle Hamish is awaiting divine inspiration on the knotty problem of whether the good things one has accomplished in one's life are also re-lived from the other side (as it were), or simply subtracted from the nasty stuff. At the moment he seems to be veering towards the idea that if you did more good than bad during your life you go straight to Heaven, an arrangement which at least processes the merit of simplicity; the rest sounds like something dreamt up by a vindictive bureaucrat on acid while closely inspecting something Hieronymus Bosch painted on one of his bleak but imaginative days.

Still, it has its attractions.

Aunt Tone and the family's two children, Josh and Becky, and Becky's infant daughter, Iona, were already in the dining room, filling it with bustle and chat.

"Said your prayers?" Aunt Tone said brightly, depositing a steaming dish of potatoes on the table.

"Thank you, yes," Hamish replied. My uncle worships alone these days, and has done ever since his son left home to become a devout Capitalist (neither his wife nor his daughter had ever bothered with my Uncle's unique brand of condemnationist Christianity; as a rule, the McHoan women, whether so by blood or marriage, have displayed a marked reluctance to take their men-folk's passions seriously, at least outside the bedroom). I think that was why Uncle Hamish had been so delighted when I'd come to stay with the family, and also — perhaps — why he was in no hurry to help effect a reconciliation between me and my father.

We dined on spicy fish which repeated on me for most of the evening in the Jac, meeting pals, until I drowned it in an ocean of beer.

* * *

"Happy New Year!" Ashley yelled, flourishing a bottle of generic whisky with more enthusiasm than care; she cracked the bottle off the oak-panelled wall of the castle's crowded entrance hall, but without, apparently, causing damage to either. Clad in a sparkly jacket and a long black skirt, wreathed in silly string and clumps and strands of paper streamers from party poppers, her long hair bunned, she enveloped me in a very friendly kiss, breathing whisky and wine fumes. I kissed right back and she pushed away, laughing. "Wo, Prentice!" she shouted over the noise. The hall was packed with people; music spilled out from the main hall beyond; pipes and fiddles, tabors and accordions, guitars and a piano, several of them playing the same tune.

"I thought you gave up," I said, pointing at the cigarette she had stuck behind one ear. Josh and Becky were still at the doors, greeting people they knew.

"I did," she said, taking the fag from behind her ear and putting it in her mouth. She left it there for a few seconds, then restored it to its previous position. "See? Still given up; no temptation at all."

Ash and I levered our way through the press of people while I undid my jacket and struggled to extricate my half-bottle of whisky from a side pocket. We made it into the hall, which was actually less crowded, though still full. A huge fire roared in the grate; people balanced on the fire-seat which ran around the hearth, and on every other available perch, including the stairs and the piano.

A few enthusiasts within the midst of the crowd were trying to dance the Eightsome Reel, which in the circumstances was a little like trying to stage a boxing match in a telephone box; not totally impossible, just pointless.

Ash and I found a space over near the piano. She reached over the piano to a pile of little plastic cups, grabbed one and shoved it into my hand. "Here; have a drink." She sloshed some whisky into the cup. "How've you been?"

"Fine," I said. "Broke, and I can see that 2.1 disappearing over the event horizon, but fuck it; I've still got my integrity and my Mobius scarf, and a boy can go a long way with those things. You got a job yet?"

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