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Christopher Moore: Lamb: The Gospel According to Biff, Christ’s Childhood Pal

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Christopher Moore Lamb: The Gospel According to Biff, Christ’s Childhood Pal

Lamb: The Gospel According to Biff, Christ’s Childhood Pal: краткое содержание, описание и аннотация

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The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years — except Biff. Ever since the day when he came upon six-year-old Joshua of Nazareth resurrecting lizards in the village square, Levi bar Alphaeus, called "Biff," had the distinction of being the Messiah's best bud. That's why the angel Raziel has resurrected Biff from the dust of Jerusalem and brought him to America to write a new gospel, one that tells the real, untold story. Meanwhile, Raziel will order pizza, watch the WWF on TV, and aspire to become Spider-Man. Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung-fu, corpse reanimations, demons, and hot babes — whose considerable charms fall to Biff to sample, since Josh is forbidden the pleasures of the flesh. (There are worse things than having a best friend who is chaste and a chick magnet!) And, of course, there is danger at every turn, since a young man struggling to understand his godhood, who is incapable of violence or telling anything less than the truth, is certain to piss some people off. Luckily Biff is a whiz at lying and cheating — which helps get his divine pal and him out of more than one jam. And while Josh's great deeds and mission of peace will ultimately change the world, Biff is no slouch himself, blessing humanity with enduring contributions of his own, like sarcasm and café latte. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more — except maybe "Maggie," Mary of Magdala — and Biff isn't about to let his extraordinary pal suffer and ascend without a fight. Lamb is the crowning achievement of Christopher Moore's storied career: fresh, wild, audacious, divinely hilarious, yet heartfelt, poignant, and alive, with a surprising reverence. Let there be rejoicing unto the world! Christopher Moore is come — to bring truth, light, and big yuks to fans old and new with the Greatest Story Never Told!

Christopher Moore: другие книги автора


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“Why don’t you go get me some towels?”

“I’ll call down to the desk.”

And he did. If I am to get a look at that book, I must get the angel to leave the room.

It came to pass that in the village of Japhia, the sister village of Nazareth, that Esther, the mother of one of the priests of the Temple, died of bad air. The Levite priests, or Sadducees, were rich from the tributes we paid to the Temple, and mourners were hired from all the surrounding villages. The families of Nazareth made the journey to the next hill for the funeral, and for the first time, Joshua and I were able to spend time with Maggie as we walked along the road.

“So,” she said without looking at us, “have you two been playing with any snakes lately?”

“We’ve been waiting for the lion to lay down with the lamb,” Joshua said. “That’s the next part of the prophecy.”

“What prophecy?”

“Never mind,” I said. “Snakes are for boys. We are almost men. We will begin work after the Feast of Tabernacles. In Sepphoris.” I was trying to sound worldly. Maggie seemed unimpressed.

“And you will learn to be a carpenter?” she asked Joshua.

“I will do the work of my father, eventually, yes.”

“And you?” she asked me.

“I’m thinking of being a professional mourner. How hard can it be? Tear at your hair, sing a dirge or two, take the rest of the week off.”

“His father is a stonemason,” Joshua said. “We may both learn that skill.” At my urging, my father had offered to take Joshua on as an apprentice if Joseph approved.

“Or a shepherd,” I added quickly. “Being a shepherd seems easy. I went with Kaliel last week to tend his flock. The Law says that two must go with the flock to keep an abomination from happening. I can spot an abomination from fifty paces.”

Maggie smiled. “And did you prevent any abominations?”

“Oh yes, I kept all of the abominations at bay while Kaliel played with his favorite sheep behind the bushes.”

“Biff,” Joshua said gravely, “that was the abomination you were supposed to prevent.”

“It was?”

“Yes.”

“Whoops. Oh well, I think I would make an excellent mourner. Do you know the words to any dirges, Maggie? I’m going to need to learn some dirges.”

“I think that when I grow up,” Maggie announced, “I shall go back to Magdala and become a fisherman on the Sea of Galilee.”

I laughed, “Don’t be silly, you are a girl. You can’t be a fisherman.”

“Yes I can.”

“No, you can’t. You have to marry and have sons. Are you betrothed, by the way?”

Joshua said: “Come with me, Maggie, and I will make you a fisher of men.”

“What the hell does that mean?” Maggie asked.

I grabbed Joshua by the back of his robe and began to drag him away. “Don’t pay any attention to him. He’s mad. He gets it from his mother. Lovely woman, but a loony. Come now, Josh, let’s sing a dirge.”

I began improvising what I thought was a good funeral song.

“La-la-la. Oh, we are really, really sad that your mom is dead. Too bad you’re a Sadducee and don’t believe in an afterlife and your mom is just going to be worm food, la-la. Makes you think that you might want to reconsider, huh? Fa-la-la-la-la-la-wacka-wacka.” (It sounded great in Aramaic. Really.)

“You two are silly.”

“Gotta go. Mourning to do. See you.”

“A fisher of women?” Josh said.

“Fa-la-la-la, don’t feel bad—she was old and had no teeth left, la-la-la. Come on, people, you know the words!”

Later, I said, “Josh, you can’t keep saying creepy things like that. ‘Fisher of men,’ you want the Pharisees to stone you? Is that what you want?”

“I’m only doing my father’s work. Besides, Maggie is our friend, she wouldn’t say anything.”

“You’re going to scare her away.”

“No I won’t. She’s going to be with us, Biff.”

“Are you going to marry her?”

“I don’t even know if I’m allowed to marry at all, Biff. Look.”

We were topping the hill into Japhia, and we could see the crowd of mourners gathering around the village. Joshua was pointing to a red crest that stood out above the crowd—the helmet crest of a Roman centurion. The centurion was talking to the Levite priest, who was arrayed in white and gold, his white beard reaching past his belt. As we moved into the village we could see twenty or thirty other soldiers watching the crowd.

“Why are they here?”

“They don’t like it when we gather,” Joshua said, pausing to study the centurion commander. “They are here to see that we don’t revolt.”

“Why is the priest talking to him?”

“The Sadducee wants to assure the Roman of his influence over us. It wouldn’t do to have a massacre on the day of his mother’s funeral.”

“So he’s watching out for us.”

“He’s watching out for himself. Only for himself.”

“You shouldn’t say that about a priest of the Temple, Joshua.” It was the first time I ever heard Joshua speak against the Sadducees, and it frightened me.

“Today, I think this priest will learn who the Temple belongs to.”

“I hate it when you talk like that, Josh. Maybe we should go home.”

“Do you remember the dead meadowlark we found?”

“I have a really bad feeling about this.”

Joshua grinned at me. I could see gold flecks shining in his eyes. “Sing your dirge, Biff. I think Maggie was impressed by your singing.”

“Really? You think so?”

“Nope.”

There was a crowd of five hundred outside the tomb. In the front, the men had draped striped shawls over their heads and rocked as they prayed. The women were separated to the back, and except for the wailing of the hired mourners, it was as if they didn’t exist. I tried to catch a glimpse of Maggie, but couldn’t see her through the crowd. When I turned again, Joshua had wormed his way to the front of the men, where the Sadducee stood beside the corpse of his dead mother, reading from a scroll of the Torah.

The women had wrapped the corpse in linen and anointed it with fragrant oils. I could smell sandalwood and jasmine amid the acrid sweat of the mourners as I made my way to the front and stood by Joshua. He looked past the priest and was staring at the corpse, his eyes narrowed in concentration. He was trembling as if taken by a chill wind.

The priest finished his reading and began to sing, joined by the voices of hired singers who had made the journey all the way from the Temple in Jerusalem.

“It’s good to be rich, huh?” I whispered to Joshua, elbowing him in the ribs. He ignored me and balled up his fists at his sides. A vein stood out on his forehead as he burned his gaze on the corpse.

And she moved.

Just a twitch at first. The jerk of her hand under the linen shroud. I think I was the only one who noticed. “No, Joshua, don’t,” I said.

I looked for the Romans, who were gathered in groups of five at different points around the perimeter of the crowd looking bored, their hands resting on the hafts of their short swords.

The corpse twitched again and raised her arm. There was a gasp in the crowd and a boy screamed. The men started backing away and the women pushed forward to see what was happening. Joshua fell to his knees and pressed his fists to his temples. The priest sang on.

The corpse sat up.

The singers stopped and finally the priest turned to look behind him at his dead mother, who had swung her legs off of the slab and looked as if she was trying to stand. The priest stumbled back into the crowd, clawing at the air before his eyes as if it some vapor was causing this horrible vision.

Joshua was rocking on his knees, tears streaming down his cheeks. The corpse stood, and still covered by the shroud, turned as if she was looking around. I could see that several of the Romans had drawn their swords. I looked around and found the commanding centurion standing on the back of a wagon, giving signals to his men to stay calm. When I looked back I realized that Joshua and I had been deserted by the mourners and we stood out in the empty space.

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