Christopher Moore - A Dirty Job

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Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant — you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male.
But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child.
Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie — exhausted from the birth — turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird...
People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it.
Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore — death and dying — and the results are hilarious, heartwarming, and a hell of a lot of fun.

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“Okay, I’ll need to borrow your strappy black pumps, too,” Charlie said as he headed out the door.

“I think I’ve made my point,” Cassie called after him.

Ray stopped Charlie at the bottom of the stairs. “You got a minute, boss?”

“Not really, Ray. I’m in a hurry.”

“Well, I just wanted to apologize.”

“For what?”

“Well, it seems silly now, but I kind of suspected you of being a serial killer.”

Charlie nodded as if he were considering the grave consequences of Ray’s confession, when, in fact, he was trying to remember if there was any gas in the van. “Well, Ray, I accept your apology, and I’m sorry I ever gave you that impression.”

“I think all those years on the force made me suspicious, but Inspector Rivera stopped by and set me straight.”

“He did, did he? What exactly did he say?”

“He said that you had been checking some stuff out for him, getting into places he couldn’t get without a warrant and so forth, stuff that you’d both get in a lot of trouble for if anyone found out, but was helping to put the bad guys away. He said that’s why you’re so secretive.”

“Yes,” Charlie said solemnly, “I have been fighting crime in my spare time, Ray. I’m sorry I couldn’t tell you.”

“I understand,” Ray said, backing away from the stairway. “Again, I’m sorry. I feel like a traitor.”

“It’s okay, Ray. But I really have to go. You know, fighting the Forces of Darkness and all.” Charlie held his cane out as if it were a sword and he was charging into action, which, bizarrely, it was and he was.

Charlie had six days to retrieve three soul vessels if he was going to get caught up before he returned to Arizona for his mother’s funeral. Two, the names that had appeared in his date book the same day as Madison McKerny were seriously overdue. The last had appeared in the book only a couple of days ago, when he was in Arizona—yet it was in his own handwriting. He’d always thought that he had been doing some kind of sleep writing, but now, this was a whole new twist. He promised himself he would freak out about it as soon as he had some time.

Meanwhile, with the near-death hand job and the dead-mom thing, he hadn’t even done the preliminary research on the first of the two, Esther Johnson and Irena Posokovanovich, and both were now past their pickup date—one by three days. What if the sewer harpies had already gotten there? As strong as they’d become already, he didn’t even want to think about what they could do if they got hold of another soul. He considered calling Rivera to watch his back when he went to the house, but what would he say he was doing? The sharp-faced cop knew there was something supernatural going on, and he’d taken Charlie’s word that he was one of the good guys (not a hard sell when he’d seen the sewer harpy driving a three-inch claw up his nostril only to survive nine rounds of 9 mm in the torso and still fly away).

Charlie was driving with no destination, heading into Pacific Heights just because the traffic was lighter in that direction. He pulled over to the curb and called information.

“I need a number and address for an Esther Johnson.”

“There’s no Esther Johnson, sir, but I have three E. Johnsons.”

“Can you give me the addresses?”

She gave him the two who had addresses. A recording offered to dial the number for him for an additional charge of fifty cents.

“Yeah, how much to drive me there?” Charlie asked the computer voice. Then he hung up and dialed the E. Johnson with no address.

“Hi, could I speak with Esther Johnson,” Charlie said cheerfully.

“There’s no Esther Johnson here,” said a man’s voice. “I’m afraid you have the wrong number.”

“Wait. Was there an Esther Johnson there, until maybe three days ago?” Charlie asked. “I saw the E. Johnson in the phone book.”

“That’s me,” said the man, “I’m Ed Johnson.”

“Sorry to bother you, Mr. Johnson.” Charlie disconnected and dialed the next E. Johnson.

“Hello,” a woman’s voice.

“Hi, could I speak to Esther Johnson, please?”

A deep breath. “Who is calling?”

Charlie used a ruse that had worked a dozen times before. “This is Charlie Asher, of Asher’s Secondhand. We’ve taken in some merchandise that has Esther Johnson’s name on it and we wanted to make sure it’s not stolen.”

“Well, Mr. Asher, I’m sorry to tell you that my aunt passed away three days ago.”

“Bingo!” Charlie said.

“Pardon?”

“Sorry,” Charlie said. “My associate is playing a scratch-off lotto ticket here in the shop, and he’s just won ten thousand dollars.”

“Mr. Asher, this isn’t really a good time. Is this merchandise you have valuable?”

“No, just some old clothes.”

“Another time, then?” The woman sounded not so much bereaved as harried. “If you don’t mind.”

“No, I’m sorry for your loss,” Charlie said. He disconnected, checked the address, and headed up toward Golden Gate Park and the Haight.

The Haight: mecca for the Free Love movement of the sixties, where the Beat Generation begat the Flower Children, where kids from all over the country had come to tune in, turn on, and drop out—and had kept coming, even as the neighborhood went through alternating waves of renewal and decline. Now, as Charlie drove down Haight Street, amid the head shops, vegetarian restaurants, hippie boutiques, music stores, and coffeehouses, he saw hippies that ranged in age from fifteen to seventy. Grizzled oldsters panhandling or passing out pamphlets, and young, white-Rastafarian dreadlocked teenagers in flowing skirts or hemp drawstring trousers, with shining piercings and vacant pot-blissed stares. He passed brown-toothed crackheads barking at cars as they passed, a spiky holdover here and there from the punk movement, old guys in berets and wayfarers who might have stepped out of a jazz club in 1953. It wasn’t so much like the hands of time had stood still here, more like they’d been thrown in the air in exasperation, the clock declaring, “Whatever! I’m outta here.”

Esther Johnson’s house was just a couple of blocks off Haight, and Charlie was lucky enough to find parking in a twenty-minute green zone nearby. (If the time came that he ever got to talk to someone in charge, he was going to make a case for special parking privileges for Death Merchants, for while it was nice that no one could see him when he was retrieving a soul vessel, some cool Death plates or “black” parking zones would be even better.)

The house was a small bungalow, unusual for this neighborhood, where most everything was three stories tall and painted in whatever color would contrast most with the house next to it. Charlie had taught Sophie her colors here, using grand Victorians as color swatches.

“Orange, Daddy. Orange.”

“Yes, honey, the man barfed up orange. Look at that house, Sophie, it’s purple.”

The block did have its share of transients, so he knew the doors of the Johnson house would be locked. Ring the bell and try to sneak through, or wait? He really couldn’t afford to wait—the sewer harpies had hissed at him from a grate as he approached the house. He rang the bell, then quickstepped to the side.

A pretty, dark-haired woman of about thirty, wearing jeans and a peasant blouse, opened the door, looked around, and said, “Hello, can I help you?”

Charlie nearly fell through a window. He looked behind his back, then back at the woman. No, she was looking right at him.

“Yes, you rang the bell?”

“Oh, me? Yes,” Charlie said. “I’m, uh—you meant me, right?”

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