Christopher Moore - A Dirty Job

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Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant — you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male.
But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child.
Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie — exhausted from the birth — turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird...
People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it.
Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore — death and dying — and the results are hilarious, heartwarming, and a hell of a lot of fun.

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As naptime approached, Charlie looped through the neighborhood and headed up through Washington Square Park, where people were reading and lounging in the shade, a guy played guitar and sang Dylan songs for change, two white Rasta boys kicked a Hacky Sack around, and people were generally settling in for a pleasant and windless summer day. Charlie spied a black kitten sneaking out of a hedge near busy Columbus Avenue, stalking a wild McMuffin wrapper, it appeared, and he pointed it out to Sophie.

“Look, Sophie, kitty.” Charlie felt bad about the demise of Bear, the cockroach. Maybe this afternoon he’d go to the pet shop and get a new friend for Sophie.

Sophie screamed with glee and pointed to the little cat.

“Can you say ‘kitty’?” Charlie said.

Sophie pointed, and gave a drooly grin.

“Would you like a kitty? Can you say ‘kitty,’ Sophie?”

Sophie pointed to the cat. “Kitty,” she said.

The little cat dropped on the spot, dead.

Fresh Music,” Minty Fresh answered the phone, his voice a bass sax sketch of cool jazz.

“What the fuck is this? You didn’t say anything about this? The book didn’t say anything about this? What the fuck is going on?”

“You’ll be wanting the library or a church,” Minty said. “This is a record store, we don’t answer general questions.”

“This is Charlie Asher. What the fuck did you do? What have you done to my little girl?”

Minty frowned and ran his hand over his scalp. He’d forgotten to shave this morning. He should have known something was going to go wrong. “Charlie, you can’t call me. I told you that. I’m sorry if something has happened to your little girl, but I promise you that I—”

“She pointed at a kitten and said ‘kitty’ and it fell over, stone dead.”

“Well, that is an unfortunate coincidence, Charlie, but kittens do have a pretty high mortality rate.”

“Yeah, well, then she pointed to an old guy feeding the pigeons and said ‘kitty’ and he dropped over dead, too.”

Minty Fresh was glad that there was no one in the store right then to see the look on his face, because he was sure that the full impact of the willies dancing up and down his spine was blowing his appearance of unflappable chill. “That child has a speech disorder, Charlie. You should have her looked at.”

“A speech disorder! A speech disorder! A cute lisp is a speech disorder. My daughter kills people with the word kitty . I had to keep my hand over her mouth all the way home. There’s probably video somewhere. People thought I was one of those people who beats their kid in department stores.”

“Don’t be ridiculous, Charlie, people love the parents who beat their kids in department stores. It’s the ones who just let their kids wreak havoc that everybody hates.”

“Can we stay on point, Fresh, please? What do you know about this? What have you figured out in all your years as a Death Merchant?”

Minty Fresh sat down on the stool behind the counter and stared into the eyes of the cardboard cutout of Cher, hoping to find answers there. But the bitch was holding out. “Charlie, I got nothin’. The kid was in the room when you saw me, and you saw what it did to you. Who knows what it did to her. I told you I thought you were in a different league than the rest of us, well, maybe the kid is something else, too. I’ve never heard of a Death Merchant who could just ‘kitty’ someone to death, or cause anyone to die outside of normal, mortal means. Have you tried having her use other words? Like puppy ?”

“Yeah, I was going to do that, but I thought it might fuck up property values if everyone in my neighborhood suddenly fell over dead! No, I didn’t try any other words. I don’t even want to make her eat her green beans for fear she’ll kitty me.”

“I’m sure you have some kind of immunity.”

“The Great Big Book says that we’re not immune to death ourselves. I’d say the next time a kitten comes on the Discovery Channel my sister could be picking out caskets.”

“I’m sorry, Charlie, I don’t know what to tell you. I’ll check out my library at home, but it sounds like the kid is a lot closer than we are to how all the legends portray Death. Things tend to balance, however, maybe there’s some positive side to this, uh, disorder she has. In the meantime, maybe you should head over to Berkeley, see if you can find anything at the library there. It’s a repository library—every book that’s printed goes there.”

“Haven’t you tried that?”

“Yes, but I wasn’t looking for something specific like this. Look, just be careful going over. Don’t take the BART tunnel.”

“You think the sewer harpies are in the BART tunnels?” Charlie asked.

“Sewer harpies? What’s that?”

“It’s what I call them,” Charlie said.

“Oh. I don’t know. It’s underground, and I’ve been on a train when the power goes out. I don’t think you want to risk it. It feels like their territory. Speaking of that, from my end they’ve been conspicuously silent for the last six months or so. Not a peep.”

“Yeah, the same here,” Charlie said. “But I suppose this phone call might change that.”

“Yeah, it probably will. But with your daughter’s condition, we might be in a whole new game, too. You watch your ass, Charlie Asher.”

“You, too, Minty.”

“Mr. Fresh.”

“I meant Mr. Fresh.”

“Good-bye, Charlie.”

In his cabin on the great ship, Orcus picked his teeth with the splintered femur of an infant. Babd combed his black mane with her claws as the bullheaded death pondered what the Morrigan had seen from the drain on Columbus Avenue: Charlie and Sophie in the park.

“It is time,” said Nemain. “Haven’t we waited long enough?” She clacked her claws like castanets, flinging drops of venom on the walls and floor.

“Would you be careful,” Macha said. “That shit stains. I just put new carpet in here.”

Nemain stuck out a black tongue. “Washerwoman,” she said.

“Whore,” Macha replied.

“I don’t like this,” Orcus said. “This child disturbs me.”

“Nemain is right. Look how strong we’ve become,” Babd said, stroking the webbing that was growing back between the spikes on Orcus’s shoulders—it looked as if he had fans mounted there, like some ornate samurai armor. “Let us go. The child’s sacrifice might give you your full wings back.”

“You think you can?”

“We can, once it’s dark,” said Macha. “We’re stronger than we’ve been in a thousand years.”

“Just one of you go, and go in stealth,” said Orcus. “Hers is a very old talent, even in this new body. If she masters it, our chance may have passed for another thousand years. Kill the child and bring its corpse to me. Don’t let her see you until you strike.”

“And her father? Kill him?”

“You’re not that strong. But if he wakes to find his child gone, then maybe his grief will destroy him.”

“You don’t have any idea what you’re doing, do you?” said Nemain.

“You stay here tonight,” said Orcus.

“Dammit,” said Nemain, slinging steaming venom across the wall. “Oh, pardon me for questioning the exalted one. Hey, head of the bull, I wonder what comes out of the other end?”

“Ha,” said Babd. “Ha. Good one.”

“And what kind of brain do you find under the feathers?” said Orcus.

“Oh! He got you, Nemain. Think about how bad he got you when I’m killing the child tonight.”

“I was talking to you,” Orcus said. “Macha goes.”

She came in through the roof, tearing up the bubble skylight over the fourth floor and dropping into the hallway. She moved as silent as a shadow down the hall to the stairs, then appeared to float down, her feet barely touching the steps. On the second floor she paused at the door and examined the locks. There were two strong dead bolts in addition to the one in the main plate. She looked up and saw a stained-glass transom, latched with a tiny brass latch. A claw slipped quickly through the gap, and with a twist of the wrist the brass lock popped off and clattered on the hardwood floor inside. She slithered up and through the transom and flattened herself against the floor inside, waiting like a pool of shadow.

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