Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"Because four hundred million years later, the land creatures came back into the water — sophisticated land animals."

"Early whales?"

"Yes, when mammals came back to the sea, they brought something that even the dinosaurs — the reptiles and amphibians that had come back to the water — didn't have. Something the Goo didn't know. Knowledge that didn't replicate itself through DNA. It replicated through imitation, learned knowledge, not passed on. Memes."

Nate knew about memes, the information equivalent of a gene. A gene existed to replicate itself and required a vehicle, an organism, in which to do it. It was the same with memes, except a meme could replicate itself across vehicles, across brains. A tune you couldn't get out of your head, a recipe, a bad joke, the Mona Lisa — all were memes of sort. They were a fun model to think about, and computers had made the idea of a self-replicating piece of information more manifest with computer viruses, but what did that have to do with — But then it hit him. Why he'd learned about memes in the first place.

"The song," Nate said. "Humpback song is a meme."

"Of course. The first culture, the first exposure the Goo had to something it didn't understand. What, maybe fifteen million years ago it found out it wasn't the only game in town. Three billion years is a long time to get used to living in what you think is your private house only to suddenly find out that someone moved into an apartment above you while you were sleeping.

"For a long time the Goo didn't perceive that genes and memes were at odds. Whales were the first carriers. Big brains because they need to imitate complex behaviors, remember complex tasks, and because they could get the high-protein food to build the brains the memes needed. But the Goo came to terms with the whales. They're an elegant mix of genes and memes, absolute kings of their realm. Huge, efficient feeders, immune from any predation except from each other.

"But then something started killing whales. Killing them in alarming numbers. And it was something from the surface world. It wasn't something the Goo could find out about from its ocean-borne nervous system, so that's when I think it created the whale ships, or a version of them. Late seventeen or early eighteen hundreds, I'd guess. Then, I think when it had somehow gotten back enough samples of human DNA, it made the whaley boys. To stay camouflaged but to watch, to bring people back here so it could learn, watch us. I may have been the final link that started the war."

"What war? There's a war?" Nate had a quick vision of the paranoid megalomaniacs that the Colonel said he'd considered for pseudonyms, Captain Nemo and Colonel Kurtz, both complete bedbugs.

"The war between memes and genes. Between an organism that specializes in the replication of gene machines — the Goo — and one that specializes in the replication of meme machines — us, human beings. I brought electrical and computer technology here. I brought the Goo the theoretical knowledge of memes and genes and how they work. Where the Goo is now and where it was before I came is the difference between being able to drive one and being able to build a car from lumps of raw steel. It's realizing the threat. It's going to figure it out."

Ryder looked at Nate expectantly. Nate looked at him as if he wasn't getting the point. When he'd studied under Ryder, the man had been so cogent, so clear. Grumpy, but clear. "Okay," Nate said slowly, hoping Ryder would jump in, "so you need me to… uh…?"

"Help me figure out a way to kill it."

"Didn't see that coming."

"We're at war with the Goo, and we have to find a way to kill it before it knows what's happening."

"Then don't you think you should keep your voice down?"

"No, it doesn't communicate that way." The Colonel looked perturbed at Nate's comment.

"So you want me to figure out how to kill your god?

"Yes, before it wipes out the human race in one fell swoop."

"Which would be bad."

"And we have to kill it without killing everyone in Gooville."

"Oh, we can do that," Nate said, completely confident, the way he'd seen hostage negotiators in cop movies tell the bank robbers that their demands were being met and the helicopter was on the way. "But I'm going to need some time."

The strangest thing was, as Nate left the Colonel's chamber after being in direct contact with the Goo for only a few minutes, his hangover was completely gone.

CHAPTER THIRTY-THREE

Could Be Worse,

Could Be Dog Years

"Evidently," said Nate, "where we screwed up was killing the whales."

"No way," said Amy.

"We tipped our hand."

"About being meme machines, right?"

"Yeah. Are you sure you're not spying for him?"

"Nope. Know how you can tell? When I was spying, did I ever touch you here?"

"No. No, you did not."

"And did I ever let you touch me here?" She moved his hand for him.

"No, you did not. Especially not in public."

"Yeah, we should probably go back to your place."

She had called him on his buzzy, bug-winged speaky thing, about which he made a mental note to ask what the name of it was at his first convenience. They'd met for coffee at a Gooville café that catered to whaley boys. She'd assured him that no one would notice them, and, strangely enough, the whaley boys had completely ignored them. Maybe he was no longer news.

"If they say anything, I'll just tell them that we're having sex," Amy said.

"But you said you didn't think I should tell the Colonel I'd seen you."

"Yeah, but that was before he let you in on his secret plan."

"Right."

"Although I'm a little ashamed of how old you are. We should talk about that."

"So should I move my hand?"

"Yeah, down and a little to the right."

"Let's head back to my place."

* * *

Back at his apartment, standing in the kitchen, he said, "Hey, what do you call this thing?" He pointed to that thing.

"The phone."

"No kidding?" He nodded as if he'd known that all along. "So where were we?"

"Killing whales was where we went wrong?"

"Yes."

"Or how old you are?"

"So," he continued, "killing whales was a big mistake."

"Which you knew, because that's what made you want to become a nerd in the first place."

"No, that's not right."

" 'Scuse me, action nerd."

"You want to know how I got into this field, really?"

"No. I mean, sure. You can tell me about the destruction of the human race later."

"You have to promise you won't laugh."

"Of course." She looked incredibly sincere.

"My sophomore year at the University of Sasketchewan in the Sticks —»

"You're kidding."

"It's a good school. You promised you wouldn't laugh."

"Oh, you meant even this early in the story I'm not supposed to laugh? Sorry."

"I mean, I'm sure it doesn't measure up to Gooville Community College —»

"Not fair."

"Home of the Gooville Fighting Loogies —»

"Okay, you made your point."

"Thank you. So a friend and I decided that we're going to go to break out of our boring small-college lives, we were going to take some risks, we were going to —»

"Talk to a girl?"

"No. We decided to drive all the way to Florida for spring break just like American kids, where we would then drink beer, get sunburned, and then talk to a girl — girls."

"So you went."

"Took almost a week to get there, but yes, we drove in his dad's Vista Cruiser station wagon. And I did indeed meet a girl. In Fort Lauderdale. A girl from Fort Lauderdale. And I talked to her."

"You dirty little tramp. Like, 'How's it going, eh? »

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