Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"You're not looking at data, Nate, you're making it up. You're wasting your time, and I'm not sure you're not wasting my time. This whole job might have been a big mistake."

"Amy, I don't understand why —»

But she wouldn't give him a chance to defend himself. "Go to bed, Nate. You're delirious. We have real work to do tomorrow, and you'll be worthless if you don't get some sleep." She turned and stormed out into the night. Even as she moved across the courtyard to her cabin, Nate could hear her ranting to herself. The words "doofus," "deluded," and "pathetic loser" rang out above the tirade to settle on Nate's ego.

Strangely enough, a feeling of relief washed over him as he realized that the delusions of romantic grandeur that he'd been indulging — nay, fighting — about his research assistant had been just that: delusions. She thought he was a complete joke. At peace with himself for the first time since Amy had come on board, he saved his work, powered down the machine, and went off to bed.

CHAPTER FOURTEEN

Down to the Harbor

Down to the harbor they went — past the condos, the cane fields, the golf course, the Burger King, the Buddhist cemetery with its great green Buddha blissed out by the sea, past the steak houses, the tourist traps, the old guy riding down Front Street on a girl's bike with a macaw perched on his head — down to the harbor they went. They waved to the researchers at the fuel dock, nodded to the haglets at the charter booths, shakaed the divemasters and the captains, and schlepped science stuff down the dock to start their day.

Tako Man stood in the back of his boat eating a breakfast of rice and octopus as the Maui Whale crew — Clay, Quinn, Kona, and Amy — passed by. He was a strong, compact Malaysian with long hair and a stringy soul-patch beard that, along with the bone fishhooks he wore in his ears, gave him the distinct aspect of a pirate. He was one of the black-coral divers who lived in the harbor, and this morning, as always, he wore his wet suit.

"Hey, Tako," Clay said. The diver glanced up from his bowl. His eyes looked as if someone had poured shots of blood into them. Kona noticed that the small octopus in the diver's bowl was still moving, and he scampered down the dock feeling a case of the creeps fluttering to life in his spinal cord.

"Nightwalkers, gray ones, on your boat last night. I seen them," said Tako Man. "Not the first time."

"Good to know," said Clay, patronizing the diver and moving down the dock. You had to keep peace with anyone who lived in the harbor, especially the black-coral divers, who lived far over the edge of what most people would consider normal life. They shot heroin, drank heavily, spent all day doing bounce dives to two hundred feet looking for the gemstone-valuable black coral, then spent their money on weeklong parties that had, more than once, ended with one of them dead on the dock. They lived on their boats and ate rice and whatever they could pull out of the sea. Tako Man had gotten his name because on any given afternoon, after the divers came in for the day, you'd see the grizzled Malaysian carrying a net bag full of tako (octopus) that he had speared on the reef for their supper.

"Hi," Amy said sheepishly to Tako Man as they passed. He glared at her through his bloody haze, and his head bobbed as he almost nodded out into his breakfast. Amy quickened her pace and ran a Pelican case she was carrying into the back of Quinn's thigh.

"Jeez, Amy," Quinn said, having almost lost his footing.

"Do those guys dive in that condition?" Amy whispered, still sticking to Quinn like a shadow.

"Worse than that. Would you back up a little?"

"He's scary. You're supposed to protect me, ya mook. How do they keep from getting into trouble?"

"They lose one or two a year. Ironically, it's usually an overdose that gets them."

"Tough job."

"They're tough guys."

Tako Man shouted, "Fuck you, whale people! You'll see. Fucking nightwalker fuckers. Fucking fuck you, haole motherfuckers!" He tossed the remains of his breakfast at them. It landed overboard, and tiny fish broke the water fighting for the scraps.

"Rum," said Kona. "Too much hostility in dat buzz. Rum come from da cane, and cane come from slavin' the people, and dat oppression all distilled in de bottle and come out a man mean as cat shit on a day."

"Yeah," said Clay to Quinn. "Didn't you know that about rum?"

"Where's your boat?" asked Quinn.

"My boat?"

"Your boat, Clay," said Amy.

"No," said Clay. He stopped and dropped two cases of camera equipment on the dock. The Always Confused, the spiny and powerful twenty-two-foot Grady White center-console fisherman, Clay's pride and joy, was gone. A life jacket, a water bottle, and various other familiar flotsam bobbed gently in a rainbow slick of gasoline where the boat had once been.

Everyone thought someone else should say something, but for a full minute no one did. They just stood there, staring at what should have been Clay's boat but instead was a big, boatless gob of tropical air.

"Poop," Amy finally said, saying it for all of them.

"We should check with the harbormaster," said Nate.

"My boat," said Clay, who stood over the empty slip as if it were his recently run-over boyhood dog. He would have nuzzled it and stroked its little dead doggy ears if he could have, but instead he fished the oily life jacket out of the water and sat on the dock rocking it.

"He really liked that boat," Amy said.

"Can I get a duh for the sistah?" exclaimed the dreaded blond kid.

"I paid the insurance," Nate said as he moved away, headed for the harbormaster.

Tako Man had come down the dock from his own boat to stare at the empty water. Somber now. Amy backed up into Kona for protection, but Kona had backed up into the next person behind him, which turned out to be Captain Tarwater, resplendent in his navy whites and newly Kona-scuffed shoes.

"Irie, ice cream man."

"You're on my shoes."

"What happened?" asked Cliff Hyland, coming down the dock behind the captain.

"Clay's boat's gone," said Amy.

Cliff moved up and put his hand on Clay's shoulder. "Maybe someone just borrowed it." Clay nodded, acknowledging that Cliff was trying to comfort him, but comfort fell like sandwiches on the recently bombed.

By the time Quinn returned from the harbormaster's office with a Maui cop in tow, there were a half dozen biologists, three black-coral divers, and a couple from Minnesota who were taking pictures of the whole thing, thinking that this would be something they would want to remember if they ever found out what was happening. As the cop approached, the black-coral divers faded to the edges of the crowd and away.

Jon Thomas Fuller, the scientist/entrepreneur who was accompanied by three of his cute female naturalists, stepped up beside Quinn. "This is just horrible, Nate. Just horrible. That boat represented a major capital investment for you guys, I'm sure."

"Yeah, but mainly we liked to think of it as something that floated and moved us around on the water." Nate actually had a great capacity for sarcasm, but he usually reserved it for those things and people he found truly irritating. Jon Thomas Fuller was truly irritating.

"Going to be tough to replace it."

"We'll manage. It was insured."

"You might want to get something bigger this time. I know there's a measure of safety working off of these sixty-five-footers we have, but also with the cabin you can set up computers, bow cameras, a lot of things that aren't really possible on little speedboats. A good-size boat would add a lot of legitimacy to your operation."

"We sort of decided to go with the legitimacy we get from doing credible research, Jon Thomas."

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