John Toole - A Confederacy of Dunces

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A monument to sloth, rant and contempt, and suspicious of anything modern - this is Ignatius J. Reilly of New Orleans, crusader against dunces. In revolt against the 20th century, Ignatius propels his bulk among the flesh-pots of a fallen city, documenting life on his Big Chief tablets as he goes, until his mother decrees that Ignatius must work.

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“Hey, you there. Take a look at my goddam floor.”

Jones reluctantly looked through his sunglasses and saw nothingness.

“Whoa! You got a fine flo . Ooo-wee. Everthin in the Night of Joy firs rate.”

“You see all that crap?”

“For twenny dollar a week, you gotta expec a little crap. The crap star disappearin when the wage going up around fifty or sigsty.”

“I want performance when I put out money,” Lana said angrily.

“Listen, you ever try living on my kinda wage? You think color peoples get grossries and clothin at a specia price? What you thinkin about half the time you sitting up here playin with your penny? Whoa! Where I live, you know how peoples buy cigarette? Them peoples cain affor a whole pack, they buy they cigarette separate two cent apiece. You think a color mother got it easy? Shit. I ain foolin. I gettin pretty tire of bein vagran or tryina keep my ass alive on this kinda wage.”

“Who took you off the streets and gave you a job when the cops was about to lock you up for vagrancy? You might think about that sometime when you’re goofing off behind them goddam glasses.”

“Goofin off? Shit. Goofin off ain cleanin up this mother-fucking cathouse. They somebody in here sweepin and moppin up all the shit your po, stupor customer drippin on the flo . I feel sorry for them po peoples comin in here thinkin they gonna have theirself some fun, probly gettin knockout drop in they drink, catchin the clap off the ice cube. Whoa! And talkin about puttin out money it seem to me maybe you be puttin out a little more now that your orphan frien stop coming aroun. Since you cut out the chariddy, maybe you slip me some of the United Fun money.”

Lana said nothing. She clipped the receipt for the box of chalk to her ledger book so that she could list it in the column of itemized deductions that always accompanied her income tax returns. She had already bought a used globe of the world. That, too, was stored in the cabinet. All she needed now was a book. When she saw George next, she would ask him to bring her one. He must have some kind of book left over from the days before he had dropped out of high school.

Lana had taken some time to assemble the little collection of props. While the plainclothesmen had been coming in at night, she had been too worried and preoccupied to attend to this project for George. There had been the major problem of Darlene, the vulnerable point in Lana’s wall of protection against undercover policemen. But now, the plainclothesmen had gone away as suddenly as they had appeared. Lana had spotted each one as soon as he had entered, and with Darlene safely off the stools and practicing with her bird, the plainclothesmen had nothing to go on. Lana had seen to it that they were actively ignored by everyone. It took experience to be able to spot a cop. But a person who could spot a cop could also avoid a lot of trouble.

There were only two things to be settled. One was getting the book. If George wanted her to have a book, he could get it for her himself. Lana wasn’t about to buy a book, even a used one. The other was getting Darlene back on the stools now that the plainclothesmen were gone. Having someone like Darlene on commission was better than having her on salary. And what Lana had seen Darlene do on the stage with the bird told her that, for the moment, the Night of Joy might do better if it decided not to cater to the animal trade.

“Where’s Darlene?” Lana asked Jones. “I got a little message for her and that bird.”

“She telephone and say she be in sometime this afternoon to do some more rehearsin,” Jones said to the advertisement he was researching. “She say she takin her bird to the veternaria firs, she think it losin some of its feather.”

“Yeah?”

Lana started to plan the ensemble with the globe, the chalk, and the book. If the thing had commercial possibilities, it should be done with a certain finesse and quality. She envisioned several arrangements that would combine grace and obscenity. There was no need to be too raw. After all, she was appealing to kids.

“Here we come,” Darlene called happily from the door. She tripped into the bar in slacks and a pea jacket, carrying a covered birdcage.

“Well, don’t plan to stay too long,” Lana answered. “I got some news for you and your friend.”

Darlene put the cage on the bar and uncovered a huge, scrofulous rose cockatoo that looked, like a used car, as if it had passed through the hands of many owners. The bird’s crest dipped, and it cried horribly, “Awwk.”

“Okay, get it out, Darlene. You go back to your stool starting tonight.”

“Aw, Lana,” Darlene moaned. “Whatsa matter? We been doing good in rehearsal. Just wait’ll we iron out the kinks. This act is gonna be a boffo smash.”

“To tell you the truth, Darlene, I’m afraid of you and that bird.”

“Look, Lana.” Darlene took off her pea jacket and showed the manager the tiny rings attached to the side of her slacks and blouse with safety pins. “You see these things? That’s what’s gonna make the act smooth. I been practicing with it in my apartment. It’s a new angle. He grabs at those rings with his beak and rips my clothes off. I mean, these rings is just for rehearsal. When I get my costume made, the rings are gonna be sewed on top of a hook and eye so when he grabs, the costume pops open. I’m telling you, Lana. It’s gonna be a smash hit sensation.”

“Listen, Darlene, it was safer when you just had that goddam thing flying around your head or whatever it did.”

“But now it’s gonna be a real part of the turn. It’s gonna pull…

“Yeah, and it might pull your tits off. All I need in this place is a goddam accident and a ambulance to drive away my customers and ruin my investment. Or maybe this bird gets it in his head to fly out in the audience and pull out somebody’s eyes. No, to be frank, I don’t trust you and a bird, Darlene. Safety first.”

“Aw, Lana.” Darlene was heartbroken. “Give us a chance. We just getting good.”

“No. Beat it. Take that thing off my bar before it takes a shit.” Lana threw the cover over the birdcage. “The you-know-whats are gone and you can go back to your stool.”

“I think maybe I’ll tell you-know-who about the you-know-whats and make you-know-who scared and quit.”

Jones looked up from an advertisement and said, “If you peoples be talkin all this double-talk, I cain read. Whoa. Who the ‘you-know-whats’ and who ‘you-know-who?’”

“Get off that stool, jailbait, and get on my floor.”

“That bird been travelin to Night of Joy practicin and tryin,” Jones said from his cloud, smiling. “Shit. You gotta give it a chance, cain treat it like it’s color peoples.”

“That’s right,” Darlene agreed sincerely.

“Since we cuttin off the orphan chariddy and we not extendin it to the porter help, maybe we oughta give a little to a po, strugglin gal gotta hustle on commission. Hey!” Jones had seen the bird flap around on the stage while Darlene tried to dance. He had never seen a worse performance; Darlene and the bird qualified as legitimate sabotage. “Maybe it need a little polishin here and there, a little twistin and rockin, some more slippin and slidin, but I think that ack very good. Ooo-wee.”

“You see that?” Darlene said to Lana. “Jones oughta know . Colored people got plenty rhythm.”

“Whoa!”

“I don’t wanna scare somebody with a story about some people.”

“Oh, shut up, Darlene,” Lana screamed.

Jones covered the two with some smoke and said, “I think Darlene and that there bird very unusual. Whoa! I think you be attractin plenny new peoples in this place. What other club got them a ball eagle on the stage?”

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