Jeffrey Eugenides - Middlesex

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Middlesex: краткое содержание, описание и аннотация

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In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blond classmate with a gift for acting. The passion that furtively develops between them leads Callie to suspect that she is not like other girls. In fact, Cal has inherited a rare genetic mutation.
The biological trace of a guilty secret, this gene has followed her grandparents from the crumbling Ottoman Empire to Detroit and has outlasted the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign country known as suburbia. Thanks to the gene, Cal is part girl, part boy. And even though the gene's epic travels have ended, her own odyssey has only begun.
Sprawling across eight decades - and one unusually awkward adolescence - Jeffrey Eugenides' long-awaited second novel is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It marks the fulfilment of a huge talent, named one of America's best young novelists by both
and the

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“What are we going to do in the woods?” I said, with a note of complaint.

The Object didn’t answer.

“What are we going to do in the woods?” I repeated.

“We’re going for a walk,” she said.

“You just want Rex to molest you.”

“You have such a dirty mind, Callie.”

“Don’t deny it.”

She turned around and smiled. “I know who wants to molest you ,” she said.

For a second, an irrepressible happiness flooded me.

“Jerome,” she finished.

“I don’t want to go out in the woods,” I said. “There’s bugs and stuff.”

“Don’t be a such a wuss,” she said. I had never heard her say “wuss” before. It was a word boys used; boys like Rex. Finished dressing, the Object stood before the mirror, picking at some dry skin on her cheek. She ran a brush through her hair and put on lip gloss. Then she came over to me. She came up very close. She opened her mouth and blew her breath into my face.

“It’s fine,” I said, and moved away.

“Don’t you want me to check yours?”

“No biggie,” I said.

I decided that if the Object was going to ignore me and flirt with Rex, I would ignore her and flirt with Jerome. After she left, I combed my hair. From the collection of atomizers on the dresser, I chose one and squeezed the bulb, but no perfume came out. I went into the bathroom and undid the straps of my overalls. Lifting my shirt, I stuffed a few tissues in my brassiere. Then I shook my hair back, hitched up my overalls, and hurried outside for our walk in the woods.

They were waiting for me under a yellow bug light on the porch. Jerome held a silver flashlight. Slung over Rex’s shoulder was an army surplus backpack, filled with Stroh’s. We came down the steps onto the lawn. The ground was uneven, treacherous with roots, but the pine needles were soft underfoot. For a moment, despite my foul mood, I felt it: the crisp northern Michigan delight. A slight chill to the air, even in August, something almost Russian. The indigo sky above the black bay. The smell of cedar and pine.

At the edge of the woods the Object stopped. “Is it going to be wet?” she said. “I only have my Tretorns on.”

“Come on,” said Rex Reese, pulling her by the hand. “Get wet.”

She screamed, theatrically. Leaning back like someone on a rope tow, she was pulled unsteadily into the trees. I paused, too, peering in, waiting for Jerome to do the same. He didn’t, though. Instead he stepped straight into the swamp and then slowly melted below the knees. “Quicksand!” he cried. “Help me! I’m sinking! Please somebody help . . . glub glub glub glub glub.” Up ahead, already invisible, Rex and the Object were laughing.

The cedar swamp was an ancient place. No logging had ever been done here. The ground wasn’t suitable for houses. The trees had been alive for hundreds of years and when they fell over they fell over for good. Here in the cedar swamp verticality wasn’t an essential property of trees. Many cedars were standing straight up but many were leaning over. Still others had fallen against nearby trees, or crashed to the ground, popping up root systems. There was a graveyard feeling: everywhere the gray skeletons of trees. The moonlight filtering in lit up silver puddles and sprays of cobweb. It glanced off the Object’s red hair as she moved and darted ahead of me.

We made a clumsy, yahoo progress through the swamp. Rex imitated animal sounds that sounded like no animal. Beer cans dinged in his backpack. Our deracinated feet stomped along in the mud.

After twenty minutes we found it: a one-room shack made of unpainted boards. The roof wasn’t much taller than I was. The circular flashlight beam showed tar paper covering the narrow door.

“It’s locked. Fuck,” said Rex.

“Let’s try the window,” Jerome suggested. They disappeared, leaving the Object and me alone. I looked at her. For the first time since I’d arrived she really looked at me. There was just enough moonlight to accomplish this silent exchange between our eyes.

“It’s dark out here,” I said.

“I know it,” said the Object.

There was a crash behind the shack, followed by laughter. The Object took a step closer to me. “What are they doing in there?”

“I don’t know.”

Suddenly the small window of the shack lit up. The boys had lit a Coleman lantern inside. Next the front door opened and Rex stepped out. He was smiling like a salesman. “Got a guy here wants to meet you.” At which point he held up a mousetrap dangling the jellied mouse.

The Object screamed. “Rex!” She jumped back and held on to me. “Take it away!”

Rex dangled it some more, laughing, and then tossed it into the woods. “Okay, okay. Don’t have a shit fit.” He went back inside.

The Object was still clinging to me.

“Maybe we should go back,” I ventured.

“Do you think you know the way? I’m totally lost.”

“I can find it.”

She turned and looked into the black woods. She was thinking about it. But then Rex reappeared in the doorway. “Come on in,” he said. “Check it out.”

And now it was too late. The Object let go of me. Throwing the red scarf of her hair over her shoulder, she ducked through the low threshold into the hunting shack.

Inside were two cots with Hudson’s Bay blankets. They stood at either end of the small space separated by a crude kitchen with a camp stove. Empty bourbon bottles lined the windowsill. The walls were covered with yellowed clippings from the local paper, angling competitions, soap box derbies. There was also a taxidermied pike, jaws agape. Low on kerosene, the lantern sputtered. The light was butter-colored, the ripple of smoke greasing the air. It was opium den light, which was appropriate, because already Rex had plucked a joint from his pocket and was lighting it with a safety match.

Rex was on one cot, Jerome on the other. Casually the Object sat down next to Rex. I stood in the middle of the floor, hunching. I could feel Jerome watching me. I pretended to examine the shack but then turned, expecting to meet his gaze. This didn’t happen, however. Jerome’s eyes were focused on my chest. On my falsies. He liked me already. Now here was an added attraction, like a bonus for good intentions.

Maybe I should have been pleased by the trance he was in. But my revenge fantasy had already gone bust. My heart wasn’t in it. Still, having no alternative, I went ahead and sat beside Jerome. Across the shack Rex Reese had the joint in his mouth.

Rex was wearing shorts and a monogrammed shirt, ripped at the shoulder, showing tanned skin. There was a red mark on his flamenco dancer’s neck: a bug bite, a fading hickey. He closed his eyes to inhale deeply, his long eyelashes coming together. The hair on his head was as thick and oiled as an otter’s pelt. Finally he opened his eyes and passed the joint to the Object.

To my surprise she took it. As though it were one of her beloved Tareytons, she put it between her lips and inhaled.

“Won’t that make you paranoid?” I said.

“No.”

“I thought you told me pot always makes you paranoid.”

“Not when I’m out in nature,” said the Object. She gave me a hard look. Then she took another toke.

“Don’t bogart it,” said Jerome. He got up to take the joint from her. He smoked half-standing, and then turned and held it out to me. I looked at the joint. One end burned; the other was mashed and wet. I had an idea that this was all part of the boys’ plan, the woods, the shack, the cots, the drugs, the sharing of saliva. Here’s a question I still can’t answer: Did I see through the male tricks because I was destined to scheme that way myself? Or do girls see through the tricks, too, and just pretend not to notice?

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