Chris Cleave - Little Bee

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The publishers of Chris Cleave's new novel "don't want to spoil" the story by revealing too much about it, and there's good reason not to tell too much about the plot's pivot point. All you should know going in to Little Bee is that what happens on the beach is brutal, and that it braids the fates of a 16-year-old Nigerian orphan (who calls herself Little Bee) and a well-off British couple-journalists trying to repair their strained marriage with a free holiday-who should have stayed behind their resort's walls. The tide of that event carries Little Bee back to their world, which she claims she couldn't explain to the girls from her village because they'd have no context for its abundance and calm. But she shows us the infinite rifts in a globalized world, where any distance can be crossed in a day-with the right papers-and "no one likes each other, but everyone likes U2." Where you have to give up the safety you'd assumed as your birthright if you decide to save the girl gazing at you through razor wire, left to the wolves of a failing state.

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Imagine how tired I would become, telling my story to the girls from back home. This is the real reason why no one tells us Africans anything. It is not because anyone wants to keep my continent in ignorance. It is because nobody has the time to sit down and explain the first world from first principles. Or maybe you would like to, but you can’t. Your culture has become sophisticated, like a computer, or a drug that you take for a headache. You can use it, but you cannot explain how it works. Certainly not to girls who stack up their firewood against the side of the house.

If I mention to you, casually, that Sarah’s house was close to a large park full of deer that were very tame, you do not jump up out of your seat and shout, My god! Fetch me my gun and I will go to hunt one of those foolish animals! No, instead you stay seated and you rub your chin wisely and you say to yourself, Hmm, I suppose that must be Richmond Park, just outside London.

This is a story for sophisticated people, like you.

I do not have to describe to you the taste of the tea that Sarah made for me when she came down into the living room of her house that morning. We never tasted tea in my village, even though they grow it in the east of my country, where the land rises up into the clouds and the trees grow long soft beards of moss from the wet air. There in the east, the plantations stretch up the green hillsides and vanish into the mist. The tea they grow, that vanishes too. I think all of it is exported. Myself I never tasted tea until I was exported with it. The boat I traveled in to your country, it was loaded with tea. It was piled up in the cargo hold in thick brown paper sacks. I dug into the sacks to hide. After two days I was too weak to hide anymore, so I came up out of the hold. The captain of the ship, he locked me in a cabin. He said it would not be safe to put me with the crew. So for three weeks and five thousand miles I looked at the ocean through a small round window of glass and I read a book that the captain gave me. The book was called Great Expectations and it was about a boy called Pip but I do not know how it ended because the boat arrived in the UK and the captain handed me over to the immigration authorities.

Three weeks and five thousand miles on a tea ship-maybe if you scratched me you would still find that my skin smells of it. When they put me in the immigration detention center, they gave me a brown blanket and a white plastic cup of tea. And when I tasted it, all I wanted to do was to get back into the boat and go home again, to my country. Tea is the taste of my land: it is bitter and warm, strong, and sharp with memory. It tastes of longing. It tastes of the distance between where you are and where you come from. Also it vanishes-the taste of it vanishes from your tongue while your lips are still hot from the cup. It disappears, like plantations stretching up into the mist. I have heard that your country drinks more tea than any other. How sad that must make you-like children who long for absent mothers. I am sorry.

So, we drank tea in Sarah’s kitchen. Charlie was still asleep in his bedroom at the top of the stairs. Sarah put her hand on mine.

“We need to talk about what happened,” she said. “Are you ready to talk about that? About what happened after the men took you away down the beach?”

I did not reply straightaway. I sat at the table, with my eyes looking all around the kitchen, taking in all the new and wonderful sights. For example there was a refrigerator in Sarah’s kitchen, a huge silver box with an icemaker machine built into it. The front of the icemaker machine was clear glass and you could see what it was doing inside there. It was making a small, bright cube of ice. It was nearly ready. You will laugh at me-silly village girl-for staring at an ice cube like this. You will laugh, but this was the first time I had seen water made solid. It was beautiful-because if this could be done, then perhaps it could be done to everything else that was always escaping and running away and vanishing into sand or mist. Everything could be made solid again, yes, even the time when I played with Nkiruka in the red dust under the rope swing. In those days I believed such things were possible in your country. I knew there were large miracles just waiting for me to discover them, if only I could find the center, the source of all these small wonders.

Behind the cold glass, the ice cube trembled on its little metal arm. It glistened, like a human soul. Sarah looked at me. Her eyes were shining.

“Bee?” she said. “I really need to know. Are you ready to talk about it?”

The ice cube was finished. THUNK, it went, down into the collecting tray. Sarah blinked. The icemaker started making a new cube.

“Sarah,” I said, “you do not need to know what happened. It was not your fault.”

Sarah held my hands between hers.

“Please, Bee,” she said. “I need to know.”

I sighed. I was angry. I did not want to talk about it, but if this woman was going to make me do it then I would do it quickly and I would not spare her.

“Okay Sarah,” I said. “After you left, the men took us away down the beach. We walked for a short time, maybe one hour. We came to a boat on the sand. It was upside down. Some of its planks were broken. It looked like it had been broken by a storm and thrown up onto the beach and left there. The underside of the boat was white from the sun. All the paint had cracked and peeled off it. Even the barnacles on the boat were crumbling off it. The hunters pushed me under the boat and they told me to listen. They said they would let me go, once it was over. It was dark under the boat, and there were crabs moving around under there. They raped my sister. They pushed her up against the side of the boat and they raped her. I heard her moaning. I could not hear everything, through the planks of the boat. It was muffled, the sound. I heard my sister choking, like she was being strangled. I heard the sound of her body beating against the planks. It went on for a very long time. It went on into the hot part of the day, but it was dark and cool under the boat. At first my sister shouted out verses from the scriptures but later her mind began to go, and then she started to shout out the songs we sang when we were children. In the end there were just screams. At first they were screams of pain but finally they changed and they were like the screams of a newborn baby. There was no grief in them. They were automatic. They went on and on. Each scream was exactly the same, like a machine was making them.”

I looked up and I saw Sarah staring at me. Her face was completely white and her eyes were red and her hands were up to cover her mouth. She was shaking and I was shaking too, because I had never told this to anyone before.

“I could not see what they did to my sister. It was on the other side of the boat that the planks were broken. That is the side I could see through. The killer, the one with the wound in his neck, I could see him. He was far off from his men. He was walking in the shore break. He was smoking cigarettes from a packet he had taken out of the pocket of the guard he killed. He was looking out over the ocean. It looked as if he was waiting for something to come from there. Sometimes he put his hand up to touch the wound in his neck. His shoulders were down. It was as if he was carrying a weight.”

Sarah’s whole body was shaking, so hard that the kitchen table was trembling. She was crying.

“Your sister,” she was saying. “Your beautiful sister, oh my god, oh Jesus, I…”

I did not want to hurt Sarah any more. I did not want to tell her what happened, but I had to now. I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us.

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