Tom Mendicino - Probation

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Probation: краткое содержание, описание и аннотация

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Andy Nocera is on probation after being arrested for solicitation in a public rest room on Interstate 85. He’s taken refuge with his mother after being kicked out by his wife and is forced to take a job traveling the country selling display shelving after being fired by his father-in-law. The ‘highlight’ of his week is his court-mandated counseling session with his psychiatrist who also happens to be ordained as a Jesuit priest. Resistant at first, he gradually surrenders to his counselor’s persistent probing as they search for clues in his boyhood and early married years to explain why he risked his seemingly perfect life for an anonymous sexual encounter.
One year of therapy with no more arrests and the State of North Carolina will expunge Andy’s record. But he’s having a hard time coping without the unconditional support of his wife, who’s moved on to a new relationship, and his mother, who’s been diagnosed with an aggressive lymphoma. Failing every attempt to start a new life as an openly gay man, he begins to spiral into anger and depression, alienating everyone close to him, until he finally discovers that rescuing another lost soul is the means to his own redemption.
"Probation is the rare novel that dares to take the reader on a journey through the dark night of the soul. An unflinching look at the dark side of self-discovery, it is ultimately a story of transformation and the worlds of possibilities hidden within each of us."
– Michael Thomas Ford, author of JANE BITES BACK and WHAT WE REMEMBER
"If you're looking for a smart, engaging, witty, sad and unusual book about the complicated nature of family and love, try Tom Mendicino's Probation. You'll be glad you did."
– Bart Yates, author of THE BROTHERS BISHOP and THE DISTANCE BETWEEN USS
"If David Sedaris were cast as Willy Loman, it might sound something like Probation. Andy, a sharp-tongued travelling salesman, gives us the life events that led to his being taken away in handcuffs, and the hilarious and agonizing self-inquiry that follows. Snarky yet profound, it is a bold examination of the destructive effects of a life spent in the closet, reported with a Carolina twang." – Vestal McIntyre, author of LAKE OVERTURN

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The song stirs the unpleasant, disoriented feeling that’s been stalking me since I said good-bye to my mother. It comes as a complete shock when, sitting alone at my table, I realize I am homesick. How can I be homesick? I don’t have a home. And why now? I travel every week for work. Maybe it’s that here, without sales calls to distract me, the loneliness of my nights seeps into the void of the long and empty days. The blond announces the next number. Neil Diamond! And I suddenly know what’s been eating at me, putting me out of sorts. How could I have forgotten? I was married on my birthday. It’s my anniversary too.

A bottle of Cracklin’ Rosie, then a second, what the hell, let’s open another. Nothing on earth can make my croaking voice sound musical; nothing, that is, except absolute, total unconditional love. Tonight is our first anniversary and I’m serenading Alice to make up for all the small disappointments of our twelve months of marital bliss. She’s in awe of my encyclopedic knowledge of rock-and-roll trivia and I’m showing off, choosing just the right records, singing and playing three-minute musical tributes to the conjugal unions of babes in the woods.

She doesn’t know I’m faking most of the lyrics of Buddy Holly’s “Well…All Right” and nearly all of Chuck Berry’s “You Never Can Tell.” She doesn’t mind that my guitar is out of tune and that I can’t keep up with the Crickets. And hey, let’s crack open another bottle of Rosie while we’re at it.

Alice tosses the salad and slices the bread and I keep the vino flowing. The table is set, the candles are lit, and the mood is right for me to tell her how grateful I am she has rescued me. But then I would have to tell her what it is she has saved me from. I’m not even sure myself. I tell myself it’s that long red snake in the cab of the tractor trailer. But I know that’s not really true, that all the snake did was make me run faster, make me more desperate to find a place to hide.

I’m twenty-five years old today, too young yet to know that someday this sanctuary will feel like a prison, that I’ll rattle the cage, that one day, before I’m even certain it’s what I really want, the door will unlock and I’ll be turned out. I think the unspeakable urges and desires have been banished forever by my perfect married life. I am a husband, her husband. She believes in my kisses, my lovemaking, my devotion, and if she believes, they must be real.

I make her happy. I know I do. I’m not sure that I want to know why. I don’t want to confirm what I suspect, that she loves me for the things I hate about myself, that she loves me because I am weak and soft and need protecting. She’s spent her life in the shadow of her overbearing father and her haughty older sisters, and the brash, the strong, and the self-reliant do not appeal to her. She wants someone to love like a puppy, someone who will lick her hand in gratitude when she scratches him under the chin. She is twenty-four years old, too young to understand the puppy is going to strain at its leash, snip at her ankles, and piss on her rugs.

But all of that is still years away.

Tonight it’s time to get on board with Cracklin’ Rosie, to thrill each other with our fantasies of how perfect it is all going to be.

A boy and a girl, I say. Buddy and Holly.

No, two boys and a girl, she insists.

There’s one thing we agree on. Not yet. Not for a while. We’ll wait until we’re thirty.

I think, on her part, it’s because she wants me all for herself for a while longer, at least all of me that’s available to her. Maybe she already feels something missing, some small part of me just beyond her reach. Time and effort, she believes, without kids to distract her, will deliver the whole enchilada and a family can be deferred until she carries all of me in the palm of her hand.

Come on, sweetie, one more glass before we call it a night. You only have one anniversary. Sorry, sorry, you know what I mean, I say, trying to retract the slip of the tongue that threatens to ruin the night. You only have one first anniversary, one paper anniversary. She shyly hands me a small wrapped box that holds a sterling silver calling card case. It’s too much, too extravagant, I protest because I’m embarrassed by the stationery I’d given her.

That’s your birthday present. Your anniversary present is inside, she says.

The announcement is printed on pristine new cards of the highest-grade ivory paper.

TAR HEEL HERITAGE FURNITURE

ANDREW NOCERA

VICE PRESIDENT FOR NATIONAL SALES

It’s really the King of Unpainted Furniture’s anniversary gift to her, elevating me to a position undeserved by a failed graduate student in comparative literature who can’t tell particle board from solid mahogany.

So, hey, let’s drain the bottle in honor of the promotion and walk hand in hand to the bedroom. Yes, I may be a little drunk, okay, really drunk, but I love you, I really love you. I’m drunk enough that the ferocity of my erection surprises me, explainable only by the fact that tonight, maybe for the first time, maybe for the only time, I have complete and total faith that I am not who I am but who I want to be.

Pull over there, I order the cabbie.

The House of Pies: 101 Varieties.

I can’t face the hotel yet, afraid of insomnia and of being alone. I can’t bear the thought of cruising bars and looking for intimacy with a complete stranger. I’m so hungry I’ll eat anything that doesn’t come with chopsticks. A tired waitress leads me to a booth. She hands me a plastic menu and asks if I want coffee. She tries to be friendly, but her mind is elsewhere, probably with a sick kid at home. The dirty thumbprints on the menu kill my appetite. But there’s a five-buck minimum per table and I order a grilled cheese and coffee. I realize I have no idea where I am. The hotel might be miles away or just around the block. I’m counting the cabs passing on the street when he slides into the booth.

“What did you think of the show?”

The furry blond singer from Kiko’s flashes a Hollywood smile.

“Do you mind if I join you? I’m waiting on a friend.”

I don’t mind. I really do, but I don’t. I don’t want to talk to him, but I’m tired of sitting at tables alone. I tell him he was great, especially when he sat down at the piano and played a little boogie-woogie. He says that for what Daddy paid for four years at Juilliard, he ought to be able to fake a little cathouse ragtime for a…

“…shall we say, less than discriminating audience.”

I hear crape myrtle in that phrase. I say I’m from North Carolina, trying to bond. Why, you’re practically a Yankee, he says. He asks if I’m traveling alone, if I’m married, if I have children. Yes, no, and no. So far so good, he thinks. And what brought you to Kiko’s? he asks. Well, if it’s good enough for Jim Nabors, I say. He reaches over to light my cigarette and lets his fingers brush mine. I don’t back away.

Now that we’ve established that I am a homosexual, his flirtation becomes aggressive. He says he’s thirty-two, an obvious lie. He’s wearing light mascara and foundation. Well, he is in show business and works under the lights, I think, giving him the benefit of the doubt. He’s from Mississippi, Old Mississippi, he emphasizes. He’s setting the groundwork, establishing he is somebody and must not be mistaken for some piano player in a rinky-dink bar. Somebody, meaning somebody better than me. Daddy has been the Chief Justice of the Mississippi Supreme Court for over thirty years. Mother is old cotton money. I am appropriately impressed. He orders the California burger and a slab of lemon meringue pie and excuses himself. There’s a trace of powder on the tip of his nose when he returns.

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