Tom Rachman - The Imperfectionists

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Set against the gorgeous backdrop of Rome, Tom Rachman's wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it – and themselves – afloat.
Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff's personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family's quirky newspaper.
As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper's rich history is revealed, including the surprising truth about its founder's intentions.
Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.

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"So what is your new job?" she asks hurriedly, as if the location were insignificant.

"Some Web thing. Helping edit this music-mag start-up. A Web-based magazine, basically."

"Okay. I'm beginning to get it," she says. "But…"

"What?"

"No, nothing."

"Your ears are all red," he says. "You okay?"

Can't believe he just said that. What an assholish thing to say-to point that out. "Yeah, I'm fine," she replies sharply.

The food arrives. He takes chicken. It's the last one. She wanted chicken. She takes fish. Kind of rude not to have asked her.

"How's yours?" he asks.

"Fine." After a minute, she adds, "Would have preferred chicken. But, whatever."

"You want to switch?"

"No, no. No big deal." She puts down her cutlery, opens a binder, and resumes work. Rather, she glowers at the page. What an idiotic thing for him to say. To point out to somebody: Hey there, by the way, you're blushing. Is he five years old? And how is she supposed to know he's moving to California? He says it like it's obvious, like the whole world has been following his life.

He opens Persuasion again but remains on the same page, picking at the skin around his cuticles.

Disgusting. And is he really reading that book at all? Is this some kind of show? To be fair, this isn't the brightest guy on earth. Good ol' boy from wherever. Some podunk town in Georgia. This is a guy who couldn't hack it at the paper, who was outclassed by those Thorazineaddled cretins on the copydesk. When she wanted to ax a job from the editorial side, Dave Belling was the most expendable-a real accomplishment among a group of such disposable losers. (In fairness, Abbey's first choice had been Ruby Zaga, but Kathleen interceded to protect her.)

"Excuse me," Abbey says, rising without explanation. She walks down their aisle, up the other, then back again. She spies the crown of Dave's head from behind. Going bald. What is wrong with guys? Half are molting; half are nothing but undergrowth. Is there some link between baldness and assholishness? Or hairiness and being dumb? It wasn't by chance that she got Dave fired. Kathleen had wanted all nine layoffs to come from the technical staff. But Abbey insisted that at least one come from editorial-time to teach the newsroom a lesson. She checked that Dave's performance evaluations were impeccably mediocre and that he had no insurmountable allies-i.e., Kathleen or Herman-then filed the paperwork for dismissal. Thank God, too. Imagine if she had to see this jerk every day at work now.

She goes over her files until they arrive in Atlanta. The plane taxis toward the gate, the seat-belt sign turns off, the economy-class detainees unfold themselves, arms shooting for the overhead bins. By contrast, Dave stretches casually and yawns. "Can I get your bag for you?"

"No, please just leave it. I have some fragile stuff in there."

The front exit opens and the crowd inches toward it, disembarking to the plodding rhythm of the cabin crew's "Bye now… bye now… bye now."

Dave waits for her to gather her belongings.

"Please-go ahead," she says.

"It's no problem."

She stalls for as long as possible. "No need to wait for me. Seriously."

"It's fine."

In the terminal, he veers toward the baggage carousel.

"Well, take care then," she says.

"You only had carry-on?"

"Always."

"Where you staying, by the way?"

"I forget. Some hotel."

"Which one?"

"Can't remember. The Intercontinental, possibly."

"Maybe we could share a cab."

"Don't you have to get going to wherever it is you have to go? Your hometown? Anyway, I'm expensing the ride, so I'll get my own. Otherwise, the receipts get too complicated."

"Oh," he says. "Well, hey."

"Yup. Take care."

He leans in to kiss her cheek.

She pulls back. "Don't want to give you my cold." She shakes his hand.

At the Intercontinental, she lays out her work on the desk. She wasted too much time yakking to that idiot. She keeps yawning. She needs to stay up, to adjust to the time difference immediately-it's the only way. She checks the clock. Too late to call the kids. But how can you not mention that your new job is in San Jose? Whatever. When's the first meeting tomorrow morning? A breakfast thing. Welcome back to the land of bad coffee and doughnuts the size of toilet seats. What was the point of him flirting the whole time if he lives in another city? Her desk in the hotel room is backed by a mirror. She catches sight of herself. She'd kill to have a chat with Henry. Travel coma is making her weepy.

A ringing. She opens her eyes, disoriented. It's dark. What time is it? The alarm is blinking. Has she missed the meeting? Fuck! That ringing. It's not the alarm, though. She reaches for the phone. "Hello?"

"Finally, I get you!"

"Hello?" she repeats.

"It's Dave Belling. I'm downstairs. I'm being real rude here. Taking a chance. But I decided, you know, my folks can wait a few hours. I didn't want us to not see each other again. I was all the way down at the bus station. Then I was, like, this is too dumb. So I came over here. I hope you weren't sleeping. And listen, if this is an imposition at all, please just say so and I'll be on my merry way, no problem. But if it isn't, I was figuring on maybe buying you a drink or something. Even some dlunch. Or a spot of slupper."

She laughs, rubbing her eyes. She flicks on the desk lamp, blinking. "What time is it?"

"Slupper time."

"I think I dozed off. I thought it was tomorrow."

"If this isn't good for you, I can get going. No problem."

"Hang on, hang on, wait. Can you stay there a minute? I'll come right down. Don't come up. Where are you?"

She hasn't got time for a shower, so she freshens up as best she can in the bathroom, working in the skin moisturizer as if kneading dough. She should be preparing for the board meeting. She should be getting an early night.

"Hey," she says, tapping his shoulder from behind.

He is by the concierge desk, flipping through a magazine. "Hey there," he says, his face lighting up. "Sure I'm not imposing?"

"Of course not."

"What do you feel like? A drink? Something to eat?"

"After that pink mystery cake on the plane, I'm off food until October."

"I hear that. A drink it is."

They take a booth at the hotel bar. A television mounted on the wall is showing CNBC, with a headline that reads, "Markets Crash Over Fears of China Slowdown."

"It'll go fine tomorrow," he tells her. "You're obviously going to be the smartest girl in the room, so don't sweat it."

They talk and talk, him about his divorce, her about hers. After three Bacardi Breezers, she tells him: "It's like you were saying on the plane. I'm too romantic for my own good. And okay, you get kicked in the butt sometimes. But, frankly, I'd rather have, you know-actual sentiments. Than. You know? You know what I mean?"

"I hear that."

"Well, hey," she says.

"Hey," he says.

They laugh.

He says, more softly, "Come here," and leans across the table. He kisses her. He sits back slowly, as if he hadn't been expecting to do that.

"Well," she says.

"Well then," he says.

"No kidding."

They go up to her room. She rushes into the bathroom, mouthing at her reflection: "You're nuts."

When she emerges, he reaches out for her. She moves into his embrace, expecting a kiss but he only hugs her, tightening, then slackening as he breathes out serenely. He leans back, looks into her eyes.

"Mmm," she says. "I needed that."

"I needed that," he says.

She kisses him, tenderly, then with passion. Lips locked, they lumber to the bed, tripping, giggling. She flops onto the mattress and hits the remote control, turning on the television. "Oh God, I'm sorry!" she exclaims, suddenly serious.

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