Michael Gruber - The Book of Air and Shadows

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A distinguished Shakespearean scholar found tortured to death…
A lost manuscript and its secrets buried for centuries…
An encrypted map that leads to incalculable wealth…
The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.
Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

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For an instant, Shvanov let slip the persona of a genial businessman and something truly awful flashed out of his eyes. Then it was gone. He put on a rueful smile and shrugged. “Well, this may be true. You win some, you lose some, correct? If you manage to locate her or it I would expect you will contact me, agreed? I have all legal papers to prove this ancient document is my property.”

I said that I certainly would and requested that he do the same. “Naturally,” he said, “and any other papers of same type, of course.”

“What do you mean by other papers?”

“I have some information that when the Bracegirdle manuscript was found there were other historic papers that the people who sold to Bulstrode did not deliver. This is not standard business practice, I think. Tell me, Mr. Mishkin, have you these papers?”

“I do not.”

“Should you come across them sometime, you will recall that they are also my property.”

“I will recall your claim, certainly,” I said, and realized that this was the real reason he had agreed to meet me, the possibility that I had the damned ciphers. I immediately discounted everything he had said.

“Thank you. I believe that concludes our business. A pleasure.”

We shook and he extracted a thick roll of currency from his pocket, dropped a twenty on the table. “For the girl,” he said. “For the rest there will be no charge, my treat.” Then he stared at me, his head cocked and eyes narrowed, as we do when comparing something in our sight with a mental image, and the next thing he said almost knocked me off my chair.

“You know, it is amazing how much you resemble your father.”

“You know my father ?”

“Of course. We have done some investments together, and so forth. In state of Israel.” He stood up and added, “The next time you see him, please offer my sincere regards.”

He walked out, leaving me gaping.

T HE F OURTH C IPHERED L ETTER

My Lord my best obedience to y’r lordship & hartie comendaciouns to you & all youre howse. Tis now long sence I had anie letter from you my lord nor Mr Piggott neither; but you doutlesse hath greater affayres to tend. My newes is that W.S. hath the play finished, that is of Mary Quene of Scotland & hym having told me soe I begged him let me reade it most instant. First hee saith nay let me fayre-copie it mayhap there shalbe correctiones as he oft doth make but I beyng further importunate hee yieldeth. Soe I read hys foule papers. My lord I thinke we hath mistooke oure man: unlese I judge wronglie hee hath not made what wee comanded hym. But you shall see for I have heere wrote down from memorie its burthen & the matter of som speches; for hee would not lett me copie of it even a line.

First comes a prologue that saith this play treateth two grete queenes in contentioun wherein the fate not alone of kingdomes is at hazard but of sowles: with strifes of church oure Englishe state is done/Yet as you pitie her who lost so also pitie her who won. Or some thinge lyke. So has he don. We fancied he would shew Elizabeth arbitrary & tyrannous & he doth; yet sighing for her barren womb & that another woman’s sonne shal have her kingdome, that verie woman that she must slay & he cryes pitie for her lonlynesse who must from policie kill the onlie human creature fit to be her friende.

We fancied he would shew Mary as a goode Christian lady to stir oure anger at her fate & he doth; yet as a lustie recklesse self-destroyer too. She goes into the plot that ruines her with open eies; for (as he tells it) she sees Babbington is a foole, she knows well her messages are reade by Walsingham yet proceeds with the matter all the same. And for why? She despaires of rescue & cares no longer if she be Quene of England or Scotland or anie where if she can but breathe free aire and ride. From her window she espies a gentlewoman a-hawking & wishes to change place with her, trade all her titles for a little breze &c. She repentes her wickedness of former tymes yet thinkes her she is forgiven it by her popish superstitiones. Though a prisoner she vauntes herselfe & despiseth Elizabeth the Quene for her shriveled womb & haveing no venerie & saith Grete Bess thy mayden-hoodee a faster prison be than these my bars. Boastes too she hath hadde love where the Quene of England hath naught but the shewe of it. Further he saith of Quene Mary that the evidence brought gainst her be false in parte; for he saith Mary ne’er plotted the death of Elizabeth but onle wish’d to scape her power & be free. Soe Walsingham sheweth herein as a perjured knave.

On religion: he hath a parte for Mary’s chaplain onne Du Preau who hath contention upon the right faith of Christianes with Sir Amyas & I thinke doth gain the daie if but by a little. He putteth in low clownes, one a Puritan & t’ other a Papist who argue the causes in mockerie. Perhaps these alone be enough to hange W.S. but ’twould be better bolder. The scena wherein Quene Mary goeth to her death is verie affectyng & designed to make who heareth it forget she was a vyle murthering whore. Mayhap this shall pleaze you enough my lord, but the telling I doe is as naught to the heering of it in full, for it be most artful & fulle of witte though I am a poore judge of plaies. But when I am able to sende it shal you judge if it be fit for your purpose. Until then I remayne thy faithful & obd tserv twishing all prosperytie & long lyfe to your gracious lordship London 28 thOctober 1611 Richard Bracegirdle

14

Being armed, Crosetti found, felt a lot like having a broken zipper on your fly, something that made you feel self-conscious and somewhat stupid, and he wondered how his dad had been able to stand it during his entire working life. Or maybe it was different for cops. Or criminals. When he arrived at work, he was torn between leaving the thing in his bag (It might get stolen! Someone might find it!) and keeping it on his person. At first he left it in the briefcase but found that having done so, he was reluctant to leave the briefcase out of his line of sight, and after an uncomfortable hour or so he removed it and clipped it to his waistband, concealed under the cotton dust-jacket he wore in his basement workspace.

Mr. Glaser had gone on an extended buying trip, and so Crosetti’s workload was rather light, except that he had to relieve Pamela, the non-Carolyn person, upstairs during her breaks. High-end rare books shops don’t get much walk-in business, even on Madison Avenue, and so Pamela spent most of her time on the phone with her friends, who were all top-of-the-line comedians to judge from the shrieks of fun that floated down the basement stairs, or cruising Craigslist for a better job, publishing, she had volunteered, unasked. Crosetti realized he was being something of an ass with her-it wouldn’t kill him to be a little friendlier-but he could not bring himself to generate an interest in a preppy girl who wanted to break into publishing.

On one of the changings of the guard that day she asked him to reach down a book from an upper shelf and he did so and heard her make a small sound of alarm. When he handed her the book she asked, eyes wide, “Is that a gun on your belt? I saw it when you reached up…”

“Yeah. It’s a dangerous business, books. You can’t be too careful. There’re people who’ll do anything for a Brontë first- anything .”

“No, seriously!”

“Seriously? I’m an international man of mystery.” A lame line, and he thought very briefly about saying he was just glad to see her, to see if she would pick up on the line from She Done Him Wrong and then he could ask her if she’d actually seen the film the line came from, that it was Mae West’s only Academy nomination and so on and so forth, his usual rap, but why bother? He shrugged, gave her a tight smile, handed her the book, and walked behind the counter.

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