Michael Gruber - The Book of Air and Shadows

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A distinguished Shakespearean scholar found tortured to death…
A lost manuscript and its secrets buried for centuries…
An encrypted map that leads to incalculable wealth…
The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.
Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

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Whereupon I fall upon my knees crieing oh my cosen spare your wrath though I am a traitoure; I am set to spye on thee for My Lord Rochester. He groweth pale: how cometh this, saies he, I have done nothinge against that noble lord & it seemeth he still doth smyle upon me. Quoth I: oh sir it has all to doe with weightie matteres of faith & politicks & the devizes of the great & I am just a poore boye a ship-wracked mariner & how come I to meddel with these thinges: & I commence to weepe: & these reale teares, I trowe. He asketh, art my cosen in dede or wase that false invention? I say no twas all trewth & sware on my motheres grave that the Earle hath chose mee for that reasoun soe thou might truste mee the mor.

Then he raiseth me up to chayre, saying, now doe you be a true man, my lad & tell me all. Soe saie I to hym all we have agreed between us my lord what was all writ in your last cypher, viz: the King desireth a Catholic match for Prince Henry in the cause of peace, the which the Puritans in Parliament right hartilie contemn; my lord the Earle favours this and hath the charge of it, for which the Puritans hate him all; these knaves crie out the late Quene did not treate us so (though I thinke she did, but theyre memorie fadeth with tyme), & mutter this King is but a brat of a papist whore; the King groweth wearie with the comparisoun & with the despisinge of the Quene his mother & wishes to shew himself a greater monarch than Elizabeth. Now my lord Earle hath conceived a plan. What if a playe should be made upon Queen Mary of Scotland, such as would shew her in a better light & shew olde Bess as a tyrannous harridan enslaved to canting Puritans, which when it be broadlie heard shall temper the feelinges of the people toward the Quene of Scotland. For such thinges hath been done before: wase not Harry Bolingbroke the usurper made noble and Crookback Dick shown vile cruel caitiff? And would such a playe not discomforte the Puritan factioun & turn the people gainst them? And who in Englande writes best such playes?

At this he catches my meaning & cries what, he desires me to write this playe? I saie yes cosen, His lordship the Earle thus commands thee. But W.S. cries him such a playe was ne’er heard of before. You know the King hath dismissd the Black-Friars boyes & ruined theyre company for a slight gainst Scotland in theyre Edward Second, what should he doe to a playe that slighteth greate Elizabeth & the Protestant church entire? Zblood! I believe thee not, boye; this mustbe some practice upon me by mine enemies.

At this wase I some-wyse discomfited, my Lord, for I see he is close to uncovering our strategems, but I saie, nay, sir, it is by the Earles own command, for lookest thou: this is why my lord Veney approached me and not you or another sharer. Wee are all overlooked by spyes & this can not be seen to come of the Earle. It must be wrote out in secret, onlie I knowinge & thee & shewn to the Earle & he will soften the King to let it playe. For his majestie is timorous; he would crush the Puritans but dare not, or not now. For this projected playe is but parte of a grander complot that needeth more tyme to hatch: the Spanish marriage, new-made bischops, new lawes gainst Puritain conventicles & relief for papists. As I sayde this I study him close but could find nothinge revealled in his face. Quoth he, why should the King favour papists now, who near slew him in the Yeare Five? And I answer, why should he give his sonne to them that paid Guy Fawkes his fee? It is policie cosen, and the lykes of us can not compass it, but muste do as we are bid by the greate. But one thynge is sure: the King must have his bischops to rule the church & here is he closer to the papists than to the Puritans. And he saies still I can not credit it & heere I take out from my bosom the letter forged with my lord of Rochesters seale: credit then this, saith I & give it over. Soe he doth reade it; & after saith, my lord desires it by Christmas. Quaere: Canst thou do it by then? Aye, saies he, I have a smale thinge to be done with, a playe of the New Worlde & ship-wracke & magickal islandes & thy boat-swaine in it too, another fort-nighte sees it done. Then maye I starte upon this & maye God keepe us alle, upon sayinge so he doth crosse himselfe as doe I, the while thinkynge now sir we have thee.

Then his face that was cast in lines of care doth clear of a sudden & he smileth sayinge you promised to shew me how to worke arithmetick in the new stile & he grasps at the proper word & I say algorism thou meanest & he writes it in hys booke & asks in what tongue is that word & I saye my maistre sayed it wase Arabian & he saith it some few tymes. Soe we commence to studie arithmetick & methinkes my lord that we must go earlie to the field & have oure witts about us if we are to catch this onne. For never saw I man soe close-barred & deep-moated gainst the examination of other men. Mr Burbadge playeth his parte upon the stage to be suire, yet when dismounted is plain Dick: but this Shaxespure playeth ever & all ways & I thinke no man can see the man who lieth beneathe the player. With alle honour & my humble duty to yr. Lordship & may God confound thy enemies & the foes of alle trew religion from London this Friday the 26 thJanuarye 1610 Richard Bracegirdle

12

Crosetti had been questioned by the police hundreds of times, but never before by one who was not a close relative. He found it a good deal easier to lie to strangers, especially as they were handling him with care. They were all in the living room of the family home, Detective Murray perched on the couch, Detective Fernandez in the facing armchair with his pad out, Crosetti in the other armchair of the worn blue brocade suite, coffee things on the coffee table, coffee having been poured by Mary Peg before her discreet exit. Behind Crosetti’s head was the large oil painting, manufactured from a photo, of Lieutenant Crosetti, heroic cop, in his heavily bemedaled blues, with his young family around him.

The eyes of the two cops occasionally flicked toward this icon as they put their questions; there was no danger that they were going to get rough. In any case, aside from complicity in the conversion of Sidney Glaser’s property (the Bracegirdle manuscripts) to unauthorized use, Crosetti had not done anything wrong, and the policemen did not press him on this point. They wanted to know about Bulstrode in a routine way, because they had found Crosetti’s name in his appointment book and they were going through the usual motions. They were mildly interested in Rolly; that she had disappeared interested them, but when Crosetti told them about the London letter, their interest vanished. Leaving the country wasn’t a crime. Crosetti knew better than to try to engage them in speculation about the murder; cops weren’t there to supply information but to obtain it. They stayed twenty minutes, some of which were given over to reminiscences of the late Lieutenant Crosetti, and left as cheerful as homicide detectives ever get.

A cop who was your sister was a different item, and when Patty Dolan came by forty minutes later, Crosetti was perfectly willing to get into her face. After having established that he was but a minor figure in the life of the victim, he asked, “So what do you guys think?” Meaning her fellow cops; as he said this, he glanced at his mother as well.

“Well, the guy was a Brit and gay,” said Patty. “They’re figuring it for a sex thing that went sour.”

“I doubt that,” said Crosetti.

“Why, did you have sex with him?” asked the big sister. “You explored all his little twists?”

“No, did you? The first time I saw him I thought, Gee, Patty would really go for this guy. He’s fat and sweaty and bald…”

This was a reference to Jerry Dolan, her husband. The Crosettis were the kind of family where physical imperfections were fair game among the sibs. Patty Dolan herself had come in for enough of it herself growing up. She was a blocky woman with a strong-featured face not unlike the one her dad wore in the oil painting. She had his black hair too, but with the mom’s blue eyes.

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