Michael Gruber - The Book of Air and Shadows

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A distinguished Shakespearean scholar found tortured to death…
A lost manuscript and its secrets buried for centuries…
An encrypted map that leads to incalculable wealth…
The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.
Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

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“You mean someone who knew the value of what Bulstrode had and also knew gangsters? And wanted the big payoff. Are there people like that?”

“Yes,” I said. “I’m a person like that. I know a distinguished professor of English literature, you, and I also know some hard boys. It’s probably not as uncommon as we’d like to believe. Stockbroker types never seem to have trouble finding a thug to knock off their wives. Or vice versa. In any case, Bulstrode may have gone to this person and confided that he had the Item within reach. This person, for whatever reason, lets the hard boys know about it. Bulstrode goes to England and comes back. He knows he’s being followed, so he stashes the package with me. Then the gangsters grab him and torture him enough to get my name out of him, which is why I’m in their sights and why Miranda was taken, and why they want to get their hands on the ciphers.”

“Which neither she nor you have, since Bulstrode didn’t. Do we know they even exist?”

“Mr. Tertium obviously does. Tell me, did Bulstrode ever mention to you the name of the person who sold him the manuscript?”

“Never. Christ! Why didn’t he come to me? It would’ve been the easiest thing in the world to arrange a purchase at any reasonable price.”

Here I told him what Miranda had related to me about Bulstrode’s shame over the fake Hamlet affair and the extent of his paranoia. Mickey shook his head. “That poor ass! God, he’d be alive now if he had. But, you know, it shouldn’t be all that hard to learn the name of the seller. Andrew had an appointment diary. Or he could’ve given the seller a check. The trouble is that his diary and checkbook are still being held by the cops.”

“Yes. But there may be ways around that. It occurs to me that I’m the lawyer for the Bulstrode estate and the lawyer for its heiress. I’ll see whether the cops will let me examine that material.”

And so onand so on. I’m fairly sure that’s where the idea of checking on who sold the papers came up. After I left Mickey, I received a call on my cell phone from Detective Murray returning mine of the previous night. He had, of course, heard about the break-in, theft, and abduction and wanted to talk to me. I concocted a story for him. There had been no abduction, I said. Ms. Kellogg had called me and said she was fine, that she had left the apartment before the assault, that she had the papers in her possession. They were her property, technically, and there was really no reason for us to get alarmed because a grown woman had decided to take a hike. He said that was a good attitude because there was clearly no connection at all between the brouhaha around my old papers and the death of Andrew Bulstrode, the investigation of which was closed as of today. He’d been killed by a nineteen-year-old homosexual prostitute named Chico Garza, who was in police custody and had made a full confession, and it was just as they’d thought, a sexual game gone sour. The boy had been caught trying to use Bulstrode’s Visa card. So he had been right, I agreed, using a relieved tone. A street mugging, an attempted burglary and assault, a missing woman: all coincidences. I apologized for doubting him, and he graciously replied that citizens, taught by the plots of thrillers, usually tried to complexify things, while real crimes were typically stupid and simple, as here. Happens all the time.

I agreed that it probably did and presumed that, since the investigation was completed, there would be no objection to me, as the lawyer in the case, looking into some of his papers on estate business? No objection at all, he said.

T HE S ECOND C IPHERED L ETTER

My Lord, be assured I am well rebuked by your cypher of 16 thJan y& will endeavour to pleaze you better hereafter by writing briefer: for as I am but recently come to this intelligenceing I know not what to put and what is dross & unworthy of yr. worshipes regard. Oure strategem proceedeth thus: upon the Princesse Elizabeth her name-daye as you foretold, there was projected celebratioun & feastinge at White-Hall & we are commanded to playe Much Ado abt. Nothinge & some masques of Mr. Johnson. Since the tyme that last I wrote I have become of the company, not a clerke of the bookes onlie but also as indeed all the otheres are too a factotum: I lift & carry, paint & build & beyond these mechanickal labours I also serve to swell a scene, as soldier, attendant-lord, &c. with trumperie robes, basinnets, tinne swords, &c. at perill of my sowle I think, but God will comprehend it and forgive, for I doe not give speche upon the stage. In these weekes I am much with W.S., for he favours me & keepes me at his howse by Black-Friers. On the daye afore-mentioned I am to be of the Watch & also Lord Attendant to Don Pedro; but verie neare the houre of performance oure Mr. Ussher falls from the stage by mischance & can not stand & soe I must play the Boy as well, that is a speakeing parte, but two lines, & I sware I would rather face the tercio of Seville in full battel than speke before an audience & this a royal one too; but I did wel enow though I quaked.

The King falleth asleep in Act III which they tell me he doeth always but the Quene & Princesse clap full lustilie & after-ward wee are fed cakes & malmsey wine in a side chamber. Now comes in a noble lord Sir Robert Veney, dressed verie fine & he is of my lord the Earl of Rochester’s partie. He hath speche with W.S. & Mr Burbadge & then W.S. beckons me with a confuzed looke upon his face & I go as bid & this Veney carryes me a little way across the chamber & askes me if I know what is afoot. Yea, sir, saies I: for you have told me of it in youre cypher, my Lord, & he giveth me privilie (but onlie seeminge privilie) a sealed letter & he saith boy I would see feare upon thy face now, as one seeing a ghost. And he departs & I thrust the letter into my bosom & it takes no schill at playinge for me to tremmble & shew a timorous face.

Then they all wished to learn what the Lord Veney hath sayde to me, but I would not, sayinge tis a private matter & they all of them mock me, what private matter doth a lord have with lykes of thee save venerie & they make much witt on this, grasping theyre cods & cavorting & callinge me Lord Veneries punk. But I see W.S. doth not join, or but a littel, & regards me some thinge solemn.

Next daye in Black-Friers he cometh in to the closet where I sit alone at my countynge bookes & sitts him down: quoth he Dick you are a brave-looking fellowe but not I thinke so prettie as to make rampant the lustes of Sir Robert Veney & besides you are made to tupp maydes. Come, then, have I not ben your goode cosen? Tell me what hath passed between you & this gentleman; or if you cannot upon your honour tell it in fulle then do you drawe the matter lightly, so I maye know its shape & that it concernes not me & this company. Why think you, sir, saies I, that it might concern you & he then toucheth the sign royal upon his liverie coate & saies lad you are no lack-wit. We are the Kinges Men & this Veney is in the bosom of my Lord Rochester & my Lord rules the King as all men know. Now if My Lord need anie conversation with oure company he will send to me, or Mr Burbadge, or Mr Hemmynge, or anie sharer: so must I aske why he calleth oute a boye; a boye lately come to us, with a storie he is my cosen; a boye who when he sits to meate maketh privilie the sign of the cross upon his harte. Soe my cosen, cozzen me not. And he lookes at me verie close & severe as I have not before seen hym looke at anie man: and I bethinke me he sees alle, I am undone; but I draw up my courage thinkeing too: ah he snaps at the bayte.

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