Michael Gruber - The Book of Air and Shadows

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A distinguished Shakespearean scholar found tortured to death…
A lost manuscript and its secrets buried for centuries…
An encrypted map that leads to incalculable wealth…
The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.
Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

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Mary Peg noted that her son’s face showed a tinge of embarrassment at this admission, as well it should have, she thought. Patrica Crosetti Dolan, the second eldest girl, had followed her dad into the New York City Police Department and risen to detective third grade. Members of the NYPD are not supposed to do little investigative tasks for their families, but many do anyway; Mary Peg had occasionally availed herself of her daughter’s connections in this way while doing research, had taken substantial flak off her son on the subject as a result, and now ha-ha!

She refrained from gloating, however, satisfying herself with a simple but freighted “Oh?”

“Yeah, I asked her to do a records check, whether she was a fugitive or not.”

“And…”

“She didn’t show up, not as Carolyn Rolly anyway.”

“You mean she lied? About the uncle and about being a fugitive?”

“I guess. What else could it be? And that’s what sort of knocked the stuffing out of me. Because…I mean I really liked this woman. It was chemical; you know, you and Dad always talked about the first time you saw each other when you were working behind the desk at the Rego Park Library and he used to come in for books. You just knew ? It was like that.”

“Yeah, but, honey, that was mutual. I didn’t pack my bags and split after the first date.”

“I thought it was mutual too. I thought this was going to be it. And if it wasn’t, I mean if it was all something I cooked up in my head, then, well, where am I? I must be crazy.”

“Please, you are not any kind of maniac, take my word for it. I would be the first one to tell you if you were going off the rails. As I would expect you to do for me when senile dementia rears its ugly head.” She clapped her hands briskly, as if to demonstrate how very far off lay that event, and said, “Meanwhile, what are we going to do about this?”

“We?”

“Of course. Now, clearly, everything revolves around this Professor Bulstrode. What do we know about him?”

“Ma, what’re you talking about? What does Bulstrode have to do with Carolyn disappearing? He bought the papers, he split. End of story. Although I did run a search on him and he’s sort of a black sheep.” Here Crosetti explained about the famous quarto fraud, which, as it happens, she recalled.

“Oh, that guy,” she exclaimed. “Well, the plot thickens, doesn’t it? Now, the very first thing we have to do is get Fanny in on this, just like you should’ve done originally.” He stared at her blankly and she went on. “Albert, you don’t imagine that Bulstrode gave you the real translation of that thing! Of course he lied. You said your gut was telling you that you were getting rooked, and you wouldn’t have sold it to him if that woman hadn’t turned on the waterworks and told you those whoppers. They were in it together.”

“That’s impossible, Ma…”

“It’s the only explanation. She played you like a fish. I’m sorry, honey, but the fact is, we sometimes fall in love with unsuitable people, which is why Cupid carries a bow and arrows and not a clipboard with a stack of personality tests. I certainly did when I was a kid, and not just once.”

“For example,” said Crosetti with interest. His mother’s supposedly wild past was a subject of fascination to all her children, but one she only mentioned in the form of admonitory hints like this one. Her answer when questioned was invariably, as now, “That’s for me to know and you to find out.” She added, “In any case, my boy, I’ll call Fanny right now and set it up. You can see her after work on Monday.”

Against which Crosetti had no compelling argument. Thus at six that day he presented himself with the papers in their mailing tube at the manuscript department of the New York Public Library. He found Fanny Doubrowicz at her desk. She was a tiny woman, less than five feet tall, with a pleasantly ugly pug face and bright mahogany eyes, deep sunk behind thick round spectacles; her coarse gray hair was drawn back in a librarian’s bun, stuck with the canonical yellow pencil. She had come over as an orphan from Poland after the war and had been a librarian for over fifty years, most of them at the NYPL, specializing in manuscripts for the last twenty or so. Crosetti had known Aunt Fanny for his whole life and considered her the wisest person within his circle of aquaintance, although when complimented upon her encyclopedic brain, she always laughed and said, “Darling [or dolling ], I know nothing [ nozhing ] but I know where to find everything.” When he was a child he and his sisters had tried to think of facts that would be impossible for Aunt Fanny to discover (how many bottles of Coke got sold in Ashtabula in 1928?), but she always defeated them and provided remarkable stories of how the information had been obtained.

So: greetings, questions about his sisters, his mother, himself (although Crosetti was sure she had been elaborately briefed on this by Mary Peg), and swiftly to business. He drew the pages out of the tube and handed over the roll. She carried them to a broad worktable and spread the sheets out in three long parallel rows, the copies of what he had sold Bulstrode and the retained originals.

When she had them spread out she uttered some startled words in what he supposed was Polish. “Albert, these eighteen sheets…they are originals ?”

“Yeah, they’re what looks like enciphered letters. I didn’t sell them to Bulstrode.”

“And you are rolling them up like calendars? Shame on you!” She walked off and came back with clear plastic document envelopes, into which she carefully placed the enciphered sheets.

“Now,” she said. “Let us see what we have here.”

Doubrowicz looked at the copies for a long time, examining each sheet with a large rectangular magnifying glass. At last she said, “Interesting. You know there are three separate documents in all. These copies are of two different ones and these originals.”

“Yeah, I figured that part out. Those four sheets are obviously the printer’s copy of some sermons and I’m not interested in them. All the rest is the letter from this guy Bracegirdle.”

“Umm, and you sold this letter to Bulstrode, your mother said.”

“Yeah. And I’m sorry, Fanny, I should have come straight to you.”

“Yes, you should have. Your dear mother thinks you were cheated.”

“I know.”

She patted his arm. “Well, we shall see. Show me the part where you thought he mentioned Shakespeare.”

Crosetti did so, and the little librarian adjusted a goosenecked lamp to cast an intense beam at the bright paper and peered at it through her lens. “Yes, this seems a clear enough secretary hand,” she remarked. “I have certainly had to deal with worse.” She read the passage aloud slowly, like a dim third-grader, and when she reached the end exclaimed, “Dear God!”

“Shit!” cried Crosetti and pounded his fist into his thigh hard enough to sting.

“Indeed,” said Doubrowicz, “you have been well cogged and coney-catched, as our friend here would have said. How much did he pay you?”

“Thirty-five hundred.”

“Oh, dear me. What a shame!”

“I could have got a lot more, right?”

“Oh, yes. If you had come to me and we had established the authenticity of the document beyond any reasonable doubt-and for a document of this nature and importance, that in itself would have been a considerable task-then there’s no telling what it would have fetched at auction. We would probably not be in it, since it’s a little out of our line, but the Folger and the Huntington would have been in full cry. More than that, to someone like Bulstrode, having possession, exclusive possession, of something like this-why, it’s a career in itself. No wonder he cheated you! He must have seen immediately that this thing would place him back in the center of Shakespeare studies. No one would ever mention that unfortunate fake again. It would be like an explosion opening up an entirely fresh field of scholarship. People have been arguing for years about Shakespeare’s religion and his political stance and here we find an official of the English government suspecting him not only of papistry but papistry of a potentially treasonous nature. Then you have a whole set of research lines to explore: this Bracegirdle fellow, his history, who he knew, where he traveled, and the history of the man he worked for, this Lord D. Perhaps there are files in some old muniment room that no one has ever explored. And since we know that Shakespeare was never actually prosecuted, we would want to know why not, was he protected by someone even more powerful than Lord D.? And on and on. Then we have a collection of enciphered letters apparently describing a spy’s observation of William Shakespeare, an actual detailed contemporary record of the man’s activities-an unimaginable treasure in itself, assuming they can be deciphered, and believe me, cryptographers will be fighting with sticks to get hold of them. But at least we have these in original.”

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