Paul Hoffman - The Left Hand of God

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'Listen. The Sanctuary of the Redeemers on Shotover Scarp is named after a damned lie for there is no redemption that goes on there and less sanctuary'. The Sanctuary of the Redeemers is a vast and desolate place – a place without joy or hope. Most of its occupants were taken there as boys and for years have endured the brutal regime of the Lord Redeemers whose cruelty and violence have one singular purpose – to serve in the name of the One True Faith. In one of the Sanctuary's vast and twisting maze of corridors stands a boy. He is perhaps fourteen or fifteen years old – he is not sure and neither is anyone else. He has long-forgotten his real name, but now they call him Thomas Cale. He is strange and secretive, witty and charming, violent and profoundly bloody-minded. He is so used to the cruelty that he seems immune, but soon he will open the wrong door at the wrong time and witness an act so terrible that he will have to leave this place, or die. His only hope of survival is to escape across the arid Scablands to Memphis, a city the opposite of the Sanctuary in every way: breathtakingly beautiful, infinitely Godless, and deeply corrupt. But the Redeemers want Cale back at any price…not because of the secret he now knows but because of a much more terrifying secret he does not.

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“Now you’ve made me scared.”

“You’re a cocky little sod, aren’t you? That’s Daniel Cadbury. Look in Dr. Johnson’s General Dictionary under ‘henchman’ and you’ll find his name. See also ‘assassin,’ ‘murderer,’ and ‘sheep stealer.’ Quite a charmer, though-so obliging you think he’d lend you his arsehole and shit through his ribs.”

While Cale was puzzling out this interesting claim, a smiling Cadbury made his way over to them.

“It’s been a long time, IdrisPukke. Keeping busy?”

“Hello, Cadbury. Just dropped in on your way to strangle an orphan?”

Cadbury smiled as if genuinely appreciating the malice in Idris-Pukke’s voice and, a tall man, looked down approvingly at Cale.

“He’s a card, your friend, isn’t he? You must be Cale,” he added in a tone that implied that being Cale meant something. “I was at the Red Opera when you put out Solomon Solomon. Couldn’t have happened to a nicer chap. Quite something, young man, quite something. We must have lunch when all this unpleasantness is over.” And with a bow that showed Cale respect but as if from an equal who was worth having respect from, he turned and went back to the sedan.

“He seems very nice,” said Cale, meaning to be aggravating.

“And will be, right up until the moment when he is obliged, with the greatest regret, to cut your windpipe.”

There was a shout from Vague Henri. There was movement in the ranks of the Redeemers. In a line about ten deep the five thousand archers and the nineteen hundred men-at-arms slowly moved forward. Fifty yards farther on, at the edge of the plowed field that stretched nearly as far as the Materazzi, they stopped and the front rank knelt down.

“What in God’s name are they up to?” said IdrisPukke.

“They’re taking a mouthful of earth,” said Cale, “to remind themselves that they are mud and will return to mud.”

With that the first rank stood up and walked onto the plowed field. The rank behind them moved forward, knelt, took a mouthful of earth, followed them, and so on. Within less than five minutes the entire Redeemer army were back in their loose battle rank, walking at no more than a stroll and out of step on the rough surface. All there remained for the Materazzi and the observers on Silbury Hill to do was wait and watch.

“When will they quicken for the assault?” asked IdrisPukke.

“Not at all,” said Vague Henri. “The Materazzi use no archers, so the killing range is what? Six feet? There’s no need to rush.” It was now about ten minutes into the advance, and when the Redeemers had covered about seven hundred yards of the nine hundred to the Materazzi front rank, a shout went up from the Redeemers’ centenars, each one of whom controlled a hundred men. The advance stopped.

There was more muffled shouting from the centenars, and the archers and men-at-arms began to step to the left and right and make space so that the line now filled the width of the battlefield. In less than three minutes they had finished rearranging their battle order and were now about a yard apart. The seven lines behind the front row were staggered checkerboard fashion, so the archers could see and shout more easily over the heads of the men in front of them.

For a few minutes it had been clear that each Redeemer was carrying what looked like a spear about six feet long. Now that they had stopped and were much closer, it was plain that whatever they were carrying it was too thick and heavy to be a spear. There was another order from the centenars and their use became obvious. There followed a long period of hammering as what were now clearly defensive stakes were driven at an angle into the ground with the hefty mallet each archer also carried.

“What are they preparing a defensive line for?” asked IdrisPukke.

“I don’t know,” replied Cale. “You?”

Kleist and Vague Henri both shrugged.

“It doesn’t make sense. The Materazzi have caught them cold.” Cale looked at IdrisPukke anxiously. “You’re sure the Materazzi won’t attack?”

“Why would they throw away such an advantage?”

By now the Redeemers were busy sharpening the ends of the stakes.

“They mean to try and provoke them into attacking,” said Cale after a few moments. He turned to IdrisPukke. “They’re within bow-shot. Five thousand archers, six arrows a minute-do you think the Materazzi will put up with twenty-four thousand arrows coming at them every sixty seconds?”

IdrisPukke sniffed and considered.

“Two hundred and fifty yards is a hell of a long way. I don’t care how many there are. Every one of the Materazzi is covered head to toe in steel. The arrow isn’t made that can get through tempered steel from that range. I can’t say I’d fancy being under a shower like that myself-but the Redeemers will be lucky if one in a hundred finds a mark. And they won’t have enough arrows-a couple of dozen each-to keep that rate up for long. If that’s their plan…” IdrisPukke shrugged to indicate how little he thought of it.

Cale looked across at a group of five Materazzi signalers also watching the Redeemers from the vantage point of Silbury Hill. One of them was leaving with news of the defensive stakes being driven into the ground, something it would have been difficult to see from the front lines of the Materazzi. It had taken them some time to work out what the Redeemers were doing with the stakes and whether it was significant enough to send a messenger.

Having watched the messenger disappear over the edge of the hill, Cale turned back toward the Redeemers. A dozen bannermen, holding white flags with the figure of the Hanged Redeemer painted in red, were raising the colors. The order to take aim went up from the centenars, too indistinct to hear precisely but obvious as the thousands of archers pulled the strings back on their bows and aimed them high. A short pause, then a shout from the centenars and the banners fell. Four clouds of arrows arched a hundred feet into the air, streaking toward the Materazzi first line.

Three seconds passed and then they hit the Materazzi, heads bowed to deflect the points. The five thousand arrows struck, pinged and clattered, ricocheted over the armored line, the Materazzi bent into the steel rain as if they were leaning into wind and hail. From the flanks there were the screams of horses hit. But already another five thousand arrows had struck. Ten seconds later, another. For two minutes this rain continued on the Materazzi. Few died, only a few more were wounded-IdrisPukke was right that the armor covering the Materazzi men-at-arms would do its work. But consider the noise, the endless metal clanking, the short wait, the arrows again, the screams of the horses, the cries of unlucky men hit in the eye or neck, and that none of them had ever endured such a hostile, terrifying strike. What sense did it make just to stand and take an arrow from some cowardly Holy Joe without any breeding or skill or the courage to fight hand-to-hand?

It was the cavalry on either side who broke, the left side first, unsure when two of their own bannermen fell-was it a signal?-so hard to know among the screams of wounded horses, their own steeds panicking and ready to bolt and only an eye slit through which to see the picture unfolding around them. Three horses started forward, spooked. Is it a charge? No one wanted to show their cowardice by holding back. Like athletes in a race, watching and tense when one man jumps the start, the whole line goes. Shouts from the back to hold the line are lost among the noise-and then the arrows land again.

Then suddenly the horses on the left flank move ahead-impatience, fury, fear and confusion start them off.

Narcisse, watching from the White Tent, swears as if to bust. But soon he realizes they cannot be recalled. He waves his ensigns to signal the right flank of cavalry to attack as well. Only then does the messenger arrive from Silbury Hill to warn him of the hedgehog of stakes dug in among the archers on the flanks.

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