Jonathan Lethem - Chronic City

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Chronic City: краткое содержание, описание и аннотация

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The acclaimed author of
and
returns with a roar with this gorgeous, searing portrayal of Manhattanites wrapped in their own delusions, desires, and lies.
Chase Insteadman, a handsome, inoffensive fixture on Manhattan's social scene, lives off residuals earned as a child star on a beloved sitcom called
. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.
Into Chase's cloistered city enters Perkus Tooth, a wall-eyed free-range pop critic whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers, and a desperate ache for meaning. Perkus's countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake, and who is complicit take on a life-shattering urgency. Along with Oona Laszlo, a self-loathing ghostwriter, and Richard Abneg, a hero of the Tompkins Square Park riot now working as a fixer for the billionaire mayor, Chase and Perkus attempt to unearth the answers to several mysteries that seem to offer that rarest of artifacts on an island where everything can be bought: Truth.
Like Manhattan itself, Jonathan Lethem's masterpiece is beautiful and tawdry, tragic and forgiving, devastating and antic, a stand-in for the whole world and a place utterly unique.

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“We must be calling on the same dog,” I joked, trying to dispel the air of needless guilt.

“Perkus has been bugging me to round up some stuff for him,” Susan explained, as if she had to. “Nobody’s going into the offices because of the snow, so I figured this would be a good day to drop by.”

“Bugging you how? Does he call?”

“He’s called a couple of times but honestly what lit a fire under me was when he showed up in the offices last week with Ava.”

“Well, I’m relieved he’s making the effort,” I admitted.

“I’d do anything for him, actually,” said Susan Eldred, with helpless sincerity. I filed it away as her promise if I needed it. It was too cold to shift to small talk, and so, in some embarrassment, I think, Susan moved past me on the sidewalk. I went inside.

“Were you hiding the fact that you’re in touch with Susan Eldred from me?” I asked after we three had devoured the bagels.

“Why would I do that?” Perkus said distractedly. Ava mounted his back and tongue-bathed his nape as he reached to the floor to display to me a new prize, which appeared to be a shabby boxed set of VHS tapes, decorated with constellations of stars and a giant disembodied eyeball in black and white.

“Did you call her on the cell phone?” A quick scan had revealed the Oonaphone’s charger, trailing from a socket on the kitchen counter.

“Sure.”

“I didn’t know you ever used it.”

“That’s what it’s for, right?”

“Why don’t you ever call me?”

“I don’t have to call, you just appear.” If he’d meant it as anything but a flat observation this might have seemed fairly hostile, but clearly the subject simply didn’t engage him. Once he’d welcomed me into the Friendreth my visits became predictable phenomena, regular as cribbage matches and Ava’s bowel movements. Perkus was engaged with deeper inquiries, into less obvious subjects. His tone left open the possibility that Perkus felt he was the one doing the caretaking in this friendship, but also that if I wanted to think it went the other way, he wouldn’t object. Far more important was this ancient black VHS cassette he now slipped into the ’80s-vintage Panasonic television with built-in player that had been integrated into Ava’s living-room ensemble.

“Where’d you get that thing?”

“From a Labrador. Dogs don’t need VCRs, Chase!”

“I doubt anyone needs them lately.”

“You do if you’re going to play VHS tapes,” he said, speaking as if to a child. “Can you stay for a bit? I’ve got something I want to show you, it’s less than half an hour long. Ouch, Ava! Ava, down now, get down, that’s a good girl, Ava, Ava down!” Ava, hell-bent on Perkus’s neck and ears as he crouched, nibbled and tongue-scrubbed him with increasing ferocity. Perkus, often surprisingly forceful with the dog, now gripped her one forepaw and twisted her onto her back, rear limbs cocked and twitching in submission while she writhed the mighty worm of her torso and neck under Perkus’s wrestler hold. I prayed for the dog never to exercise her full powers on him in return, having no doubt who’d prevail. Perkus seemed to whisper something directly into Ava’s mouth, then, still pinning her, returned to blandly pitching his discovery to me. “You might already have seen this, these shows are a part of the collective unconscious. But that’s the nature of this kind of material, Chase, it falls into the category of what D. W. Winnicott calls ‘the unthought known.’ You absorb a thing like this before you’ve assembled the context necessary to grasp it.” Ava hiccuped violently.

I lifted the package from the floor. A four-tape set, Rod Serling’s THE TWILIGHT ZONE: The Platinum Collection . By process of elimination I determined the tape Perkus had inserted was Season Three. “More salvage from the storage-space people?”

“No. I spotted it in Eldred’s office, but she’d taken it home. I’ve been drooling after this item for years, it’s surprisingly scarce. CBS had to delete it, because they hadn’t gotten permission to include “An Occurrence at Owl Creek Bridge.”

I tried not to let on that I had no idea what he was talking about, feeling more generally disgruntled that he’d presume to blow my mind with something as commonplace as The Twilight Zone . “I used to watch these things on late-night TV,” I said, though I couldn’t recall a thing beyond the opening narration, Serling seeming to mock his own stiletto delivery, which I mocked now. “ There is a fifth dimension-

“The easiest way to pass as a spy is to tell everyone you’re a spy,” Perkus pronounced gnomically. He loosed Ava, who twisted to her feet and began nosing at the box in my hands. “Once they think you’re a fool, you get away with anything.”

“Are we going to watch ‘The… Incident… at… Al’s Creek Bridge’?” I knew I’d gotten it wrong.

“No, we’re going to watch ‘The Midnight Sun.’”

“Is it about Japan?”

“No. Be patient.” Perkus held his forefinger to the VCR’s Fast-forward, which apparently needed to be continuously pressed, and not only moved with the speed of a man crawling across the desert but mimicked his groans as he died of thirst. I intertwined my fingers beneath Ava’s throat, keeping her corralled with me.

“Wait, I just guessed: it was directed by Morrison Groom, before he was famous.” I tried not to allow too sardonic a pronunciation to this last word.

“It wasn’t directed by anyone important.” Perkus had his selection cued, and now put on a kettle for more coffee.

I grew more peevish by the minute. At three in the afternoon the light outside wasn’t impressive, but it was daylight, sun fracturing off the fine new powder, however firmly Perkus kept Ava’s curtains drawn. This wasn’t one AM, we weren’t in the mental theater of Eighty-fourth Street, we’d smoked no Chronic nor Blueberry Kush, let alone Ice, and I wasn’t positive Perkus could enthrall me with creaky tapes of old television episodes this time around. The surround was just too tragically shabby and irrelevant to me all of a sudden. If Perkus couldn’t see he’d tumbled, I could. He’d misplaced the old heartbeat of his dissidence, wasn’t cutting across the grain of anything except himself (or so I thought at that moment). I wasn’t totally unaware that my judgments mingled with an irrational sense of betrayal that he’d summoned Susan Eldred, that the Friendreth apartments were turning into as much of a revolving door of acquaintances and contacts as his old apartment had been. I might have been smarting over his remark about the predictability of my visits, but for the first time I felt disappointed in him. Perkus’s ascetic phase had no more rules than had his libertinism-he made calls on mobile phones, watched old TV shows, and who knows, probably sneaked a joint now and again, only wouldn’t share it with me. I felt we were headed for our second fight (after “The Incident Concerning the Jackson Hole Waitress”) and I didn’t mind. I was glad now it was Susan Eldred and not me that had said aloud that she’d do anything for him. Right now I wanted to do nothing.

So what did I do? The day’s light graying behind those curtains, I joined Perkus on Ava’s couch, each with our fresh cups of coffee, and dutifully watched “The Midnight Sun,” from The Twilight Zone ’s third season, on glitchy, burping videotape. Ava wedged herself between us to sit bolt upright regarding the television screen as if it were a window, her head darting at the blocking of the characters, growling once when a man holding a pistol pushed his way through a door (you couldn’t quibble with her prejudices), otherwise hiccuping at regular intervals.

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