Jonathan Lethem - Chronic City

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Chronic City: краткое содержание, описание и аннотация

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The acclaimed author of
and
returns with a roar with this gorgeous, searing portrayal of Manhattanites wrapped in their own delusions, desires, and lies.
Chase Insteadman, a handsome, inoffensive fixture on Manhattan's social scene, lives off residuals earned as a child star on a beloved sitcom called
. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.
Into Chase's cloistered city enters Perkus Tooth, a wall-eyed free-range pop critic whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers, and a desperate ache for meaning. Perkus's countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake, and who is complicit take on a life-shattering urgency. Along with Oona Laszlo, a self-loathing ghostwriter, and Richard Abneg, a hero of the Tompkins Square Park riot now working as a fixer for the billionaire mayor, Chase and Perkus attempt to unearth the answers to several mysteries that seem to offer that rarest of artifacts on an island where everything can be bought: Truth.
Like Manhattan itself, Jonathan Lethem's masterpiece is beautiful and tawdry, tragic and forgiving, devastating and antic, a stand-in for the whole world and a place utterly unique.

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“My mistake,” said Perkus stiffly. “I’ll contact him another way.”

“Listen, guys, not that Marlon Brando wouldn’t make a fucking excellent mayor,” said Richard, chortling in his beard. “But nobody’s contacting him anytime soon, because he’s kaput.” Richard reached out, took the joint and the lighter from Perkus’s hands, and ignited it. “Big fat old corpse, loads of sad tributes, few months ago. Anyway, Arnheim would crush him.”

We stared at Richard.

“Dead. He died. Not my fault. Hey, aren’t we missing an auction, fellas?”

“Marlon Brando isn’t dead,” said Perkus, in a voice shredded with fear.

“Sure he is, even Chase knows, he’s just too polite to mention it, aren’t you, Chase?”

I had no idea either way. But this wasn’t what I wanted for Perkus. Our intervention, barely begun, was already too harsh, our reality check too real. “A world without Marlon Brando in it,” I began, “would be a far poorer place… so I prefer to believe he’s alive. Of course he’s alive.”

“Who’s alive and dead isn’t a matter of belief,” said Richard.

“I remember now, he lives on an island…” I went on, desperately, “Trinidad-in-Tobago… or… Mustique…?”

“Everybody lives on some island,” said Richard. “Marlon Brando lately inhabits the Isle of the Dead. You could look it up.”

“What makes you the authority on who’s inhabiting what island?” said Perkus, now summoning fury to cover his trepidation. “You’ve been looking over your shoulder for months, you only act like you know more than the rest of us, but you’re bluffing.”

“Bluffing about what, exactly?” Richard Abneg’s voice tightened, as it had earlier, when he’d reacted with real discomfort to Perkus’s jibe about arrests and interrogations. I couldn’t say what was at stake between the two of them, yet I felt the room almost seesaw.

“What’s happened to this city,” said Perkus. “The tiger, for instance. You can’t even catch a tiger. For fuck’s sake, you’re eagle-hunted , Abneg.”

“Those eagles and that tiger have absolutely nothing to do with each other.”

“Why should I believe you even know?”

“The tiger is… not what people think it is. I’d explain it to you, but then I’d have to kill you.”

The feeble joke seemed to belittle Richard Abneg’s usual ominous aura without quite dispelling it, and so restored a measure of equilibrium to our little company. Perkus’s point hadn’t been refuted, only bargained with. Now Perkus turned in scorn to the computer keyboard, began rattling. “Good idea,” I said, in cheerleader mode. “We don’t want to miss our window of opportunity…”

I moved into the kitchen and swapped the Van Morrison for Sandy Bull, skipping ahead a few tracks, to where I figured we’d left off. Bull was playing his banjo again, this time a bluegrass version of Carmina Burana , calling up a vision of Disney dinosaurs transversing a primordial wasteland. Perfect. The music offered a sense of purpose, of destiny claimed. I wished to lure Perkus back to fugue and, for that matter, join him there myself. Returning, I entered a cloud of expelled Ice fumes, Richard bogarting the joint mercilessly. I plucked it from his lips and passed it to Perkus, who accepted it, puffing distractedly as he typed. “Here,” he said at last, his tone petulant. The new screen began to resolve.

It was my first green chaldron. (Like sexual positions or travel to distant locales, I’d begun semiconsciously cataloguing seminal moments, breakthroughs.) With Richard, I leaned over Perkus’s shoulder and let it seep into my wide-open eyes and heart. Music and smoke swirled to form a vertiginous cone or funnel of attention, as though we lay at the bottom of a deep well and the chaldron had peered over the top to gaze down at us. The top bid was already sixteen thousand dollars. Three-quarters of an hour remained.

“Christ, look at the price tag on that one,” said Richard.

“The green ones are rarer,” said Perkus. “Incidentally, Marlon Brando is alive.”

“Move,” said Richard.

“What?”

“Get up,” he said. “Get out of your chair, let me.”

“We can’t bid,” said Perkus. “It’s over my PayPal limit. Let’s just enjoy this one for what it is.”

“Step aside.” Richard shucked his tuxedo jacket onto the floor, fumbled off his cuff links and thrust them into a pocket, then shoved his sleeves up carelessly and plunked himself in Perkus’s chair and commandeered the keyboard, tackling the Internet as if it were a basin full of sudsy dishes. Perkus passed the joint to me and dithered into the kitchen, his marionette limbs twitching.

“Not only is Marlon Brando dead,” Richard muttered into the screen, “but we’re going to land one of these mofos tonight. Get me the Hawkman’s purse.”

“Sorry?”

“It’s got pearl bead things, it’s right under her ass.”

“Are you sure?”

“She’d want us to, Chase. Believe me, she can afford it. Go!”

Under Richard’s guidance I dug out Georgina’s neat, pale-calfskin wallet and, skirting the temptation to learn what wonders I’d find browsing there, handed him her American Express card. The Hawkman never stirred. Richard, typing madly, flinging oaths at the recalcitrant dial-up connection, brought up a fresh window, and fit Georgina’s name and digits into online forms. View of the chaldron was blocked, yet I was sure I could still sense its vitality leaching around the screen’s boundary. I snuffled at the soggy last inch of joint, waiting. Perkus still hung in the kitchen. Then Richard switched back, and it awed us again. Perkus, perhaps alert to the intake of my breath, snooped around the doorway’s edge, sullen but tempted. I watched as Richard, under a new name, UpYours1, committed twenty-five thousand of the Hawkman’s dollars to purchase of a vase, that ceramic that was more than a ceramic and yet also so much less: a rumor, a chimera, a throb, a map. We had ten minutes to learn whether it was ours. I had a feeling if it was that it would be living, necessarily, in Georgina’s penthouse apartment.

“Now, look.” Richard conjured up another screen. “We’re online, we don’t have to wonder about these things.” He narrated aloud from Marlon Brando’s Wikipedia entry, “Final years and death… notoriety, troubled family life, obesity attracted more attention than his late acting career… earned reputation for being difficult on the set … Okay, skip all that, here, On July 1, 2004, Brando died in the hospital… age of eighty… the cause of his death intentionally withheld… lawyer citing privacy concerns… cremated, ashes scattered partly in Tahiti and partly in Death Valley -” I leaned in over Richard’s shoulder, wanting anything now but to confirm it and strand Perkus in a Brando-less landscape, yet inescapably curious. At that moment Richard hurried back to the auction, to see how Georgina’s thousands were holding up-or rather he tried to, and the computer screen went dark. “Fuck!” he yelped.

We turned to find Perkus leaning out his kitchen’s back window, a chill wind whistling in around him. “What’s wrong?” he asked when he pulled his head in and slammed it shut.

“Your computer crashed or something,” I said. “What are you doing?”

“I thought I heard Biller. You had more than two windows open, didn’t you? Well, that’s what crashes it.”

“Did… you hear… what Richard was-”

“What?”

“Never mind.” We stood back while Perkus hurriedly restarted the computer and chased a new connection. Richard, beside himself at the delay, crashed around in the kitchen, igniting another joint’s tip on the burner of Perkus’s stove. Sandy Bull’s banjo urged evolution forward. Richard returned in a new cloud of smoke, waving the smoldering Ice in my direction, and I partook, but maybe we were stoned enough already, or too stoned, yes, unmistakably we were horrendously stoned, our mission curdled, our new Coalition of the Chaldron singed at the edges. Was it worse to tell Perkus that Brando was dead or not? I couldn’t decide. Richard Abneg’s distress was tangible, too, his gloating dynamism sapped by so many sweaty compromises with eagles, tigers, mayors. A dozing Hawkman no longer prize enough, despite any resemblance. The green chaldron was not only more costly, it was ruining us, exposing our underbellies, whether we were privileged to pay its ransom or not. And now there was no Marlon Brando to redeem us, only chaldrons to salve loss of chaldrons. Perkus brought up the page. The auction bragged a bid of twenty-six thousand. Richard had been topped. Three minutes remained. I felt a green stab in my heart.

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