Eric gave a distracted nod, staring into the pool. A river coming from rock. Carrying along underground for miles, then surfacing abruptly in a strange whirlpool, then vanishing again. The Lost River. It would show you what it wanted to, and nothing more. A tease, a torment. Here I am; here I am not. The rest is up to you. Got to dig, friend, got to look deeper, got to see the parts I’ve hidden away because they are all that really matter, and in that way I am damn near human, don’t you think?
“If we climb back up and go into the woods, maybe you’ll get an idea or something,” Kellen said. “I’ve never heard of another spring near here, but there are dry channels-places the Lost River fills only during flood seasons. Some of the springs are dependent on high groundwater, I know.”
“If we can find the site of the old cabin, maybe we can work back from that,” Eric said.
“Think you’ll recognize it?”
Eric nodded. He was trying to imagine the cabin as he’d seen it in his mind, to picture it coming into view from behind the wheel of an old roadster with large domed headlights, but his mind wouldn’t cooperate, wouldn’t let him get into the image. His headache was a constant cackling menace, and he was sitting with his hands pressed against his legs to still the shaking. His left eyelid was doing that damned twitch again, as if it were trying to blink out a grain of dust, and his mouth was dry and chalky.
The spring beneath him churned into life again, spitting more water out as if angry about it, and Eric lifted his head and looked out to the deep portion of the pool, watched that gentle swirl and felt his eyes come unfocused. His hands began to shake violently then, and this time Kellen noticed.
“Hey, man, you all right?”
“Yeah.” Eric straightened abruptly, feeling a swift sense of dizziness overtake him and then pass. “Just getting a little… edgy.”
Kellen took a few steps farther down the hill, frowning. “Maybe we shouldn’t have you out in the woods right now. Anything happens-you have another one of those seizures or something-it’ll be a bad place for it.”
“I’m fine. Let’s find this thing before the storm hits.”
Back up the hill and away from the cliff, back in the direction from which they’d come. Just before they entered the trees again, Eric took one long look back at the gulf, blinked hard, and stared. He could’ve sworn the water was higher already.
TIME AND PLACE PLAYED tricks on Josiah’s mind, as they had a few times up at the timber camp. He’d been staring out at the incoming storm clouds for a long time before the light changed enough that he caught a glimpse of his own shadow in the window and saw that there was a figure behind him. He whirled and found himself facing old Anne McKinney. Of course that’s who it was. But for a moment there, he’d lost any memory of where he was or who he was with. For a moment there, he could’ve sworn he heard music, some sort of old-time strings number. He’d been sitting at a bar with a whiskey glass in his hand, laughing with some fat son of a bitch in a tuxedo, explaining that the economic shifts weren’t going to bring a thing to this country that couldn’t be solved with a bit of ambition…
A dream. But he’d been on his feet. He’d fallen asleep on his damn feet? What in the hell was going on? He was here to wait for Eric Shaw. Shaw would be coming for the water eventually, and when he did, Josiah would have him, and then the woman, and then he’d have answers. That’s what he needed to focus on. He was here to get answers. Why was that so hard to remember?
He shook his head, blinked, then mustered a glare and held it on Anne McKinney for a few seconds, enough to show her that he was still in control. It wouldn’t do to let his mind drift like that again, not with so many decisions to be made.
He turned back from Anne, thinking he’d steal another glance at that crazy damn cloud, but this time when he looked at the window, what he saw froze him.
Campbell was sitting where Anne McKinney had just been. He was staring dead on into the window, his face reflected clear as a bell, his dark eyes shimmering like the rain that splattered the glass.
You was told to listen, Josiah, he said. Said you wanted to go home and take what was yours, and when a ride was offered in exchange for a piece of work, you agreed to it. But you failed to listen, boy. Needs to be a day of reckoning come upon this valley. It was mine once, should’ve been yours, and they took it from us. Took it from me, took it from you. You going to let that stand, boy? Are you going to let that stand?
Josiah didn’t answer. He just stared into the glass, into Campbell’s reflected eyes.
I could’ve chose anyone for this task, Campbell said. Could’ve chose Eric Shaw, or his black friend, or Danny Hastings. You question my strength, boy, question the power of my influence? That’s foolish. It didn’t have to be you. But you were here, my own blood, and that meant something to me. Doesn’t mean a damn thing to you, though.
“It does,” Josiah said. “It does.”
Then listen, damn it. Do what needs to be done.
Josiah turned to him then, anxious to say that he was more than willing to do what needed to be done, that he was just having some trouble understanding what in the hell it was exactly. When he turned, though, Campbell was gone, the old woman there in his place, looking at Josiah with fearful eyes.
He looked back at the window. Campbell was there again, but he was silent.
“I’ll do your work,” Josiah said. “I’ll do it. Just show me what needs done.”
Anne’s fear had grown as the morning went on and Josiah Bradford’s ravings turned stronger and stranger. Those muttered conversations had become something else, and now she could tell that Josiah was no longer imagining an exchange with someone, he was seeing someone, speaking directly to him as if he were in the room with him. Wasn’t a soul in sight but Anne, and he sure wasn’t talking to her.
When he got to the last bit and said I’ll do your work in a voice that seemed untethered to his person, she squeezed her hands tightly together and looked away from him. He’d whirled on her once and she’d been afraid he might do something, but then he’d just turned back to the window and carried on with his conversation.
She wouldn’t watch him anymore. Better to pretend she wasn’t seeing or hearing any of this, better to pretend she wasn’t even in the room.
He took to pacing again, in and out of the room, and each time he came back, he’d look from her to the window, do it suspiciously, as if trying to catch her at something he thought he saw her doing in the reflection. Then he went all the way into the kitchen and began to rattle around, and when he stepped back into the living room, she stole a glance and felt her heart seize.
There was a knife in his hand now. One of her kitchen knives, with a five-inch blade, plenty sharp. She pulled back, fearing harm, but he just carried on past her like she wasn’t there and returned to the window.
Don’t look at him, she thought, don’t make eye contact. He’s as close to a rabid dog as anything now, and worst thing you can do with a dog like that is make eye contact.
So she kept her head turned and tried not to make a sound that would attract his attention, tried not to so much as breathe too loud.
She didn’t look at him again until she heard the squeaking noise. Even then she hesitated, but it kept up, sounding like he was polishing something with a damp cloth, and finally she turned to see what it was.
He was drawing on the window with his own blood.
The knife was on the end table beside him, and she could see that he’d cut his right index finger to draw blood and had then begun to smear it around the glass. His face was screwed into an intense frown, not from pain but from concentration, and he was moving his finger carefully, tilting his head from side to side occasionally to change the angle. It looked as if he was tracing something. Once he looked over his shoulder and then swore at himself and paused for a long time before beginning again, as if he’d ruined his image. She couldn’t see what he was drawing at first, but then he stepped to the side and leaned over and she got a glimpse.
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