Christopher Moore - The Lust Lizard of Melancholy Cove

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Autumn in the sleepy California town of Pine Cove is turned upside down by the arrival of a Mississippi Delta blues musician, a huge sea serpent drawn to the sound of the steel guitar, the explosion of a tanker truck at a gas station, and a mysterious trailer that shows up in the local trailer park.

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Burton was a hard-line right-wing politico who could spout law and order (accent on order) over brunch with the Rotarians, lunch with the NRA, and dinner with Mothers Against Drunk Drivers and wolf down dry banquet chicken like it was manna from the gods every time. He wore expensive suits, a gold Rolex, and drove a pearl-black Eldorado that shone like a starry night on wheels (rapt attention and copious coats of carnuba from the grunts in the county motor pool). He had been sheriff of San Junipero County for sixteen years, and in that time the crime rate had dropped steadily until it was the lowest, per capita, of any county in California. His endorsement of Theophilus Crowe, someone with no law enforcement experience, had come as more than somewhat of a surprise to the people of Pine Cove, especially since Theo’s opponent was a retired Los Angeles policeman who’d put in a highly decorated five and twenty. What the people of Pine Cove did not know was that Sheriff Burton not only endorsed Theo, he had forced him to run in the first place.

Theophilus Crowe was a quiet man, and Sheriff John Burton had his reasons for not wanting to hear a peep out of the little North County burg of Pine Cove, so when Theo walked into his little two-room cabin, he wasn’t surprised to see a red seven blinking on his answering machine. He punched the button and listened to Burton‘s assistant insisting that he call right away—seven times. Burton never called the cell phone.

Theo had come home to shower and ponder his meeting with Val Riordan. The fact that she had treated at least three of his ex-girlfriends bothered him. He wanted to try and figure out what the women had told her. Obviously, they’d mention that he got high occasionally. Well, more than occasionally. But like any man, it worried him that they might have said something about his sexual performance. For some reason, it didn’t bother him nearly as much that Val Riordan think him a loser and a drug fiend as it did that she might think he was bad in the rack. He wanted to ponder the possibilities, think away the paranoia, but instead he dialed the sheriff’s private number and was put right through.

“What in the hell is the matter with you, Crowe? You stoned?”

“No more than usual,” Theo said. “What’s the problem?”

“The problem is you removed evidence from a crime scene.”

“I did?” Talking to the sheriff could drain all of Theo’s energy instantly. He fell into a beanbag chair that expectorated Styrofoam beads from a failing seam with a sigh. “What evidence? What scene?”

“The pills, Crowe. The suicide’s husband said you took the pills with you. I want them back at the scene in ten minutes. I want my men out of there in half an hour. The M.E. will do the autopsy this afternoon and this case will close by dinnertime, got it? Run-of-the-mill suicide. Obit page only. No news. You understand?”

“I was just checking on her condition with her psychiatrist. See if there were any indications she might be suicidal.”

“Crowe, you must resist the urge to play investigator or pretend that you are a law enforcement officer. The woman hung herself. She was depressed and she ended it all. The husband wasn’t cheating, there was no money motive, and Mommy and Daddy weren’t fighting.”

“They talked to the kids?”

“Of course they talked to the kids. They’re detectives. They investigate things. Now get over there and get them out of North County. I’d send them over to get the pills from you, but I wouldn’t want them to find your little victory garden, would you?”

“I’m leaving now,” Theo said.

“This is the last I will hear of this,” Burton said. He hung up.

Theo hung up the phone, closed his eyes, and turned into a human puddle in the beanbag chair.

Forty-one years old and he still lived like a college student. His books were stacked between bricks and boards, his bed pulled out of a sofa, his refrigerator was empty but for a slice of pizza going green, and the grounds around his cabin were overgrown with weeds and brambles. Behind the cabin, in the middle of a nest of blackberry vines, stood his victory garden: ten bushy marijuana plants, sticky with buds that smelled of skunk and spice. Not a day passed that he didn’t want to plow them under and sterilize the ground they grew in. And not a day passed that he didn’t work his way through the brambles and lovingly harvest the sticky green that would sustain his habit through the day.

The researchers said that marijuana was only psychologically addictive. Theo had read all the papers. They only mentioned the night sweats and mental spiders of withdrawal in passing, as if they were no more unpleasant than a tetanus shot. But Theo had tried to quit. He’d wrung out three sets of sheets in one night and paced the cabin looking for distraction until he thought his head might explode, only to give up and suck the piquant smoke from his Sneaky Pete so he could find sleep. The researchers obviously didn’t get it, but Sheriff John Burton did. He understood Theo’s weakness and held it over him like the proverbial sword. That Burton had his own Achilles’ heel and more to lose from its discovery didn’t seem to matter. Logically, Theo had him in a standoff. But emotionally, Burton had the upper hand. Theo was always the one to blink.

He snatched Sneaky Pete off his orange crate coffee table and headed out the door to return Bess Leander’s pills to the scene of the crime.

Valerie

Dr. Valerie Riordan sat at her desk, looking at the icons of her life: a tiny digital stock ticker that she would surreptitiously glance down at during appointments; a gold Mont Blanc desk set, the pens jutting from the jade base like the antennae of a goldbug; a set of bookends fashioned in the likenesses of Freud and Jung, bracing leather-bound copies of The Psychology of the Unconscious, The Diagnostic and Statistical Manual of Mental Disorders (DSM-IV), The Interpretation of Dreams, and The Physician’s Desk Reference; and a plaster-cast bust of Hippocrates that dispensed Post-it notes from the base. Hippocrates, that wily Greek who turned medicine from magic to science. The author of the famous oath that Val had uttered twenty years ago on that sunny summer day in Ann Arbor when she graduated from med school: “I will use treatment to help the sick according to my ability and judgment, but I will never use it to injure or wrong them. I will not give poison to anyone though asked to do so, nor will I suggest such a plan.”

The oath had seemed so silly, so antiquated then. What doctor, in their right mind, would give poison to a patient?

“But in purity and in holiness I will guard my life and my art.”

It had seemed so obvious and easy then. Now she guarded her life and her art with a custom security system and a Glock 9 mm. stashed in the nightstand.

“I will not use the knife on sufferers from stone, but I will give place to such as are craftsmen therein.”

She’d never had a problem with that part of the oath. She was loathe to use the knife. She’d gone into psychiatry because she couldn’t handle the messy parts of medicine. Her father, a surgeon himself, had been only mildly disappointed. At least she was a doctor, of sorts. She’d done her internship and residency in a rehab center where movie stars and rock idols learned to be responsible by making their own beds, while Val distributed Valium like a flight attendant passing out peanuts. One wing of the Sunrise Center was druggies, the other eating disorders. She preferred the eating disorders. “You haven’t lived until you’ve force-fed minestrone to a supermodel through a tube,” she told her father.

“Into whatsoever houses I enter, I will do so to help the sick, keeping myself free from all intentional wrongdoing and harm, especially from fornication with woman or man, bond or free.”

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