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Kate Atkinson: Started Early, Took My Dog

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Kate Atkinson Started Early, Took My Dog

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A day like any other for security chief Tracy Waterhouse, until she makes a purchase she hadn't bargained for. One moment of madness is all it takes for Tracy 's humdrum world to be turned upside down, the tedium of everyday life replaced by fear and danger at every turn. Witnesses to Tracy 's Faustian exchange in the Merrion Centre in Leeds are Tilly, an elderly actress teetering on the brink of her own disaster, and Jackson Brodie, who has returned to his home county in search of someone else's roots. All three characters learn that the past is never history and that no good deed goes unpunished. Kate Atkinson dovetails and counterpoints her plots with Dickensian brilliance in a tale peopled with unlikely heroes and villains. Started Early, Took My Dog is freighted with wit, wisdom and a fierce moral intelligence. It confirms Kate Atkinson’s position as one of the great writers of our time.

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Kelly Cross parted the throng of shoppers like an unholy Moses striding through the Red Sea. Many of the onlookers were clearly horrified but no one had the nerve to tackle a berserker like Kelly. You couldn’t blame them.

Kelly stopped so suddenly that the kid kept running forward as if she was on elastic. Kelly thumped her hard on the backside, sending her into the air as if she was on a swing and then, without a word, she set off running again. Tracy heard a surprisingly loud middle-class voice, a woman’s, say, ‘Someone should do something.’

Too late. Kelly had already stomped her way past Morrisons and out on to Woodhouse Lane. Tracy followed her, cantering to keep up, her lungs ready to collapse by the time she caught her at a bus stop. Jesus, when did she get so unfit? About twenty years ago probably. She should haul her old Rosemary Conley tapes out of the boxes in the spare room.

‘Kelly,’ she wheezed.

Kelly spun round, snarling, ‘What the fuck do you want?’ A faint glimmer of recognition on her venomous face as she glared at Tracy. Tracy could see the wheels ticking round until they came up with ‘copper’. It made Kelly even more enraged, if that was possible.

She looked worse close up – flat hair, grey corpse-skin, bloodshot vampire eyes and a junkie edginess to her that made Tracy want to step back but she held her ground. The kid, tear-stained and mucky, had stopped crying and was staring slack-mouthed at Tracy. Made her seem gormless but Tracy guessed adenoidal. Her appearance wasn’t helped by the green caterpillar of snot crawling out of her nose. Three years old? Four? Tracy wasn’t sure how you told the age of a kid. Maybe it was from their teeth, like horses. They were small. Some were bigger than others. That was about as far as she was willing to go in the guessing stakes.

The kid was dressed in various shades of pink, with the addition of a little pink rucksack stuck on her back like a barnacle, so that the general impression was of a misshapen marshmallow. Someone – surely not Kelly – had attempted to plait the kid’s stringy hair. The pink and the plaits signalled her gender, something not immediately obvious from her podgy, androgynous features.

She was a small lumpy kind of kid but there was a spark of something in her eyes. Life perhaps. Cracked but not broken. Yet. What chance did this kid have with Kelly as her mother? Realistically? Kelly was still holding the kid’s hand, not so much holding it as gripping it in a vice as if the kid was about to fly up into the air.

A bus was approaching, indicating, slowing down.

Something gave inside Tracy. A small floodgate letting out a race of despair and frustration as she contemplated the blank but already soiled canvas of the kid’s future. Tracy didn’t know how it happened. One moment she was standing at a bus stop on Woodhouse Lane, contemplating the human wreckage that was Kelly Cross, the next she was saying to her, ‘How much?’

‘How much what?’

‘How much for the kid?’ Tracy said, delving into her handbag and unearthing one of the envelopes that contained Janek’s money. She opened it and showed it to Kelly. ‘There’s three thousand here. You can have it all in exchange for the kid.’ She kept the second envelope with the remaining two thousand out of sight in case she needed to up the ante. She didn’t need to, however, as Kelly suddenly meerkatted to attention. Her brain seemed to disassociate for a second, her eyes flicking rapidly from side to side, and then, with unexpected speed, her hand shot out and she grabbed the envelope. In the same second she dropped the kid’s hand. Then she laughed with genuine glee as the bus drew to a halt behind her. ‘Ta very much,’ she said as she jumped aboard.

While Kelly stood on the platform fumbling for change, Tracy raised her voice and said, ‘What’s her name? What’s your daughter’s name, Kelly?’ Kelly pulled her ticket out of the machine and said, ‘Courtney.’

‘Courtney?’ Typical chav name – Chantelle, Shannon, Tiffany. Courtney.

Kelly turned round, ticket clutched in her hand. ‘Yeah,’ she said. ‘Courtney.’ Then she gave her a puzzled look, as if Tracy was a Polo short of a packet. Started to say something, ‘But she’s not-’ but the bus doors closed on her words. The bus drove off. Tracy stared after it. Gormless, not adenoidal. She registered a sudden spike of anxiety. She had just bought a kid. She didn’t move until a small, warm, sticky hand found its way into hers.

‘Where did Tracy go?’ Grant asked, scanning the bank of monitors. ‘She just disappeared.’

Leslie shrugged. ‘I don’t know. Keep an eye on that drunk outside Boots, will you?’

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‘Someone should do something.’ Tilly was surprised to find herself speaking out loud. And so loud too. Resolutely middle-class. Resonate! She could hear her old voice coach at drama college exclaiming, Resonate! Your chest is a bell, Matilda! Franny Anderson. Miss Anderson , you would never call her anything more familiar. Spine like a ramrod, spoke Morningside English. Tilly still did the voice exercises Miss Anderson had taught them – ar-aw-oo-ar-ay-ee-ar – every morning, first thing, before she even had a cup of tea. The flat she lived in, in Fulham, had walls like paper, the neighbours must think she was mad. Over half a century since Tilly was a drama student. Everyone thought life began in the sixties but London in the fifties had been thrilling for a naïve eighteen-year-old girl from Hull, straight out of grammar school. Eighteen then was younger than it was now.

Tilly had shared a little place in Soho with Phoebe March, Dame Phoebe now of course – hell to pay if you forget the title. She’d been Helena to Phoebe’s Hermia at Stratford, oh God, decades ago now. Started off on an equal footing, you see, and now Phoebe was forever playing English queens and wearing frocks and tiaras. She had Oscars (supporting) and Baftas coming out of her ears, while Tilly was stuffed into a pinafore apron and slippers pretending to be Vince Collier’s mother. Hey-ho.

Not really an equal footing. Tilly’s father had owned a wet fish shop in the Land of Green Ginger – a street more romantic in name than in reality – whilst Phoebe, although she called herself a ‘northern girl’, was really from the landowning classes – house designed by John Carr of York near Malton – and she was the niece of a cousin of the old king, huge house on Eaton Square that she could repair to if things got tricky in Soho. The stories Tilly could tell about Phoebe – Dame Phoebe – would make your hair curl.

Miss Anderson would be long dead now, of course. She wasn’t the kind to rot messily in the grave either. Tilly imagined she would have become a parched mummy, eyeless and shrivelled, and as weightless as dead bracken. But still with perfect diction.

Tilly knew her outrage was impotent, she wasn’t going to be the one to tackle the fearsome tattooed woman. Too old, too fat, too slow. Too frightened. But someone should, someone braver. A man . Men weren’t what they used to be. If they ever had been. Agitated, she glanced around the shopping centre. Dear God, this was an awful place. She would never have come back but she had to pick up her new specs from Rayners’. She wouldn’t have come here at all but a production assistant, nice girl, Padma – Indian, all the nice girls were Asian now – had made the appointment for her. There you go, Miss Squires, anything else I can do to help? What a sweetheart. Tilly had sat on her old specs. Easy thing to do. Blind as a bat without them. Difficult driving the old jalopy when you couldn’t see a thing.

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