Anne Tyler - Searching for Caleb

"No, no, I don't read palms," said Justine, withdrawing her hand.

But she could easily have read that one, with its lengthwise groove and the worn wedding ring no wider than a thread.

She took out her cards and unwrapped them. "Why, how fascinating," said Mrs. Linthicum.

"Is there anything in particular you want to know?" Justine asked.

"Oh, nothing I can think of."

Dorcas leaned closer, giving off waves of Tabu, while Justine laid the cards down very, very gently. Madame Olita used to snap them down, but that was before they had started falling apart. When these went, where would she get more? She gazed into space, considering.

"I'm not afraid to hear, if it's bad," said Mrs. Linthicum.

Justine pulled her eyes back to the cards. "Oh, it's not bad, not at all," she said. "You're going to do just fine."

"I am?"

"You'll continue to have money worries, but not serious ones. You shouldn't be so concerned about your children. They will turn out all right. No trips in sight. No illness. You have true friends and a loving husband."

"Well, of course," said Mrs. Linthicum.

"All in all it's a very good life," Justine said. She cleared her throat and steadied her voice. "Anybody would be happy to have a formation like this one."

"Why, thank you very much," said Mrs. Linthicum. Then when the silence had stretched on a while she gave a little laugh and rose to pay her fee, pressing Justine's palm briefly with her cool, wilted fingers. When she left, Justine gazed after her for so long that Dorcas waggled a hand in front of her face and said, "You in there?"

Then others came, woman after woman, giggling a little in front of their friends. "No tall dark strangers? No ocean trips?" Several young girls filed through, a little boy in a baseball suit, a man in platform heels, an old lady. Justine tried to pin her mind to what she was doing. This was how she attracted future clients, after all. "You will have a minor car accident," she told one girl, relieved to see something concrete.

"Even if I drive slower?"

"No, maybe not."

"Then what's the point of all this?"

"I don't know."

"To warn you to start driving slower, Miss!" Dorcas cried. "Honestly, Justine! Where are you today?"

Oh, beautiful Dorcas, with her watery silk dress showing dimpled knees and her jangling bracelets and creamy throat! Her fortune altered from week to week. Which gave Justine a greater likelihood of error, but at least she enjoyed doing it.

During a lull they captured Ann-Campbell, who was winning too many prizes anyway tossing nickels into ashtrays, and Justine read her cards. Ann-Campbell leaned over her with a cone of cotton candy, smelling of burnt sugar and money. "You'll have to travel your whole life long to use up all the travel cards I'm seeing," Justine told her.

"I know that."

Then Dorcas, who had learned palmistry in high school, examined Ann-Campbell's little square hand-a mass of warts and deep, soiled lines. "I find travel too," she said, "but I don't know, Ann-Campbell gets carsick.

Let me see yours, Justine."

Justine turned her palm up. Secretly she had become as addicted to the future as Alonzo Divich, now that life moved so quickly.

"Oh, talk about travel!" said Dorcas.

"What do you see?"

"Lots of trips. Oh, well, there's much too much to read here. You have an indecisive nature, there are lots of ... but I'm not too sure what this means. And then a frequent change in surroundings and tendency to-"

"But is it a good palm?"

"I'm telling you, Justine! Of course it is, it's just full of things."

"No, I mean-"

Dorcas raised her head.

"Oh well, it doesn't matter," Justine told her finally.

She never did say what she had meant. She sat silent, frowning at the cracked square of silk in her lap, while beside her Ann-Campbell started firmly, grimly patting her arm with the hand that wasn't holding the cotton candy.

Duncan looked up from polishing a Cinderella pastry cutter and found Justine staring at him through the plate glass window, directly beneath his hand-lettered sign, ANTIC TOOLS WANTED. She was wearing her fanciest church bazaar outfit and there was a chain of safety pins dangling from the tip of her left breast. When he waved she waved back, but she kept on standing there. He rose and came close to the glass, popping his mouth like a goldfish. She smiled. "Come in!" he shouted.

So she came, leaving the door swinging open behind her. "I was just passing," she told him.

"You want to hear about my movie?"

"Yes."

"I'm going to buy a camera and walk around filming to one side of things, wherever the action isn't. Say there's a touchdown at a football game, I'll narrow in on one straggling player at the other end of the field. If I see a purse-snatcher I'll find someone reading a newspaper just to the right of the victim."

"What's the point?" Justine asked.

"Point? It'll be the first realistic movie ever made. In true life you're never focused on where the action is. Or not so often. Not so finely." He stopped and looked at her. "Point?" he said. "You don't usually ask me that."

"Duncan, I wish I knew what we should be doing about Meg."

"Oh. School called. She cut all her afternoon classes, they said. Is she sick?"

"Why, I don't know. I haven't been home."

"Every day this week she's had a headache."

"See there? No wonder I worry," Justine said. "I ought to go look in on her." But instead she sat down on a knobby piano stool he had been trying to get rid of for months. "I am forty and one-third years old," she said.

Duncan blew on the pastry cutter and started polishing it again.

"Doesn't it seem to you that things are going by very fast?"

"I have always thought everything moved too slowly," he said. "But I know I'm in the minority."

"How did we get here?"

But when Duncan looked up, she had her eyes fixed on the opposite wall as if she didn't want an answer.

He set down his work and rose to walk around the shop, passing his rows of polished tools and utensils. They did his heart good. He ignored what Silas had brought in from his tours of the auction sales- the china and scrolled furniture, which he allowed to pile up in dim corners. He paused beside a nineteenth-century pressure scale and laid his hand upon it gradually, delighting in its intricate, precise design. Behind him he heard the familiar plop, plop of Justine's cards. What would she be asking, all alone? But when he turned he saw that she was laying the cards absent-mindedly, the way another person might doodle or chew a pencil. Her eyes were on something far away; she smoothed each card blindly as she set it on the sewing chest beside her.

While he watched, she frowned and collected her thoughts. She looked down at what she had laid out. "Why, Duncan," she said.

"What is it?"

"Why-"

"What is it, Justine?"

"Never mind, don't worry. Don't worry."

"Who says I'm worried?"

But she was already out the door, running down the street with her hat streamers fluttering. It was the first time Duncan had ever known her to leave her cards behind.

Daniel Peck was on the front porch, rearranging a sheaf of correspondence, when Justine came dashing up the walk between the rows of sprouting vegetables. She looked wild-eyed and flustered, but then she often did. "Grandfather," she called, "have you seen Meg?"

He tried to think.

"Meg."

"Well, now I wonder where she could be," he said.

"What time is it?"

He fumbled in his pocket and hauled out lengths of gold chain hand over hand, raising his eyebrows when his fingers met up with a watch. "Ah!

Five twelve," he said.

She spun past him, into the house, clattering the screen door behind her.

He felt the noise rather than heard it. He felt his bones jar. Then there was peace, and he returned to a letter dated April 10, 1973. He squinted in the twilight at a ragged blue script.