Salman Rushdie - Shalimar the Clown

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The Man Booker Prize (nominee)
Whitbread Prize (nominee)
International IMPAC Dublin Literary Awards (nominee)
Los Angeles, 1991. Ambassador Maximilian Ophuls, one of the makers of the modern world, is murdered in broad daylight on his illegitimate daughter India's doorstep, slaughtered by a knife wielded by his Kashmiri Muslim driver, a myscerious figure who calls himself Shalimar the clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former US ambassador to India and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination, but turns out to be passionately personal. This is the story of Max, his killer, and his daughter – and of a fourth character, the woman who links them, whose story finally explains them all. It is an epic narrative that moves from California to Kashmir, France and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. There is kindness and magic, capable of producing miracles, but there is also war, ugly, unavoidable, and seemingly interminable. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous. Everything is unsettled. Everything is connected. Lives are uprooted, names keep changing – nothing is permanent. The story of anywhere is also the story of everywhere else. Spanning the globe and darting through history, Rushdie's narrative captures the heart of the reader and the spirit of a troubled age.

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To lay a trap for himself as well as Boonyi he went on writing letters to her, those same letters which had angered her and led her to despise him for his weakness, letters whose purpose was to fool her into believing that he was ready to forgive and forget, and whose deeper purpose was to bring matters to a head, to bring her back and to force him to choose between his oaths, so that he could find out what sort of a man he really was. And then there she was at the bus stop in a blizzard, coated in adipose tissue and covered in snow, and without stopping to think he ran toward her with his knife in his hand, but the two fathers blocked his way, grabbing him by the dragon’s tail and reminding him of his vow. They circled her in the thickly falling snow, and Pyarelal Kaul told Shalimar the clown, “If you try to break your word you will have to kill me on the way to her,” and Abdullah Noman confirmed, “You will have to kill me as well.” This was when Shalimar the clown solved the riddle of the two oaths. “In the first place,” he said, “the oath I made to the two of you was my personal promise to you, and so I will respect it as long as even one of you is alive. But the oath I made to myself was a personal promise as well, and when you are both dead you will no longer be able to hold me back. And in the second place,” he concluded, turning to go without so much as a nod in the direction of his dead wife, “keep the whore out of my sight.” The snow kept falling, thickly falling, upon all the living and the dead.

The spring was an illusion of renewal. Flowers blossomed, baby calves and goats were born and eggs burst open in their nests, but the innocence of the past did not return. Boonyi Kaul Noman never went back to live in Pachigam. For the rest of her life she inhabited that hut on the pine-forested hill where a prophetess had once decided that the future was too horrible to contemplate and had waited cross-legged for death. She slowly became competent in practical matters, but her hold on reality grew correspondingly more erratic, as though something inside her refused to grasp that the world in which she was getting to be so self-sufficient would never turn back into the one she wanted, the one in which she could fold her husband’s love around herself while also wrapping him up in hers. Her phantom mother was now her perpetual companion, and as Pamposh’s ghost did not age the two dead women became more and more like sisters. When Pyarelal Kaul visited his daughter to warn her against visiting the village because it was all he and Abdullah could do to hold back Shalimar the clown when she was out of sight, and it was impossible to guarantee her safety if she came down to Pachigam, she replied with the gaiety of madness, “I’m fine here with Pamposh. Nobody can lay a finger on me while she is by my side. You should stay with us. Neither of us ladies is allowed in the village, it seems, but the three of us could have a high old time up here by ourselves.”

Faced with the derangement of his beloved daughter, Pandit Pyarelal Kaul entered into a darkness of his own. He climbed the mountain every day to care for her needs and listen to her ramblings and was not able to tell her of the disillusion that had taken hold of his own optimism and squeezed it almost to death. The love of Boonyi and Shalimar the clown had been defended by the whole of Pachigam, had been worth defending, as a symbol of the victory of the human over the inhuman, and the dreadful ending of that love made Pyarelal question, for the first time in his life, the idea that human beings were essentially good, that if men could be helped to strip away imperfections their ideal selves would stand revealed, shining in the light, for all to see. He was even questioning the anticommunalist principles embodied in the notion of Kashmiriyat, and beginning to wonder if discord were not a more powerful principle than harmony. Communal violence everywhere was an intimate crime. When it burst out one was not murdered by strangers. It was your neighbors, the people with whom you had shared the high and low points of life, the people whose children your own children had been playing with just yesterday. These were the people in whom the fire of hatred would suddenly light up, who would hammer on your door in the middle of the night with burning torches in their hands.

Maybe Kashmiriyat was an illusion. Maybe all those children learning one another’s stories in the panchayat room in winter, all those children becoming a single family, were an illusion. Maybe the tolerant reign of good king Zain-ul-abidin should be seen-as some pandits were beginning to see it-as an aberration, not a symbol of unity. Maybe tyranny, forced conversions, temple-smashing, iconoclasm, persecution and genocide were the norms and peaceful coexistence was an illusion. He had begun to receive political circulars to this effect from various pandit organizations. They told a tale of abuse that went back many hundreds of years. Sikander the iconoclast crushed Hindus the most. The crimes of the fourteenth century needed to be avenged in the twentieth. Saifuddin crossed all limits of cruelty. Saifuddin was the prime minister under Sikander’s son, Alishah. Out of the fear of conversion Brahmins jumped into the fire. Many Brahmins hanged themselves to death, some consumed poison and others drowned themselves. Innumerable Brahmins jumped to death from the mountains. The state was filled with hatred. The supporters of the king did not stop even a single person from committing suicide. And so on, all the way up to the present day. Maybe peace was his opium pipe-dream, in which case he was as much of an addict in his own way as his poor daughter, and he, too, needed to go through a painful cure.

He forced such forebodings to the back of his mind and nursed his daughter. The delirium of her withdrawal symptoms worsened, and for long periods she shook convulsively and sweated ice and her mouth was full of needles and her hungers felt like wild beasts that would gobble her up if they weren’t given what they really wanted. Then slowly the crisis passed, until she was no longer at the mercy of the chemicals she could no longer have; and her tobacco habit, too, was broken. During the hallucinatory period of her helplessness she knew that the guardians in the trees were taking care of her. Gradually they emerged from the shadows, and in her groggy condition she imagined her mother Pamposh leading them to her, her daring, independent mother who did not judge people for giving in to their sexual urges. Pamposh’s ghost was at least as substantial to her daughter as the others who visited her, and although she recognized among her angels her own father above all, and Firdaus Noman and Zoon and Big Man Misri as well, it made her happy to believe that her beloved mother was actually running the show.

Pyarelal blamed himself for her obesity. “Poor girl inherited my physique and not her slim mother’s,” he chastised himself inwardly. “Even as a child she was buxom. No wonder Shalimar the clown fell for her when she was still a child. Food was my weakness and this, too, I passed on to her.” But his body had changed as a result of his new ascetic’s régime, and her body changed as well. Her beauty returned slowly, as her physical health improved. The months lengthened into years and the fat fell away-nobody around here was going to help her eat seven meals a day!-and she looked like herself again. Some damage remained. She suffered from backaches. Black veins stood out on her legs and in some places the skin hung off her more loosely than it should have. The tobacco’s discoloration of her teeth never entirely faded, even though she was assiduous in the use of the neem sticks with which her father kept her supplied. She intuited, from occasional spells of arrhythmia, that her heart had been damaged, too. Never mind, she told herself. It was not her destiny to grow old. It was her destiny to live among ghosts as a half-ghost until she learned how to cross the line. She said this aloud once and her father burst into tears.

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