Salman Rushdie - Shalimar the Clown

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The Man Booker Prize (nominee)
Whitbread Prize (nominee)
International IMPAC Dublin Literary Awards (nominee)
Los Angeles, 1991. Ambassador Maximilian Ophuls, one of the makers of the modern world, is murdered in broad daylight on his illegitimate daughter India's doorstep, slaughtered by a knife wielded by his Kashmiri Muslim driver, a myscerious figure who calls himself Shalimar the clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former US ambassador to India and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination, but turns out to be passionately personal. This is the story of Max, his killer, and his daughter – and of a fourth character, the woman who links them, whose story finally explains them all. It is an epic narrative that moves from California to Kashmir, France and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. There is kindness and magic, capable of producing miracles, but there is also war, ugly, unavoidable, and seemingly interminable. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous. Everything is unsettled. Everything is connected. Lives are uprooted, names keep changing – nothing is permanent. The story of anywhere is also the story of everywhere else. Spanning the globe and darting through history, Rushdie's narrative captures the heart of the reader and the spirit of a troubled age.

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Pandit Kaul didn’t like his name either. There were far too many Kauls in the valley already. For an uncommon man it was demeaning to bear so everyday a surname, and it surprised nobody when he announced that he wanted to be called Pandit Kaul-Toorpoyni, Pandit Kaul of the Cold Water. That was too long to be practical, so he dropped the hated Kaul altogether. But Pandit Pyarelal Toorpoyn, which is to say, Pandit Sweetheart Coldstream, didn’t stick either. In the end he gave up and accepted his nomenclatural fate. Noman called the pandit Sweetie Uncle, though they were not connected by blood or faith. Kashmiris were connected by deeper ties than those. Boonyi was the pandit’s only child, and as she and Noman approached their fourteenth birthday they both discovered that they had been in love for their whole lives and it was time to do something about it, even though that was the most dangerous decision in the world.

They sat by the Muskadoon with the pandit while he prattled of the cosmos because he was a man who liked to talk and it was a way for them to be together, speaking to each other in the silent careful language of forbidden desire while they listened to Pyare her father babbling away as fluently as the garrulous river at his back. Noman’s fingers stretched toward Boonyi’s and hers yearned for his. They were several yards apart, sitting on smooth boulders by the riverside, bathed in the relentless clarity of mountain sunlight beneath the unbroken sky that shone above them blue as joy. In spite of the distance their yearning fingers were invisibly entwined. Noman could feel her hand curling around his, digging its long nails into his palm, and when he stole a look at her he could tell by the light in her eyes that she could feel his hand too, warming hers, rubbing at her fingertips, because the extremities of her body were always cold, her toes and fingers and earlobes and the points of her new breasts and the tip of her Greek nose. These places required the attention of his warming hand. She was the earth and the earth was the subject and he had grabbed it and sought to bend its destiny to his will.

Like many men who prided themselves upon their ability to resist spiritual fakery and mumbo-jumbo charlatanism of all kinds, Boonyi’s father the pandit had a sneaky love of the fabulous and fantastic, and the notion of the shadow planets appealed to him powerfully. In short he was wholly under the spell of Rahu and Ketu, whose existence could only be demonstrated by the influence they exercised over people’s daily lives. Einstein had proved the existence of unseen heavenly bodies by the power of their gravitational fields to bend light, and Sweetie Uncle could prove the existence of the cloven heavenly dragon-halves by their effects on human fortunes and misfortunes. “They churn our insides!” he cried, and there was a little thrill in his voice. “They hold sway over our emotions and give us pleasure or pain. There are six instincts,” he added parenthetically, “which keep us attached to the material purposes of life. These are called Kaam the Passion, Krodh the Anger, Madh the Intoxicant, e.g. alcohol, drug et cetera, Moh the Attachment, Lobh the Greed and Matsaya the Jealousy. To live a good life we must control them or else they will control us. The shadow planets act upon us from a distance and focus our minds upon our instincts. Rahu is the exaggerator the intensifier! Ketu is the blocker the suppressor! The dance of the shadow planets is the dance of the struggle within us, the inner struggle of moral and social choice.” He wiped his brow. “Now,” he said to his daughter, “let’s go eat.” The pandit was a jolly-bodied man who liked his food. Pachigam was a village of gastronomes.

Shalimar the clown watched them go and had to fight to stop his feet from following. It wasn’t just the shadow planets that tugged at his feelings. Boonyi acted on him too, she worked her magic on him every minute of the day and night, dragging at him, pulling, caressing and nibbling him, even when she was at the opposite end of the village. Boonyi Kaul, dark as a secret, bright as happiness, his first and only love. Bhoomi by the Cold Water, great kisser, expert caresser, fearless acrobat, fabulous cook. Shalimar the clown’s heart was pounding joyfully because it was about to be granted its greatest desire. In the lusty silence during the pandit’s monologue they had decided that the moment had come to consummate their love, and in an exchange of wordless signals had briskly settled the hour and the place. Now it was time to prepare.

That evening, while she braided her long hair for her lover, Boonyi Kaul thought about the blessed Sita in the forest hermitage at Panchavati near the Godavari River during the wandering years of Lord Ram’s exile from Ayodhya. Ram and Lakshman were away hunting for demons that fateful day. Sita was left alone, but Lakshman had drawn a magic line in the dirt all the way across the mouth of the little hermitage and warned her not to cross it or to invite anyone else to do so. The line was powerfully enchanted and would protect her from harm. But the moment Lakshman had left, the demon king Ravan showed up disguised as a wandering mendicant dressed in a tattered ochre cloth and wooden sandals, and carrying a cheap umbrella. He did not talk like a holy beggar, however, but effusively praised, in sequence, Sita’s skin, her scent, her eyes, her face, her hair, her breasts and her waist. He said nothing about her legs. Her legs would have been concealed from view, of course, and although a great rakshasa like Ravan would surely have been able to see through cloth he could not admit it, because if he had praised her lower body his salacious hidden nature would have been revealed instantly. Boonyi Kaul’s almost-fourteen-year-old legs were already long and slender. She wanted to know about Sita Devi’s legs and was frustrated that they were never described.

She wanted to know, too, whether it was in spite of or because of his lecherous, flattering speech that Sita invited Ravan in disguise to come indoors and rest. It was a question of some importance because once Sita had invited the stranger to cross the magic line its power was broken. Moments later Ravan resumed his true multiheaded form and carried Sita off to his kingdom of Lanka, abducted her against her noble will in the flying chariot drawn by the green mules. The great eagle Jatayu, old and blind, tried to save her, killing the mules in the air and making the chariot fall to earth, but Ravan picked up Sita and leapt unharmed to the ground and when tired Jatayu attacked him he cut off the eagle’s wings.

Surely the whole epic conflict could not simply be Sita’s fault, Boonyi Kaul thought. “Jatayu, you have died for me,” Sita cried out. That was true. But how could the responsibility for everything that followed the abduction, the eagle’s fall, the countrywide search for the missing princess, the mighty war against Ravan, the rivers of blood and mountains of death, be laid at the door of Ram’s revered wife? What a strange meaning that would give to the old story-that women’s folly undid men’s magic, that heroes had to fight and die because of the vanity that had made a pretty woman act like a dunce. That didn’t feel right. The dignity, the moral strength, the intelligence of Sita was beyond doubt and could not so trivially be set aside. Boonyi gave the story a different interpretation. However much Sita’s family members sought to protect her, Boonyi thought, the demon king still existed, was hopelessly besotted by her, and would have to be faced sooner or later. A woman’s demons were out there, like her lovers, and she could only be coddled for so long. It was better to be done with magic lines and to confront your destiny. Lines in the dirt were all very well but they only delayed matters. What had to happen should be allowed to happen or it could never be overcome.

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