Margaret Atwood - The Edible Woman

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Ever since her engagement, the strangest thing has been happening to Marian McAlpin: she can't eat. First meat. Then eggs, vegetables, cake, pumpkin seeds-everything! Worse yet, she has the crazy feeling that she's being eaten. Marian ought to feel consumed with passion. But really she just feels…consumed. A brilliant and powerful work rich in irony and metaphor, The Edible Woman is an unforgettable materpiece by a true master of contemporary literary fiction.

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Now there were only the globular silver decorations to add. One went in each eye, for a pupil. With the others she made a floral design on the pink dress, and stuck a few in the hair. Now the woman looked like an elegant antique china figurine. For an instant she wished she had bought some birthday candles; but where could they be put? There was really no room for them. The image was complete.

Her creation gazed up at her, its face doll-like and vacant except for the small silver glitter of intelligence in each green eye. While making it she had been almost gleeful, but now, contemplating it, she was pensive. All that work had gone into the lady and now what would happen to her?

“You look delicious,” she told her. “Very appetizing. And that’s what will happen to you; that’s what you get for being food.” At the thought of food her stomach contracted. She felt a certain pity for her creature but she was powerless now to do anything about it. Her fate had been decided. Already Peter’s footsteps were coming up the stairs.

Marian had a swift vision of her own monumental silliness, of how infantile and undignified she would seem in the eyes of any rational observer. What kind of game did she think she was playing? But that wasn’t the point, she told herself nervously, pushing back a strand of hair. Though if Peter found her silly she would believe it, she would accept his version of herself, he would laugh and they would sit down and have a quiet cup of tea.

She smiled gravely at Peter as he came up out of the stairwell. The expression on his face, a scowl combined with a jutting chin, meant he was still angry. He was wearing a costume suitable for being angry in: the suit stern, tailored, remote, but the tie a paisley with touches of sullen maroon.

“Now what’s all this…” he began.

“Peter, why don’t you go into the living room and sit down? I have a surprise for you. Then we can have a talk if you like.” She smiled at him again.

He was puzzled, and forgot to sustain his frown; he must have been expecting an awkward apology. But he did as she suggested. She remained in the doorway for a moment, looking almost tenderly at the back of his head resting against the chesterfield. Now that she had seen him again, the actual Peter, solid as ever, the fears of the evening before had dwindled to foolish hysteria and the flight to Duncan had become a stupidity, an evasion; she could hardly remember what he looked like. Peter was not the enemy after all, he was just a normal human being like most other people. She wanted to touch his neck, tell him that he shouldn’t get upset, that everything was going to be all right. It was Duncan that was the mutation.

But there was something about his shoulders. He must have been sitting with his arms folded. The face on the other side of that head could have belonged to anyone. And they all wore clothes of real cloth and had real bodies: those in the newspapers, those still unknown, waiting for their chance to aim from the upstairs window; you passed them on the streets every day. It was easy to see him as normal and safe in the afternoon, but that didn’t alter things. The price of this version of reality was testing the other one.

She went into the kitchen and returned, bearing the platter in front of her, carefully and with reverence, as though she was carrying something sacred in a procession, an icon or the crown on a cushion in a play. She knelt, setting the platter on the coffee table in front of Peter.

“You’ve been trying to destroy me, haven’t you,” she said. “You’ve been trying to assimilate me. But I’ve made you a substitute, something you’ll like much better. This is what you really wanted all along, isn’t it? I’ll get you a fork,” she added somewhat prosaically.

Peter stared from the cake to her face and back again. She wasn’t smiling.

His eyes widened in alarm. Apparently he didn’t find her silly.

When he had gone – and he went quite rapidly, they didn’t have much of a conversation after all, he seemed embarrassed and eager to leave and even refused a cup of tea – she stood looking down at the figure. So Peter hadn’t devoured it after all. As a symbol it had definitely failed. It looked up at her with its silvery eyes, enigmatic, mocking, succulent.

Suddenly she was hungry. Extremely hungry. The cake after all was only a cake. She picked up the platter, carried it to the kitchen table and located a fork. “I’ll start with the feet,” she decided.

She considered the first mouthful. It seemed odd but most pleasant to be actually tasting and chewing and swallowing again. Not bad, she thought critically; needs a touch more lemon though.

Already the part of her not occupied with eating was having a wave of nostalgia for Peter, as though for a style that had gone out of fashion and was beginning to turn up on the sad Salvation Army clothes racks. She could see him in her mind, posed jauntily in the foreground of an elegant salon with chandeliers and draperies, impeccably dressed, a glass of scotch in one hand; his foot was on the head of a stuffed lion and he had an eyepatch over one eye. Beneath one arm was strapped a revolver. Around the margin was an edging of gold scrollwork and slightly above Peter’s left ear was a thumbtack. She licked her fork meditatively. He would definitely succeed.

She was halfway up the legs when she heard footsteps, two sets of them, coming up the stairs. Then Ainsley appeared in the kitchen doorway with Fischer Symthe’s furry head behind her. She still had on her blue-green dress, much the worse for wear. So was she: her face was haggard and in only the past twenty-four hours her belly seemed to have grown noticeably rounder.

“Hi,” said Marian, waving her fork at them. She speared a chunk of pink thigh and carried it to her mouth.

Fischer had leaned against the wall and closed his eyes as soon as he reached the top of the stairs, but Ainsley focussed on her. “Marian, what have you got there?” She walked over to see. “It’s a woman – a woman made of cake!” She gave Marian a strange look.

Marian chewed and swallowed. “Have some,” she said, “it’s really good. I made it this afternoon.”

Ainsley’s mouth opened and closed, fishlike, as though she was trying to gulp down the full implication of what she saw. “Marian!” she exclaimed at last, with horror. “You’re rejecting your femininity!”

Marian stopped chewing and stared at Ainsley, who was regarding her, through the hair that festooned itself over her eyes, with wounded concern, almost with sternness. How did she manage it, that stricken attitude, that high seriousness? She was almost as morally earnest as the lady down below.

Marian looked back at her platter. The woman lay there, still smiling glassily, her legs gone. “Nonsense,” she said. “It’s only a cake.” She plunged her fork into the carcass, neatly severing the body from the head.

PART THREE

31

I was cleaning up the apartment. It had taken me two days to gather the strength to face it, but I had finally started. I had to go about it layer by layer. First there was the surface debris. I began with Ainsley’s room, stuffing everything she had left behind into cardboard cartons: the half-empty cosmetic jars and used lipsticks, the strata of old newspapers and magazines on the floor, the desiccated banana peel I found under the bed, the clothes she had rejected. All the things of mine I wanted to throw out went into the same boxes.

When the floors and furniture had been cleared I dusted everything in sight, including the mouldings and the tops of the doors and the windowsills. Then I did the floors, sweeping and then scrubbing and waxing. The amount of dirt that came off was astounding: it was like uncovering an extra floor. Then I washed the dishes and after that the kitchen window curtains. Then I stopped for lunch. After lunch I tackled the refrigerator. I did not examine closely the horrors that had accumulated inside it. I could see well enough from holding the little jars up to the light that they had better not be opened. The various objects within had been industriously sprouting hair, fur or feathers, each as its nature dictated, and I could guess what they would smell like. I lowered them carefully into the garbage bag. The freezing compartment I attacked with an ice pick, but I discovered that the thick covering of ice, though mossy and sponge-like on the outside, was hard as a rock underneath, and I left it to melt a little before attempting to chip or pry it loose.

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