Margaret Atwood - The Edible Woman

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Ever since her engagement, the strangest thing has been happening to Marian McAlpin: she can't eat. First meat. Then eggs, vegetables, cake, pumpkin seeds-everything! Worse yet, she has the crazy feeling that she's being eaten. Marian ought to feel consumed with passion. But really she just feels…consumed. A brilliant and powerful work rich in irony and metaphor, The Edible Woman is an unforgettable materpiece by a true master of contemporary literary fiction.

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I slid out of my chair, trying to be as inconspicuous as possible, walked across the room avoiding the other tables with great care, and went out to the Ladies’ Powder Room. Checking first to make sure no one else was in there – I couldn’t have witnesses – I locked myself into one of the plushy-pink cubicles and wept for several minutes. I couldn’t understand what was happening, why I was doing this; I had never done anything like it before and it seemed to me absurd. “Get a grip on yourself,” I whispered. “Don’t make a fool of yourself.” The roll of toilet paper crouched in there with me, helpless and white and furry, waiting passively for the end. I tore some of it off and blew my nose.

Some shoes appeared. I watched them carefully from under the door of my cell. They were, I decided, Ainsley’s shoes.

“Marian!” she called. “Are you all right?”

“Yes,” I said. I wiped my eyes and came out.

“Well,” I said, trying to sound controlled, “getting your sights set?”

“We’ll see,” she said coolly. “I have to find out more about him first. Of course you won’t say anything.”

“I suppose not,” I said, “though it doesn’t seem ethical. It’s like bird-liming, or spearing fish by lantern or something.”

“I’m not going to do anything to him,” she protested. “It won’t hurt.” She took off her pink bow and combed her hair. “But what’s wrong? I saw you start to cry at the table.”

“Nothing,” I said. “You know I can’t drink very much. It’s probably the humidity.” By now I was perfectly under control.

We walked back to our chairs. Peter was talking at full speed to Len about the different methods of taking self-portraits: with reflecting images in mirrors, self-timers that let you press the shutter-release and then run to position and pose, and long cable-releases with triggers and air-type releases with bulbs. Len was contributing some information about the correct focussing of the image, but several minutes after I had sat down he gave me a quick peculiar look, as though he was disappointed with me. Then he switched back to the conversation.

What had he meant? I glanced from one to the other. Peter smiled at me in the middle of one of his sentences, fondly but from a distance, and then I thought I knew. He was treating me as a stage prop; silent but solid, a two-dimensional outline. He wasn’t ignoring me, as perhaps I had felt (did that account for the ridiculous flight?) – he was depending on me! And Len had looked at me that way because he thought I was being self-effacing on purpose, and that if so the relationship was more serious than I had said it was. Len never wished matrimony on anyone, especially anyone he liked. But he didn’t know the situation; he had misinterpreted.

Suddenly the panic swept back over me. I gripped the edge of the table. The square elegant room with its looped curtains and muted carpet and crystal chandeliers was concealing things; the murmuring air was filled with a soft menace. “Hang on,” I told myself. “Don’t move.” I eyed the doors and windows, calculating distances. I had to get out.

The lights flicked off and on and one of the waiters called “Time, gentlemen.” There was a pushing back of chairs.

We descended in the elevator. Len said as we stepped off, “The evening’s young, why don’t you all come over to my place for another drink? You can take a look at my teleconverter,” and Peter said “Great. Love to.”

We went out through the glass doors. I took Peter’s arm and we walked on ahead. Ainsley had cut Len out from the herd and was allowing him to keep her safely behind.

On the street the air was cooler; there was a slight breeze. I let go of Peter’s arm and began to run.

9

I was running along the sidewalk. After the first minute I was surprised to find my feet moving, wondering how they had begun, but I didn’t stop.

The rest of them were so astonished they didn’t do anything at all for a moment. Then Peter yelled, “Marian! Where the hell do you think you’re going?”

I could hear the fury in his voice: this was the unforgivable sin, because it was public. I didn’t answer, but I looked back over my shoulder as I ran. Both Peter and Len had started to run after me. Then they both stopped and I heard Peter call, “I’ll go get the car and head her off, you try to keep her out of the main drag,” and he turned around and sprinted off in the other direction. This disturbed me – I must have been expecting Peter to chase me, but instead it was Len who was galloping heavily along behind me. I turned my head to the front just in time to avoid collision with an old man who was shambling out of a restaurant, then glanced back again. Ainsley had hesitated, not knowing which of them to follow, but now she was bouncing off in the direction Peter had taken. I saw her wobble in a flounce of pink and white around the corner.

I was out of breath already, but I had a good head start on them. I could afford to slow down. Each lamp post as I passed it became a distance marker on my course: it seemed an achievement, an accomplishment of some kind to put them one by one behind me. Since it was bar-closing time there were quite a few people on the street. I grinned at them and waved at some as I went by, almost laughing at the surprise on their faces. I was filled with the exhilaration of speed; it was like a game of tag. “Hey! Marian! Stop!” Len called behind me at intervals.

Then Peter’s car turned the corner in front of me on to the main street. He must have driven around the block. That’s all right, I thought, he’s got to go across to the other lane, he won’t be able to reach me.

The car was on the far side of the road, coming towards me; but there was a gap in the line of traffic, and it spurted forward and swivelled into a reckless U-turn. It was parallel to me now, slowing down. I could see Ainsley’s round expressionless face peering at me through the back window like a moon.

All at once it was no longer a game. The blunt tank-shape was threatening. It was threatening that Peter had not given chase on foot but had enclosed himself in the armour of the car; though of course that was the logical thing to do. In a minute the car would stop, the door would swing open… where was there to go?

By this time I had passed the stores and restaurants and had come to a stretch of large old houses set well back from the street, most of which, I knew, were no longer lived in but had been converted into dentists’ offices and dress-making establishments. There was an open wrought-iron gateway. I plunged through it and ran up the gravel drive.

It must have been some sort of private club. The front door of the house had an awning over it, and the windows were lit up. As I hesitated, hearing Len’s footsteps pounding nearer along the sidewalk, the front door started to open.

I couldn’t be caught there; I knew it was private property. I leapt the small hedge by the side of the driveway and skittered diagonally across the lawn into the shadows. I visualized Len pelting up the driveway and colliding with the outraged forces of society, which I pictured as a group of middle-aged ladies in evening dress, and was momentarily conscience-stricken. He was my friend. But he had taken sides against me and would have to pay the price.

In the darkness at the side of the house I paused to consider. Behind me was Len; on one side was the house, and on the other two sides I could see something that was more solid than the darkness, blocking my way. It was the brick wall attached to the iron gate at the front; it seemed to go all the way around the house. I would have to climb it.

I pushed my way through a mass of prickly shrubberies. The wall was only shoulder high; I took off my shoes and threw them over, then scrambled up, using branches and the uneven bricking of the wall as toe-holds. Something ripped. The blood was throbbing in my ears.

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